Archive for the Interviews Category

Pet Sounds #76: Cat Lovers Psychic Pigs Named Their Band as a Derogatory Slur Jabbing the Police

Posted in Features, Interviews, Pet Sounds with tags , , , , on 01/10/2026 by Kurt Orzeck

What do punk-rockers Psychic Pigs have in common with The Simpsons? The band’s name is a derogatory slur toward cops and their streak of brutality, and the long-running animated TV show features a piggish cop, Chief Wiggum, as one of its central characters. But don’t make the mistake of thinking Psychic Pigs are haters; Brandon Welchez adores cats, as he revealed to The Bad Penny this week as part of our Pet Sounds series.

Based in L.A., Psychic Pigs put out a new album in May 2025 through Slovenly Recordings (quite a coincidence considering that “slovenly” is a commonly used descriptor of pigs). Welchez, formerly of psych posse Crocodiles, crafted the self-titled effort – one of last year’s best psychedelic records – in a mere four days. While we could’ve picked Welchez’s brain about pigs and crocodiles, we focused on his cat, Henry, as Pet Sounds revolves around musicians and their pets.

Here’s how our conversation played out:

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Exclusive Song Stream: Stranguliatorius’ ‘When I Lift the Coffin Lid’

Posted in Exclusives, Interviews with tags , on 01/09/2026 by Kurt Orzeck

“Stranguliatorius” might not be as difficult a band name to spell and pronounce as “Sanguisugabogg,” but you’d be a fool to wager against the former band’s comparable ferocity. Hailing from Lithuania – name another music act that comes from that country, and we’ll buy you a horse – the ear-shattering, crusty death metal quintet drops its new album today via Horror Pain Gore Death.

The five-piece band, which also laces its songs with grindcore, consists of Iggy (vocals), Švedas (guitars), Mr. Adam (guitars), Dr. Dovis (bass) and Kaplerėzas (drums).

They recently told The Bad Penny in an exclusive statement that, on their third go-’round making a full-length, “Working together again felt natural – a familiar process with people who know how to let the music speak for itself and help bring it out the right way.”

The equally generous and grotesque gang granted The Bad Penny the opportunity to premiere one of the songs on the Flies Don’t Lie, named “When I Lift the Coffin Lid.”

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On Tyranny: Israeli Punk Band the Crotches Say Netanyahu Epitomizes ‘Lowest Point of Israeli Decay’

Posted in Features, Interviews, On Tyranny, On Tyranny with tags , , , , , , , , , on 01/07/2026 by Kurt Orzeck

“We were brought up in a loving home that encouraged peace and equality. The more we educated ourselves on those values the more we realized that we were being indoctrinated to believe that Israel is the sole protagonist in this conflict and that any other opinion is a betrayal.”
-The Crotches

As regular or even semi-regular browsers of The Bad Penny‘s On Tyranny series may have noticed, we tend to shy away from presenting interviews with participating artists in text form. That’s principally due to the sensitive nature of the series’ overarching theme – how fascism and authoritarianism directly damage musicians and other artists both professionally and personally. Typically, we opt for video, as that artistic medium captures the seriousness and emotional intensity of the subject more powerfully than written accounts.

Enter The Crotches. Germinated and anchored by three brothers, the Tel Aviv garage-punk band departed from their home country roughly two years ago and settled in Las Vegas.

The punk squad – who were conscripted to serve in Israel’s military – made the tough decision to leave in large part because of immoral actions taken by the Israeli government, which is controlled by war criminal and Israeli Prime Minister Benjamin Netanyahu, along with his Likud Party. Additionally, the musicians are anti-Zionist.

What follows is the entirety of The Bad Penny‘s conversation with Crotches frontman/vocalist Alonzo and guitarist Amitkes, who answered our questions in tandem – and with a truly admirable degree of transparency and courage.

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Sire Languish Says Paul McCartney Could Be ‘Responsible for the Death of Art’

Posted in Interviews with tags , , , , , , , on 01/07/2026 by Kurt Orzeck


I don’t have doubts about something I’ve committed to.”
-Garrett Bussanick

Garrett Bussanick is arguably the consummate metonymy for experimental black/ death metal, in that he breathes an inextinguishable fire. It’s all-consuming, too; his flames of fury have fired up projects like the active Sire Languish and Aeviterne; as well as his past bands Tombs, Flourishing, Arson, Cardiovascular Sub-Hypothermia and El-Ahrairah.

Pull to God EP is Bussanick’s first solo record, on which he performs all instruments and – thus – presumably bares his soul in full (if he believes there’s such a thing as a soul). Spring Effete issued the four-song release roughly a month ago, and The Bad Penny caught up with Bussanick soon after that.

Below is our conversation, conducted via email.

