On Tyranny: Garage-Rock Band Joudy Escaped Venezuela Cartel Violence, Found Asylum in US – but Still Live in Fear. Here Is Their Story.

Posted in Features, Interviews, On Tyranny, On Tyranny, Videos with tags , , , , , , on 06/29/2026 by Kurt Orzeck

Imagine your dream is to be a rock star – an aspiration that’s probably occurred to many readers of this website. Now imagine that you work as hard as you possibly can, exhausting all your drive and motivation, squeezing every drop of your creativity and spending every moment at your disposal to make your dream come true.

And it does, because there is still some justice in this world, and because perseverance and the human spirit can lead to extraordinary outcomes. You’ve established your heavy-psych/garage-rock band in your homeland of Venezuela, you’re continuing to put in the hard work, you’re gaining traction, you’re building a fanbase. And then – without any time to prepare or redraw the plan for your future that you’ve had all along – you’re upended by external factors that are totally out of your control, and threaten your life, the lives of those you love, and your lifelong ambitions. Marauding gangs of drug dealers and thugs with no regard for human life are willing, ready and able to extinguish yours without a second thought and the simple pull of a trigger or slice of a blade.

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10 Best Free Bandcamp Downloads #15 (All LPs/EPs): Verdun, Austerity Program, In Tears, Holy Pinto, Malevich

Posted in Lists, MP3s with tags , , , , , , , , , on 06/28/2026 by Kurt Orzeck

Welcome to the 15th installment of The Bad Penny‘s Bandcamp Freebie series, in which we handpick our favorite free songs on the platform and dish them up for your consumption. We deserve lotsa high-fives this time around, because all 10 picks are full-lengths – of high quality, of course – which makes us the most benevolent music outlet on the website. And which, in turns, explains we’re so financially destitute there needs to be a new phrase for it.

(Note: If you’re financially capable of supporting any of these artists and/or labels, please consider doing so.)

1. Verdun – Abyssal Womb

You likely won’t remember – because it’d be weird if you did – that a Verdun song was feature on a compilation issued by our favorite most-generous record label, Transcending Obscurity, in January of this year. If you remember liking that song – we’ll say it again, you must have some kind of brain disorder or you’re wicked smaht, because we have zero recollection of it ourselves – then download Abyssal Womb immediately. They’re French. They traffic in the scummiest strains of metal: doom, blackened sludge, all the components of a healthy diet of despicable debris for the ears. Why aren’t you listening yet.

2. The Austerity Program – Backsliders and Apostates Will Burn

Yours truly interviewed The Austerity Program for Treble 13 months ago, and it was a good time. The better man participating in the conversations was fast-talking Justin Foley, one-half of the noise-rock duo, who works full-time as a union organizer as well. The band just posted their 2010 record, Backsliders and Apostates Will Burn, for free on Bandcamp. It’s the latest sign that Foley and his bandmate, bassist Thad Calabrese, are far more badass than the rest of us heathens ever will be.

3. Variant Cause – Hit Songs Vol. 1

Variant Cause are one of those bands that were so cool it’s like their speed was set to hyperdrive and we could only marvel at them zooming over our heads like that Empire Strikes Back scene in which Han, Leia, Chewy and C-3P-lame-0 witness something like that happening. Spokane’s Variant Cause were a revered anti-grunge band before the movement even started in Seattle; somewhat ironically, the most important grunge studio wizard, Jack Endino, has worked his magic on these Variant Cause tracks, and the results are righteous.

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Ripple Music Prez Details All ‘Beneath the Desert Floor’ Heavy-Psych LPs, Hints at New Fireball Ministry Album

Posted in Interviews, Lists, News with tags , , , , , , , , , on 06/28/2026 by Kurt Orzeck

Earlier this week, we brought you a long-overdue but hugely rewarding interview with Fireball Ministry co-founder and guitar virtuoso Emily Burton. The conversation revolved mostly around the desert-rock band’s big win in regaining the rights to their record The Second Great Awakening, which they then recently reissued in conjunction with their current label, Ripple Music (based in San Ramon, California).

Today, we focus on the series in which the reissue is part of: Beneath the Desert Floor, a program that Ripple Music President/CEO Todd Severin launched in January 2024. Best of all, said discussion revolves around an interview with – can you believe it? – Severin himself. Join us as one of most important figures in the world of heavy psych comments on each installment of the treasured series.

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The Who Sell Out – Again. This Time to Walmart. And for What?

Posted in Essays with tags , , , on 06/28/2026 by Kurt Orzeck

The Who is the greatest rock and roll band of all time that has consistently made itself hard to like. Or easy to hate, depending on your point of view. A band that should be easily considered one of the top three or five rock groups of all time are, as the years go on, struggling to stay in the top 25 because they continue to make bad decision after bad decision. All for the sake of snatching up another buck or two.

