Pet Sounds #84: Still Bones Frontman Can’t Live Without Music – and Coda, His Gorgeous Pooch

Posted in Features, Interviews, Pet Sounds with tags , on 05/05/2026 by Kurt Orzeck

Roughly a month ago, emo-ish punks Still Bones unveiled a new EP. (Listen to it here.) Start/Stop is something of a blink-and-you-will-miss-it release, as the band barrels through its three songs at breakneck speed, with the entire release totaling only about eight minutes.

That said, Start/Stop captures the essence of the Baltimore band, which consists of John Gamble (vocals, guitar), Vinnie Burke (drums), Jake Butler (bass) and Ethan Salem (guitar). Gamble actually originated Still Bones as a solo project during COVID. He called it “a way to finally organize all the bits and pieces of songs I had written over the years. But the vision was always to be a full band, because being part of a scene and building community is what it’s all about.”

The band has stated that the light speed at which the release proceeds mirrors the urgency of modern times, with the world undeniably changing at an ever-increasingly rapid – and frightening – pace.

“There’s a lot of fucked up shit happening, and it’s hard to see any meaningful way to create change, so instead we just feel angry,” Gamble said. “This I want to rebel but don’t know how energy mixed with a one step forward two steps back sense of malaise is at the heart of Start/Stop.”

Helping keep Gamble stable and calm during these perilous times is his trusty dog Coda. Judging by what Gamble told us in his Pet Sounds submission, he’d be faced with a Sophie’s Choice were he forced to pick between Still Bones and Coda. Look at the below photos, and you’ll see why: Gamble has raised one very happy dog with a huge smile to prove it.

We recently caught up with Gamble to learn more about Coda and the crucial role she plays in his life.

Continue reading

Dumbo Gets Mad Ready to Barrel Through Boise Again After Treefort Breakthrough

Posted in Concert Previews, Interviews with tags , on 05/05/2026 by Kurt Orzeck

Three years ago, psychedelic-pop band Dumbo Gets Mad gave a rousing performance at Treefort Music Fest that left a massive foot-size imprint on Boise. Tonight they return to the city in the hopes of matching or even besting their previous show. The band is opening for Levitation Room – read The Bad Penny‘s 2019 interview for The Big Takeover and 2024 interview for New Noise – at Shrine Social Club.

Doors open at 7 p.m., with the show beginning an hour later with a set by Floating Witch’s Head (featuring Treefort co-founder Eric Gilbert). Buy tickets here for approximately $40 apiece.

In anticipation of Dumbo Gets Mad’s return to Boise, we caught up with frontman Luca Bergomi – who founded the band 15 years ago – via phone on Saturday. The Bad Penny picked his brain about how their tour is going, various records they’ve put out over the years and why asking the right question is often more important than arriving at the right answer.

Continue reading

On Tyranny: Ecce Shnak Leader Says ‘White European Plutocrat Supremacist Psychosis’ Has Gripped US

Posted in Features, Interviews, On Tyranny, On Tyranny, Videos with tags , , , , , , , , on 05/04/2026 by Kurt Orzeck

As marginalized Americans continue to get hammered by a new upper-class uppercut every day, at least so it seems, visionary composer/bassist/singer David Roush is turning his idealistic vision into a reality by directly helping those most in need. Roush is the frontman of Ecce Shnak (pronounced Eh-kay sh-knock), a five-piece art-rock band now in its 15th year. They describe their sound as “one part pop music, another part classical music, and a third part punk music.”

Rousch is one of the 100-plus musicians profiled in The Bad Penny‘s On Tyranny series who are taking action during the most perilous time for U.S. democracy in recent decades, if not centuries. Specifically, Roush is tirelessly trying to help get poet/philosopher Keith LaMar off death row, where he was relegated to an Ohio prison 30 years ago for crimes he allegedly didn’t commit.

Roush discusses LaMar’s case and shares his analysis about the abysmal state of America, Ecce Shnak and much more in the latest installment of On Tyranny.

Continue reading

Failure’s ‘Location Lost’: Two Cent Review

Posted in Album Reviews, Reviews with tags , on 05/04/2026 by Kurt Orzeck

Failure’s fourth post-reunion LP avoids trends in favor of songs that penetrate the heart—it’s as if the spacey grunge trio have finally found the magic they’ve had in themselves from the start. Read my FLOOD review.

On Tyranny: Nequient Vocalist Links America’s Current Catastrophes to Obama Haters’ ‘Deep-Seated Racial Animosity’ After He Was Elected President

Posted in Features, Interviews, On Tyranny, On Tyranny, Videos with tags , , , , , , on 05/03/2026 by Kurt Orzeck

Fans of grindcore no doubt are aware that Nequient – arguably Chicago’s greatest contribution to the subgenre – just spat out their third LP two Fridays ago on Nefarious Industries. One of the main themes on the nine-track Avarice fits in comfortably with The Bad Penny‘s ongoing On Tyranny series.

Vocalist Jason Kolkey shows no restraint in lambasting the greedy oligarchs who are stridently, shamelessly and soullessly puppet-mastering the U.S. economy into incalculable and perhaps unsalvageable economic ruin, particularly during Donald Trump’s fascist reign. It’s difficult which is more terrifying, Nequient’s unforgivable brutality or the nauseating avarice of the top 1 percent richest individuals in America.

Kolkey generously carved out some time late last week to elaborate on his highly charged and completely coherent positions with The Bad Penny. Dude knows what he’s talking about … Kolkey earned a PhD in English from Loyola University Chicago, and works as an independent scholar and writer when not declaring war on his vocal cords (and the ultra-wealthy) as the frontman of Nequient.