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On Tyranny: Musician Joe Turmes, No Kings Organizer, Says What You Can Do to Help Resist Fascism

Posted in Features, Interviews, On Tyranny, On Tyranny, Videos with tags , , , , , , , on 01/07/2026 by Kurt Orzeck

Joe Turmes is an instrumental figure in mobilizing the No Kings protests in Idaho and one of the key resistance movement leaders in Idaho. He recently participated in The Bad Penny‘s On Tyranny series for a conversation about Idaho 50501’s efforts to push back against ICE, galvanize local organizations under common causes (rejecting fascism among them) — and why the music community in Boise and beyond is instrumental (pun intended) in fighting back against Trump’s authoritarian takeover.

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Porch Coffin Frontman and Bad Penny Geek Out Over Nirvana, From the Hits to the Rarities

Posted in Interviews, Videos with tags , , on 12/22/2025 by Kurt Orzeck

At a memorial ceremony for Kurt Cobain held April 12, 1994, Nirvana bassist Krist Novoselic delivered a brief eulogy that continues to resonate with great potency today.

“No band is special, no player royalty. But if you’ve got a guitar and a lot of soul, just bang something out and mean it. You’re the superstar,” he said. “Heck, use your guitar as a drum, just catch the groove and let it flow out of your heart.”

Not too many years after that, a kid named Evan Blaine in Daytona, Florida, was given his first CD, Nirvana’s In Utero, from his brother. Some of the songs were already familiar to him, as Blaine’s brother and father used a guitar tablature book to learn how to play tunes from Nirvana Unplugged in the family living room.

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The Visionaries: Jeremy Moore and Saccharine Underground – A Comprehensive Career Overview 

Posted in Features, Interviews, The Visionaries with tags , , on 12/22/2025 by Kurt Orzeck

Hop over to Veil of Sound to read my exhaustive primer on the works of ultra-prolific musician Jeremy Moore, currently the top story on the respect German music website. You may recall the artistic genius from his edition of The Bad Penny‘s On Tyranny series. Now you have the chance to acquaint yourself with the sheer size, scope and high quality of Moore’s many music endeavors.

For more installments in The Bad Penny’s Visionaries series, check out:

• The Visionaries: Sadness Finds His ‘Purpose’ in Music, Readies for Breakout Year in 2026
• The Visionaries: ‘Dungeon Synth’ Master Jute Gyte Exudes Empathy in Rare Interview
• The Visionaries: Journey to the Center of Aaron Turner

On Tyranny: Thalia Zedek Suggests ‘Artists Should Boycott Playing the United States’

Posted in Features, Interviews, On Tyranny, On Tyranny with tags , , , , , , , on 12/21/2025 by Kurt Orzeck

*Please subscribe to this channel for future installments of The Bad Penny’s “On Tyranny” series, which focuses on the damage that Authoritarian America is causing to the careers and personal lives of artists.*

The legendary Thalia Zedek’s influence on alternative music through her groups Uzi, Live Skull and Come cannot be overstated. Additionally, a long-lost EP by another one of her projects, Via, finally saw the light of day courtesy of Dromedary Records.

This week, Zedek became the highest-profile artist yet to participate in “On Tyranny.” She talks about how she is taking action to fight the attack on democracy by Trump and corporations; how she fears for the safety of Ethiopian poet Mihret Kebede, with whom she has collaborated; and why drastic moves like foreign artists refusing to tour the United States until the country rights itself should be on the table.

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Big Takeover #97: Too Much Joy Says ‘Nowadays, It’s as Good as It Ever Was’

Posted in Interviews with tags , on 12/21/2025 by Kurt Orzeck

The newest print edition of The Big Takeover – for which its publisher, editor, and perhaps the best person on earth, Jack Rabid, has graciously allowed me to contribute for 23 years – is now available for purchase. If you believe in punk rock and for which it stands, buy it. Among my 10 contributions is an interview with Too Much Joy, who are having the times of their lives after reuniting 10 years ago. (Read their installment in my On Tyranny series here.) Buy the damn mag; it’s 170 pages long, a work of art in its own right and only costs seven bucks.

On Tyranny: Nightrage Guitarist Scolds Complicit Public for ‘Looking the Other Way’ as Democracy Dies

Posted in Interviews, Lists, News, On Tyranny, On Tyranny with tags , , , , , , on 12/18/2025 by Kurt Orzeck

Little did The Bad Penny expect that a feature called “The 20 Best Scandinavian Melodic Death Metal Bands of All Time” that we published five days ago would become the most popular post in the history of this 15-year-old website in its entire existence. But that’s exactly what the headbangers ordered, and it’s spurring us to run some spinoff articles about bands made the cut on the list but that we’ve never had the pleasure of interviewing.

Reaching out to the bands on the list that aren’t as popular as your In Flames, Amon Amarth and Dark Tranquillity, we were reminded that Gothenburg is the historic city that birthed more than just three MDM bands. Nightrage guitarist Marios Iliopoulos said he was both flattered to be recognized and that their artistic output is just as strong as many of the other bands included on the rundown.

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