Archive for On Tyranny

On Tyranny: Dumb Waiter, the Next Big Thing in Noise Rock, Say ‘It’s Hard Not to Be Political’ Now

Posted in Features, Interviews, On Tyranny, On Tyranny, Videos with tags , , , , , , on 07/29/2026 by Kurt Orzeck

Dumb Waiter’s saxophone player and vocalist, Tristan Brennis, is wise to the fact that many musicians are speaking out in resistance to MAGA and fascism because the war being wages is between right and wrong, not right and left.

“In this day and age, you know, in 2026, it’s kind of hard not to be political,” he says. “I don’t think, when writing [our new] album … any of us intended to make it political. I think it’s just we’re a reflection of our surroundings. You close your eyes, you blink, and all of a sudden, you’re like, ‘Wait a second, we’re actually pretty pissed off.'”

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On Tyranny: Remembering Frank Kozik, Album Art Illustrator and Antagonist of Authoritarianism

Posted in Features, In Memorium, On Tyranny, On Tyranny with tags , , , , , , , , , , on 07/25/2026 by Kurt Orzeck

A little over three years ago, unparalleled album art illustrator Frank Kozik – best known for being embraced by the stoner-rock community – or, as The New York Times gently worded it, “graphic artist best known for his posters for alternative rock bands.” While The Bad Penny was not in a position at the time to celebrate his and grieve his passing, now feels as good time as any to do so.

To be clear, Kozik’s widow, Sharon Kozik, is in control of his social media accounts. While she hasn’t posted copiously, she did publish the following in January:

“Frank would often tell me stories about what it was like growing up in Spain under Franco’s fascist dictatorship. He moved to America when he was 15 to escape it. Much of his artwork deals with the themes of rebelling against fascism, mocking it. He fully embraced our right of freedom of expression and open political discourse. Regardless of your political beliefs we must keep America free from government tyranny and police snatching people off the street, from their homes, schools.”

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On Tyranny: Guitarist for UK Thrash Phenoms Struck a Nerve – Who Has a PhD in Russian Foreign Policy – Talks Ukraine Conflict

Posted in Features, Interviews, On Tyranny, On Tyranny with tags , , , , , , , on 07/22/2026 by Kurt Orzeck

“Americans and the British, we really struggle to understand and put ourselves in the feet of Russian leaders who truly, truly believe that if they’re not seen as an equal great power, their state will collapse.”

-Struck a Nerve guitarist and Russian foreign policy expert Nathan Sadd

If you’re a thrash metal fan, what are you doing when you’re not windmilling your long hair or gesticulating air guitar riffage till you fall through the makeshift box spring “bed” in your parents’ basement? Perhaps reorganizing your CD collection yet again, indecisive over whether it should start with albums by the Big Four or strictly abide by alphabetical norms by putting Acid Drinkers’ releases before Anthrax’s? Get a job, son!

Like Nathan Sadd, for example, who holds the unusual status as a guitarist in maybe the most exciting British thrash band of the moment – Struck a Nerve – all the while maintaining the pride of his parents and the respect of academics as an expert on the topic of Russian foreign policy as proven by the PhD he received in international relations from the University of Oxford. Yeah, that’s a mouthful, but an overachiever like Sadd deserves it.

When we posted most of our interview with the guitarist late last year, we reserved a side conversation about Russia’s war against Ukraine for a future edition of On Tyranny. Seven months later, one would think we missed our opportunity to post the chat due to outdatedness. But, oddly enough, the chat is still relevant thanks to a turn of events in Ukraine that can only be compared to very, very rare foreign entanglements – like, as Walter Sobchak would say, “our current situation” in Iran … or one of the “visits” we’ve paid to the country to which he was referring in The Big Lebowski, Iraq … or Afghanistan … or Russia’s own past quagmire in that same land.

Here’s how our exchange went:

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On Tyranny: Leetham, Queer Pop Artist Who Grew Up Mormon, Mocks MAGA for Getting ‘Star Wars’ Canon Backward

Posted in Features, Interviews, On Tyranny, On Tyranny, Videos with tags , , , , , , , , , on 07/18/2026 by Kurt Orzeck

Vibrant SLC newcomer Leetham wants to be taken seriously – but only by people who also know how to throw down on the dance floor. Raised in a Mormon household and now embraced by the queer community with which he proudly associates himself, he’s furious that intolerance is driving trans kids to suicide. He’s also mystified as to why young MAGA don’t seem to grok that the Dark Side were the villains in Star Wars. Yeah, folks, it’s worse than we thought out there.

