There isn’t a fine line between bands that get drawn into improv jamming as if Charybdis were beside them and acts that play consummately complex music while following sheet music they spent thousands of hours writing and revising. The line is about three feet thick.
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To the extent that “math rock” suggests playing guitar notes perfectly and usually one note at a time, some weight could be given to the otherwise esoteric term. The repeated usage of it to describe Don Caballero guitarist Ian Williams’ one-handed finger-tapping technique must’ve driven him close to losing his mind.
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“Wake up!” With those two words, the weirdest mainstream-crossover metal song of this century (its video has 1.5 billion views and counting on YouTube) still also stands as the loudest clarion call we’ve heard since Rage Against the Machine. That band’s protégé-ish followers, System of Down, took the baton from Rage and went on to come one of the most important “political” albums of this century: Toxicity.
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With all the hoopla surrounding bands boasting anniversaries of their major milestones, whether it be sticking together after 30-plus years or playing a tour after decades of dormany, it’s crucial that extreme metalheads don’t forget one especially important 2026 celebration, especially in the black-metal netherworld.
That would be the 40th anniversary of Norway’s Darkthrone, who influenced the development and dissemination of black metal around the world more than arguably any other band not named Emperor, Mayhem, Bathory or Burzum. This year also marks the 35th anniversary of the release of their debut, Soulside Journey – which also was, ironically, Darkthrone’s only death-metal album.
Recognizing those milestones, metal publication Antichrist Magazine – based appropriately in Hell, Norway – released the simply named but dense in high-quality material A Tribute to Darkthrone. It was one of a series of like-minded compilations the outlet has issued and dropped in late July. With enormous help from the rep behind that various-artists collection, we received a slew of testimonials from 12 of the 17 bands who contributed exclusive songs to the comp about why they worship at the altar of Darkthrone.
Continue readingPaper Girl, the Nashville-based emo/folk-punk project led by Sarah Gargano, has just put out the final single ahead of the release of a new album next month. It’s called “Ohio (Fall 2016),” and the video for it exclusively premieres today on The Bad Penny.
Paper Girl was also the title of Gargano’s first single, which itself referenced the John Green book Paper Towns. The new video for “Ohio (Fall 2016)” features the whimsical song playing as the artist bikes to a field, where she sits down and plays the song with a beaming smile on a sunny day. In addition to recalling the days of yore when her music was primarily of the emo variety, one can’t help but be reminded of the ongoing 2016 nostalgia meme, fueled in part by a Gen Z’s longing for pre-COVID days.
” ‘Ohio (Fall 2016)’ is a song I wrote from my high school boyfriend’s perspective about watching me go to college in Ohio and have fun without him after breaking up,” Gargano told The Bad Penny. “It’s probably the folkiest/cutesiest song on the album and the most similar to the songs I was releasing under my actual name.
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Welcome to the biggest – and hopefully best – installment of Bad Penny Freebies. These songs – which we test-ran a bunch of times to ensure they qualified. I just tried to make sure they’re solid listens, if not solid-gold hits. They also run the gamut musically more than any Freebies edition. But due to the massive number of free downloads we’re pointing to you this week, we’re gonna have to keep the descriptions short.
Home: NYC
Genre: Doom and drone metal with some power electronica
Label: Chrome Peeler
2. BeachMaster‘s One Is None demo
Home: Reno, Nevada
Genre: Black metal psych jazz
Label: self-release
After grunge stuck a dagger into the heart of guitar heroics, along came Jack White to defend the value of virtuosity. He laid out his case on Elephant—after all, as only one of two members of the White Stripes, he had to pour every ounce of his creativity into his sole instrument, right? (White later cinematically demonstrated his innovative techniques and “reinvention” of playing guitar in the 2008 documentary It Might Get Loud with U2’s The Edge and Led Zeppelin’s Jimmy Page.)
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Godflesh and Neurosis are heralded as the shamen of post-metal, but heirs to the throne Isis helped evolve the avant garde end of heavy music into a transcendent and even mystical reimagining of the sound. Isis’ Oceanic is almost unanimously regarded as a classic record.
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Elder weren’t exactly elder statesmen in the doom-metal body politic upon releasing their third album. But they were staunchly convinced that a little more of everything was needed. More volume. More melody. More prog-rock passages that’d break up the monotony of the hypnotic riffs.
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In the late aughts, when the majority of the most innovative and provocative punk bands had stepped out of the pool and toweled off, Toronto’s Fucked Up came running across the backyard out of nowhere and cannonballed into the water with such weight that even those standing at a safe distance got soaked.
The Bad Penny (beta) 