And we’re not even talking about Pete Townsend, Roger Daltrey, and for good measure Mick Jagger, Keith Richards and Paul McCartney – all of whom are older then Donald Trump – releasing new music. There’s no need to go there. It’s too easy a target. But of course we will: All the geriatric rock legends are guilty of continuing to poop out new music that should’ve remained a lump in their diapers but instead crawled its way, like some sentient glob animated by the special effects team of John Carpenter’s The Thing, onto our screens in the form of advertisements and ubiquitous purchase options.

It’s The Rolling Stones who are for some reason dead-set on claiming the throne of releasing awful music until the bitter end and perhaps using the unsold copies to insulate their mausoleum for heat. Their new album, Foreign Tongues, is due July 10 and should be the only non-American entity that the courts allow Trump to lock up in an undisclosed detention center.

But back to The Who and the pressing question that warranted this diatribe: What the fuck, man? Pete? Rog?

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Favorite Films: Dez Dare Digs Nicolas Cage, Mia Goth, ‘Moon,’ ‘Midsommar,’ ‘Ex Machina’ (and Puppets)

Posted in Favorite Films, Features, Interviews, Videos with tags , , , , , , , , , on 06/27/2026 by Kurt Orzeck

As we trudge through an cultural era of moribundity that will hopefully reach a conclusion some day, we rely more heavily on those of us who, while aware of the enshitification of the world, refuse to let it pop their bubble. One of the essential artists who lives his life in this regard is Darren Smallman, who goes by the name Dez Dare when performing his heartwarmingly zany, zest-for-life music with the reckless abandon of someone who refuses to let reality get him down.

Beginning in March, Dez started slipping out one song a month digitally, with the compiled result called These Days Are Wild & Blind and available now on Bandcamp.

Because we’ve interviewed Dez multiple times before about his music, we decided to rope him into our Favorite Films series this time around. Still, we’d be doing both him and you a disservice if we didn’t precede Dez’s film picks with this video for his new song “You Woke Up on My Side of Time.” (Pro tip: Never say no to puppets.)

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Built to Spill Bassist Melanie Radford Spent Years on Solo Debut – And Now She’s Already Planning Her Next One

Posted in Interviews with tags , , on 06/27/2026 by Kurt Orzeck

Yesterday saw the release of Sake of Stillness, the forever-in-the-works debut record by Built to Spill bassist Melanie Radford. Its poetic title reflects the care, time and patience the Boise musician put into an exquisite collection made available through Portland, Oregon’s Jealous Butcher Records.

The Bad Penny had never communicated with Radford, who now lives in Seattle and has a second band called Blood Lemon that started in 2018. That is, except for the time we obtained a quote from her in which she commented on Built to Spill’s performance at a Bernie Sanders and Alexandria Ocasio-Cortez rally held in neighboring Nampa earlier this year.

So, after seeing Radford perform with various projects at various venues on various occasions over the years, we were revved up to pick her brain and finally get to know her what makes her tick. We had the opportunity to do so on Wednesday, and what follows is the bulk of our conversation.

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Shoegaze Sensation Novulent Lacing Up for First Boise Show Tonight

Posted in Concert Previews, Interviews with tags , , on 06/27/2026 by Kurt Orzeck

More and more musicians seem to be playing their first gig in Boise these days, no doubt a sign of the city’s growth (150,000 more people live here now than in 2020). That gives Novulent, an up-and-coming shoegaze musician, an opportunity to convert many attendees into fans – whom the singer/songwriter affectionately refers to as his “novas.” The Bad Penny caught up with Novulent, who hails from Dallas, about playing Boise for the first time, what’s on tap for tonight’s show and which record is the tops.

Hiya Novulent. I can’t seem to find any indication you’ve played Boise before. Did you decide to come here simply because of routing, or were there other reasons why you chose to grace this city for the first time?

Honestly, I came here ’cause I wanted to explore [new places] this tour. Ninety-nine percent of these stops are in cities I’ve never been to. I’m a shut-in that stays in the house all day, playing with my cats, so [when it comes to] tour, I’m like, “Fuck it, let’s go anywhere.” My novas [fans] are worldwide, so I’m sure they appreciate me coming to their home.

Aside from integrating new material, is your set on this tour gonna be different in any other ways than in tours past?

Mainly songs off Vol. 3, my final Vol album [released in February]. It’s my most underrated work yet – too many sleep on it – so what better way to show it off then touring with it?