Catch Leetham in concert soon when he opens for another ascendant pop newbie, Zee Machine – and in the meantime, savor his recently released, four-track, must-get EP, KINK, for all its worth.

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On Tyranny: Belgian Music Magazine Editor Creates Benefit Comp to Fund Ukrainians Amid Russian Horrors

Posted in Features, Interviews, On Tyranny, On Tyranny, Videos with tags , , , , , on 07/17/2026 by Kurt Orzeck

Before Russia unleashed its shocking, abhorrent, genocidal and unlawful invasion into Ukraine in February 2022, Bernard Van Isacker – Chief Editor of Side-Line – didn’t have designs on focusing his music publication on current affairs and events per se. “But it did happen,” Isacker, a Belgian citizen, confided in a candid interview with The Bad Penny on Friday, July 17. “I had witnessed something I never imagined … [would be] possible in a democratic country. Tyranny can hit quite close sometimes. You’d never imagine this would be possible in a democratic country, but it happens,” Isacker continued. “And it happened to me. [Not to mention] a lot of crap being published online about myself.”

In response, Isacker spearheaded an initiative to help the people of Ukraine. Specifically, a pay-what-you-want-compilation called United 1 – The Freya Files, a various-artists dark-wave compendium issued by Side-Line. The collection just came out today.The track list is below:

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On Tyranny: Garage-Rock Band Joudy Escaped Venezuela Cartel Violence, Found Asylum in US – but Still Live in Fear. Here Is Their Story.

Posted in Features, Interviews, On Tyranny, On Tyranny, Videos with tags , , , , , , on 06/29/2026 by Kurt Orzeck

Imagine your dream is to be a rock star – an aspiration that’s probably occurred to many readers of this website. Now imagine that you work as hard as you possibly can, exhausting all your drive and motivation, squeezing every drop of your creativity and spending every moment at your disposal to make your dream come true.

And it does, because there is still some justice in this world, and because perseverance and the human spirit can lead to extraordinary outcomes. You’ve established your heavy-psych/garage-rock band in your homeland of Venezuela, you’re continuing to put in the hard work, you’re gaining traction, you’re building a fanbase. And then – without any time to prepare or redraw the plan for your future that you’ve had all along – you’re upended by external factors that are totally out of your control, and threaten your life, the lives of those you love, and your lifelong ambitions. Marauding gangs of drug dealers and thugs with no regard for human life are willing, ready and able to extinguish yours without a second thought and the simple pull of a trigger or slice of a blade.

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On Tyranny: Black-Metal Band Qasu Says Release of Anti-ICE Song the Day After Renée Good’s Murder Was ‘Chilling’

Posted in Features, Interviews, On Tyranny, On Tyranny, Videos with tags , , , , , , on 06/23/2026 by Kurt Orzeck

Is it redundant to say that black-metal bands don’t fuck around writ large? If that question is bouncing around in your brain, try to shake it out of your ear – or at least save yourself a punishing amount of embarrassment, and maybe even your life, by never posing that question to Qasu. Well, at least when they’re not draped in cloaks. The British/American trio refer to their harrowing sound as “ancient future black metal,” the most badass name for the subgenre of another subgenre.

If the above pic doesn’t make it abundantly clear, Qasu take their music very seriously. That fact is evident over the entire duration of A Bleak King Cometh, Qasu’s recently released debut LP created by Aldous Daniken (the trio’s so-called “instrumentation” pro), Rahsaan Sagan (voice and electronics) and Nikhil Talwalkar (drums). The tour-de-force is distributed in North America by Season of Mist, and released as a collaboration effort between Phantom Limb and Apocalyptic Witchcraft.

As with their music, Qasu appear to be equally serious about politics – that is, if the term still has any meaning given the existentially terrifying times in which we live. Mega props go to Qasu for speaking their mind about today’s unprecedented social ills, and refusing to self-censor or obey Trump America’s fascist authority figures in advance. And while we’re at it, shame on the artists, entertainers and Hollywood executives who aren’t addressing the most important debate of our lifetimes: what is right and what is wrong, not what is left or what is right. Their cowardly calculations to not stand up for their neighbors and defend civil rights are making it all the more difficult for those of us fighting the good fight.