Continue reading

Jesus Lizard Screamer David Yow’s Acting Demo Reel Is Pure Gold

Posted in Favorite Films, Features, Videos with tags , , , , , , on 05/03/2026 by Kurt Orzeck

David Yow’s penchant for physical prowess is not only evident in his four decades as noise-rock’s ultimate madman; the Jesus Lizard frontman also taps into his mesmerizing contortions and transformations as an actor. Fans of Yow and his bands – which have also included Scratch Acid, Qui and Flipper – may be aware of his various forays in film, but only a select few have seen this wacky demo reel he used to clinch acting roles.

A short list of movies on Yow’s resumé include 2017’s I Don’t Feel at Home in This World Anymore with Elijah Wood; 2023’s The Toxic Avenger with Peter Dinklage; 2018’s Under the Silver Lake with Andrew Garfield; and the 2015 cult-favorite horror anthology Southbound.

Continue reading

Best New Music Videos (April 2026): Converge, Tiny Music, Foo Fighters, Tim Heidecker, Lamb of God, More

Posted in Lists, Videos with tags , , , , , , , , , on 05/02/2026 by Kurt Orzeck

Enjoy The Bad Penny‘s latest roundup of the best music videos that caught our eye last month. And be prepared to be both shocked and awed, as the songs and accompanying imagery run the gamut, to put it mildly.

1. Converge’s “Hum of Hurt”

2. Tiny Music’s “A Snack and Your Money Back”

Continue reading

New Zealand Band Dreamweb’s Dream of Making Experimental Metal Is Coming True

Posted in Interviews with tags , , , on 05/02/2026 by Kurt Orzeck

Split Enz. Crowded House. The Feelers. The Chills. Over the past 50 years, New Zealand has cultivated many bands that achieved an impressive amount of international success – especially for a country with only 5.3 million residents. Now, there’s a new contender from the island country, Dreamweb, that is seeking to join the ranks of those aforementioned titans.

Based in Wellington, Ian Moir and his partner, Tyley Burkin, formed Dreamweb in 2025 as band of the experimental noise/drone variety. But as the couple delved deeper and explored the possibilities of Dreamweb, they gradually incorporated hearty amounts of atmospheric doom and black metal.

Dreamweb kindly reached out to The Bad Penny around the time they released their debut single, “Call of the Void,” in mid-March. For metalheads, the song title might call to mind Denver’s now-defunct metalcore band Call of the Void or perhaps even death/doom-metal band Call ov the Void from Mexico. That is, until one listens to the New Zealand duo. Their sound is far more experimental, adventurous and diverse than those other two acts.

(Moir and Burki generously posted their single as a pay-what-you-want offering on their Bandcamp page.)

While we had a very pleasant chat with Moir, Dreamweb gifted us with something very, very cool: An exclusive conversation between the two bandmates that touches on pretty much everything you need to know about their band. Instead of presenting you with The Bad Penny‘s interview with Moir, we decided to defer to this rich exchange between him and Burkin.

Continue reading

Merry Brigade’s Joe Love Took Tips From Soundgarden, David Foster Wallace for His Aspiring (and Inspiring) New Band

Posted in Interviews, The Visionaries, Videos with tags , , , on 05/02/2026 by Kurt Orzeck

Earlier this week, The Bad Penny caught up with Joe Love, vocalist/guitarist of brand-new, badass Boston band Merry Brigade, who freshen up grunge-era alt-rock with a modern sound. The quartet — which also features Dave Holmes (guitar/backing vocals), Kevin Delprete (bass) and Ben Chase (drummer) — self-released their debut EP, DDD, in mid-March. After taking that first step, Merry Brigade are moving full-steam ahead, with their first full-length slated to come out later this year and a second LP — which the band is already toiling away at — poised to materialize in 2027.

Continue reading

Why David Bowie’s ‘Blackstar’ Still Resonates 10 Years Later

Posted in Essays with tags , , , , , on 05/02/2026 by Kurt Orzeck

One would be hard-pressed to name a rock star whose legacy can compete with that of David Bowie. The Thin White Duke’s timeless music is arguably more popular and resonant now than even in his ‘70s heyday. Even further, the singular social imprint he left — bending gender norms decades before doing so became culturally acceptable — continues to earn Bowie reverence among younger generations. In a manner that few artists other than Bowie are capable of, he capped off his indisputably enduring career with Blackstar, an album that scored the rare trifecta of critical, commercial, and artistic excellence.

David Bowie Shoots for the Stars — One Last Time

Whereas Bowie peer Lou Reed sadly passed away with a whimper of an album — Lulu, his ambitious yet ultimately lackluster collaboration with Metallica — Ziggy Stardust stuck the landing with his own highly experimental effort, 2016’s Blackstar. Ten years later, it remains confounding how Bowie cooked up a record that incorporated material from his off-Broadway musical Lazarus, genres ranging from jazz to art rock, and salutes to Kendrick Lamar and other unlikely musicians he respected.

From start to finish, Blackstar reflects an artist who had achieved a Buddha-level of enlightenment, as evidenced by his confidence and audaciousness to open it with the 10-minute title track. He wasn’t marinating in egoism or self-indulgence, though: One of the most humble yet ostentatious rock stars of all time entrusted his eight-member backing band to flex their experimental chops too. The rife-with-time-changes “Sue (Or in a Season of Crime)” and the piano-laced, mellifluous “Dollar Days” are the chief examples.

Continue reading