“If I’m focusing on sources of human suffering, then maybe it would be nice to put [part of the proceeds I earn from selling that] material to try to alleviate some of that suffering.”
-Jute Gyte
This year, The Bad Penny has had the incredibly unexpected, transformational, good fortune of interviewing more than 200 musicians across the globe. But as 2025 (mercifully) comes to a close, we’ve reflected on many of those conversations and come to realize that we connected with some truly exceptional human beings who just happen to make music.
These are individuals who often but don’t always work in isolation, truly treat making music as a cherished endeavor, take their work seriously, have a very strong work ethic and regiment – and, as a result, transcend the simple act of songcraft, recording and performing live.
To these remarkable individuals, music is not a diversion, and certainly not a means to striking it rich or becoming famous. They devote themselves to their craft because it is their vocation, their calling – not their calling card to getting signed to an oily record contract.
Last week, The Bad Penny unofficially launched a new series, which we’re calling “The Visionaries” – a term each humble subject of the series will surely reject, but sorry guys, them’s the breaks – with an uncharacteristically intimate look into the creative process and soul of underground legend Aaron Turner that Treble generously published.
For the first “official” edition of the series “The Visionaries” published on The Bad Penny, we are thrilled to present you a conversation with perhaps the most unsung drone-metal musician of the century, Jute Gyte (Adam Kalmbach). If his name doesn’t sound familiar, don’t be embarrassed; hell, this guy flies so low under the radar, he would probably rather you don’t know who is, so long as his music is getting out there and assuaging some music listeners (particularly those who gravitate toward challenging listens).
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