When we came across Qasu earlier this year, we knew right away that the band gets its. And yet, for all the seriousness with which Qasu treat their music and beliefs, we discovered Daniken to be a ye olde merry jolly good fellow. (That’s how they talk in the United Kingdom, right?) Lucky for us, he carved out some time to speak with The Bad Penny for our ongoing series called On Tyranny. And now we bring you our conversation with Daniken (which we didn’t videotape this time around).

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On Tyranny: Swiss Grunge-Jazz Band District Five Warns MAGA Propaganda Is Corrupting Mainstream Entertainment

Posted in Interviews, On Tyranny, On Tyranny, Videos with tags , , , , , , , , on 06/21/2026 by Kurt Orzeck

Ten years ago, four multi-instrumentalists from Zürich, Switzerland, came together to form the we-dare-you-to-try-to-categorize-because-you-will-fail band District Five. “Intriguing” is probably the word that encapsulates the band, but in reality, District Five require – and are worthy of – much longer descriptions. This is one of those rare bands that can’t be figured out cerebrally; instead, District Five’s goal is to penetrate your heart and soul, making you remember what it’s like to feel the a human being again in an increasingly anti-human world.

Paul Amereller (drums, percussion), Tapiwa Svosve (vocals, synth, sax), Vojko Huter (vocals, guitar, synth) and Xaver Rüegg (bass) have reached a new pinnacle of musical proficiency and prowess with GLUT, the new District Five full-length that dropped in late May. (It’d be a cardinal sin not to mention that the esteemed Saul Williams appears on one of the songs.) Proving their enormous talents aren’t limited to just playing music, the band attached a manifesto of sorts to GLUT, and while The Bad Penny typically steers clear from quoting promotional materials, the missive is not only profound but explains the new District Five album and why the band is so well-suited for On Tyranny.

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On Tyranny: Why Musicians Must Speak Out Against MAGA – and Why Their Fans Must Support Them When They Do

Posted in Essays, Features, On Tyranny, On Tyranny with tags , , , , , , , , on 06/18/2026 by Kurt Orzeck

If you’ve enjoyed The Bad Penny‘s ongoing On Tyranny series, be sure to pick up the latest edition of The Big Takeover, underground music’s best magazine. Publisher, editor and perhaps the best person on earth Jack Rabid graciously allowed me once again to write one of the three coveted opinion essays that lead off the 160-page edition. My second commentary is a kindred spirit of the first, and both digs deep into the sums up lessons learned from On Tyranny. If you believe in punk rock and for which it stands, buy the newest issue of The Big Takeover.

On Tyranny: Emperor X Contends That Arts Communities Need Heterodoxy During Global Political Realignment

Posted in Essays, Features, On Tyranny, On Tyranny with tags , , , , , , on 06/04/2026 by Kurt Orzeck

Gifts come in all shapes and sizes. But The Bad Penny has never received nor published any piece of writing as remotely profound, thoroughly researched, detailed, brilliant, educational and exceptional as a dissertation-style thought piece/ intellectual analysis of this website’s On Tyranny series that Berlin-based American singer/songwriter Chad Randall Matheny, a.k.a. Emperor X, recently sent us. In his comprehensive analysis, Matheny discusses the connection that On Tyranny has to the broader worldwide trend that the educator and noise-pop provocateur refers to as “The Global Political Realignment” that is currently underway.

Before you dig into Matheny’s masterpiece, this seems like an appropriate time and place to tell readers of this website, and specifically On Tyranny, that maintaining it has been and continues to be a tremendous challenge. While I will elaborate on the story of the series at another time – truly, what Emperor X has created here is worthy of your attention more so than any other post on this website – publicists, musicians, friends and family members have recommended I halt or even terminate this series amid the growing threat of fascism in the U.S.

[Emperor X’s new album, Unified Field, will be issued by Bar/None and available for purchase starting June 26. Rest assured that The Bad Penny will cover the release heavily. Read more about Emperor X on his website; and his Instagram, Facebook and Bandcamp accounts.]

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