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Steve Albini Didn’t Give a Shit About Tambourines, Toadies Bassist Doni Blair Attests

Posted in Interviews, Videos with tags , , , , , on 06/26/2026 by Kurt Orzeck

Earlier this month, The Bad Penny caught up with Toadies bassist Doni Blair (who is a very cool dude, wouldn’t ya know) while the band was on tour with fellow ’90s-era alternative rock bands Local H and Sparta. The consummately down-to-earth bassist regaled us with a story about Steve Albini, who engineered the most recent Toadies record (The Charmer) – and that was just one of many jaw-dropping war stories he told in our freewheeling conversation.

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New Release Friday: Dead Pioneers, Haggus, Junius, Pixies, Aaron MF Olson, Toilet Rats, Unlettered

Posted in New Releases on 06/26/2026 by Kurt Orzeck

Atta Boy – Silt (Diamond City)
BCMC (Cooper Crain and Bill MacKay) – Stash (Drag City)
Jordan Burchel – With Everything Going On (self-release)
Chalk Teeth – s/t (DNLT)

Change Life – s/t (Meritorio)
Dead Pioneers – Wagon Burner (Hassle)
Forsmán – Brenndar Rústir & Fuðrandi Fjörur (Metal Blade)
Haggus – The Mincecore Manifesto EP (Tankcrimes)
• On Tyranny: Haggus Frontman Blasts Punk Bands’ Silence on Gaza, ICE
Into Eternity – Scattering of Ashes 20th anniversary vinyl edition (M-Theory)
Julez and the Rollerz – Dirty Little Rock ‘N’ Roller (Lolipop)
• Best New Music Videos (March 2026): Portrayal of Guilt, Robyn Hitchcock, Death Lens, Julez and the Rollerz, More
Junius – Sotera (Prosthetic)

Lowrev (feat. Joshua Fiedler of The Juliana Theory) – It’s Hard to Lie to Strangers (Equal Vision)
Aaron MF Olson – Songs Album II (Country Thyme)
• Best New Music Videos (May 2026): José González, Aaron MF Olson, Hayley and the Crushers, Downtown Boys
Outshine – Truthsayer (Eclipse)
Pixies – B-Sides 1988-1996 (vinyl only) (4AD)
Prime Creation – Souls of the Fallen (ROAR)
• 10 Best Swedish Heavy Bands Ever, According to Native Sons Prime Creation
Miracle – Living Likeness of My Electric Daemon (Relapse)

Nancy Sinatra – Movin’ With Nancy reissue (Light in the Attic)
Thætas – The Irredeemable Age (Profound Lore)
This Is Me Breathing – Serenity in Suffering (Arson Theory)
Toilet Rats – Black Cats (Steadfast/ Sweet Cheetah)

• Toilet Rats’ Boss Says Cats and Rats ‘Unite Against Common Foes’
Truck Violence – The weathervane is my body (The Flenser)

Unlettered – Devil’s Bowl (self-release)
• Post-Punk Band Unlettered Spell Joy for Foster Dogs

Go here for The Bad Penny‘s full new releases calendar.

The Visionaries: Lux Says ‘Joy’ Propelled Him to Make Post-Black Metal Split Release With Kindred Spirit Sadness

Posted in Features, Interviews, The Visionaries with tags , , , on 06/25/2026 by Kurt Orzeck

The greatest embarrassment a music journalist can experience isn’t accidentally misquoting what an artist said in an interview. It’s not asking a thoroughly banal question during an interview and not realizing how dumb it was until after the conversation concluded. It isn’t even rocking out at a concert, hard, for everyone to see, because the line between critic and fan can be so paper thin.

No, the real, deep-seated — even primal — despondency that courses through a music journalist’s body, shakes them to the core and compels them to reevaluate whether their opinion actually has any value whatsoever comes when the purportedly professional scribe “discovers” an exceptional musical talent, only to realize that thousands, or tens of thousands, or even hundreds of thousands of people caught onto the musician or band long before the supposedly intrepid journalist stumbled across them.

No one seemed to notice, but yours truly felt utterly ashamed in December after stumbling across blackgaze phenom Sadness and thinking the artist’s career was nascent. Turns out Damián Antón Ojeda (a.k.a. Elisa) launched the one-person project all the way back in 2013 and has released piles upon piles of records between then and now. Sadness also has a rabid fanbase, as evidenced by the 3,400 people who viewed our conversation on YouTube.

After sulking in self-pity for a spell, a new way of coping with the Sadness oversight arose. As Ojeda/Elisa frequently collaborates with other musicians who must be talented in their own right if Sadness chose to join forces with them, it made sense to start exploring some of those comrades. The experiment proved to be a success right away; after spinning a split EP called Dusk Garden that came out in October, we became introduced to the other participant, a musician from the Scottish Borders, south of Edinburgh, who goes by the name Lux and, like Sadness, has an affinity for post-black metal.

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