Archive for Renée Good

On Tyranny: Maria BC Reflects on ICE’s Minnesota Murders as Trump’s Vigilante Goon Squad Still Goes Unchecked and Terrorizes American Communities

Posted in Features, Interviews, On Tyranny, On Tyranny with tags , , , , , , , , , on 10/12/2026 by Kurt Orzeck

About a month ago, AllMusic rolled out our interview with Maria BC that mostly revolved around Marathon, an album that teems with more sincerity and human emotion than their past two releases, as it addressed Americans and the hardships they are currently experiencing. So as to focus on the trials and tribulations of the “average American,” we mostly avoided discussion of Trump, even though the majority of U.S. citizens are finally waking up to the reality that he is the source of so many of the country’s seemingly intractable problems.

Today, following the much-needed and frankly long-overdue “Power to the People” music festival/ extravaganza that Tom Morello hosted earlier this month, we bring you an excerpt from our interview with Maria BC that was left on the cutting-room floor but nevertheless deserves to be heard and read by those who care about the survivability of democracy; how Americans treat each other regardless of legal status; and what it will take for us to finally put a stop to the lawless, sociopathic atrocities that ICE is inflicting upon citizens, legal immigrants and other residents of the so-called “greatest nation on earth.”

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On Tyranny: Black-Metal Band Qasu Says Release of Anti-ICE Song the Day After Renée Good’s Murder Was ‘Chilling’

Posted in Features, Interviews, On Tyranny, On Tyranny, Videos with tags , , , , , , on 06/23/2026 by Kurt Orzeck

Is it redundant to say that black-metal bands don’t fuck around writ large? If that question is bouncing around in your brain, try to shake it out of your ear – or at least save yourself a punishing amount of embarrassment, and maybe even your life, by never posing that question to Qasu. Well, at least when they’re not draped in cloaks. The British/American trio refer to their harrowing sound as “ancient future black metal,” the most badass name for the subgenre of another subgenre.

If the above pic doesn’t make it abundantly clear, Qasu take their music very seriously. That fact is evident over the entire duration of A Bleak King Cometh, Qasu’s recently released debut LP created by Aldous Daniken (the trio’s so-called “instrumentation” pro), Rahsaan Sagan (voice and electronics) and Nikhil Talwalkar (drums). The tour-de-force is distributed in North America by Season of Mist, and released as a collaboration effort between Phantom Limb and Apocalyptic Witchcraft.

As with their music, Qasu appear to be equally serious about politics – that is, if the term still has any meaning given the existentially terrifying times in which we live. Mega props go to Qasu for speaking their mind about today’s unprecedented social ills, and refusing to self-censor or obey Trump America’s fascist authority figures in advance. And while we’re at it, shame on the artists, entertainers and Hollywood executives who aren’t addressing the most important debate of our lifetimes: what is right and what is wrong, not what is left or what is right. Their cowardly calculations to not stand up for their neighbors and defend civil rights are making it all the more difficult for those of us fighting the good fight.

When we came across Qasu earlier this year, we knew right away that the band gets its. And yet, for all the seriousness with which Qasu treat their music and beliefs, we discovered Daniken to be a ye olde merry jolly good fellow. (That’s how they talk in the United Kingdom, right?) Lucky for us, he carved out some time to speak with The Bad Penny for our ongoing series called On Tyranny. And now we bring you our conversation with Daniken (which we didn’t videotape this time around).

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