Archive for the Reviews Category

John Carpenter, Cody Carpenter & Daniel Davies’ ‘Cathedral’ Soundtrack: Two Cent Review

Posted in Album Reviews, Reviews with tags , , on 08/27/2026 by Kurt Orzeck

Without the cinematic accompaniment, John Carpenter’s music releases—Lost Themes, Lost Themes II, Lost Themes III: Alive After Death and Lost Themes IV: Noir—are, similar to the band Goblin, or the music David Lynch issued late in his life, sometimes frustrating in that one instinctually wants moving images to accompany them. This time around, Carpenter tries to bridge that gap—the artist is notorious for doing whatever the hell he wants to do, whenever he wants to do it—with Cathedral, the soundtrack to a graphic novel of the same name.

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Mclusky’s ‘My Pain and Sadness Is More Sad and Painful Than Yours (2026 Remaster)’: Two Cent Review

Posted in Album Reviews, Reviews with tags , , , on 08/26/2026 by Kurt Orzeck

The theme of mclusky’s first foray into recorded music has remained intact ever since My Pain and Sadness Is More Sad and Painful Than Yours’ initial release. It established that, right out of the gate, drummer Mat Harding, guitarist/vocalist Andrew Falkous and bassist/vocalist Jon Chapple were so sardonic that they must’ve had their tongues pressing against their cheeks throughout the entire record (whether that be of the demos or the studio versions of the songs). To ask whether mclusky were more devoted to late ’90s/early ‘00s sarcasm or social commentary would be the equivalent of calling heads or tails before a soccer game.

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Untitled With Drums’ ‘Made Flesh’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 08/24/2026 by Kurt Orzeck

With Made Flesh, it’s as if Untitled With Drums managed to turn their much weaker last album inside-out. This is not a raging album from start to finish. But the band has managed to make their songs’ quieter moments beatific instead of morose, and the loud passages replete with exaltation instead of cumbersome. (For the record, while some critics have pointed to other ‘90s bands as comparable to Untitled With Drums, it’s really the loud/quiet dichotomy that most closely aligns them with that era.)

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Wildest Concert Ever: mr.phylzzz Drummer Will Never Forget David Yow Pulling Out His Dong at Jesus Lizard Gig

Posted in Concert Reviews, Essays, Interviews, Reviews with tags , , , , , , on 08/21/2026 by Kurt Orzeck

(This recollection of a classic Jesus Lizard concert is brought to you by Danny Sein, drummer for self-described trashy grunge band mr.phylzzz from Chicago.)

The most unforgettable show I ever attended featured the Jesus Lizard performing at the Metro in Chicago on December 9, 2017.

There’s a reason I have a tattoo. The Jesus Lizard has been a consistent band in the soundtrack of my life from the time I first heard them at 18. I didn’t like their music when I first heard it, but like most things I end up obsessing over, it grew on me with a few oddly persistent listens. I went [to the show] with my buddies Allen and Donny. I was 22.

When Allen came to pick us up, he was already blasting Goat at a deafening volume. It was frigid and snowing on the drive from Grand Rapids to Chicago, and the highway was icy with a heap of snow already on the ground. We hit 131 South and “Mouth Breather” started. Likely because of the song, Allen had a bit of a lead foot in the Crown Vic, so we fishtailed into a ditch. Donny and I pushed it back up onto the highway. We were up to our calves in snow. As soon as Allen resumed driving, he said, “Where were we?” And he started “Mouth Breather” over again from the beginning.

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Ultra Lights’ ‘Pleasure’s All Yours’: Two Cent Review

Posted in Album Reviews, Reviews with tags , , on 08/21/2026 by Kurt Orzeck

Pleasure’s All Yours was crafted by a band from Atlanta that either doesn’t give a shit or is three sheets to the wind; the jury’s still out on that one. Either way, Ultra Lights are the real deal; we dare you to deny that claim after giving this, their first record, a full spin. Fans of Superchunk, Les Savy Fav and Sparta, take note. 

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Wild Pink’s ‘Still Coming Down’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 08/20/2026 by Kurt Orzeck

After documenting his recovery from cancer on 2024’s Dulling the Horns, Wild Pink’s John Ross returns with an album that reassures us that healing is always within our grasp.

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Hulder’s ‘Verbolgen’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 08/19/2026 by Kurt Orzeck

Whatever hang-up Hulder homes in on throughout Verbolgen, her response is an unwavering middle finger throughout seven of the record’s songs (the other two are instrumentals). “I stand unbowed” is her refrain over the course of “In Blood and in Earth,” which explicitly lays out two options in the face of adversity: “fall upon your knees” or “face the dawn as it glows.” Similar sentiments are located in the last album track with vocals, “View from Nemeton,” in which the Belgian-born artist evokes Prometheus Bound—knowingly or not—when she screams: “The eagle’s beak has ripped my corpse/ Here I shall remain.”

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Alienator’s ‘Brutal Occupation’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 08/19/2026 by Kurt Orzeck

It’s not a negative that Brutal Occupation is another Alienator EP with four strong songs. It’s actually the highest compliment that can be paid to a band that has been unwaveringly devoted to hardcore since day one — and, for our money, will probably adhere to that philosophy until their final day as a band. The word “authenticity” gets bandied about way too often these days, because it’s misused nine times out of ten. Alienator’s Brutal Occupation is what authenticity really sounds like. Read my full review on Post-Trash.

Castiel’s ‘All Returns to Hollow and Silence’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 08/17/2026 by Kurt Orzeck

Despite a scattered presence in Europe, even those intimately familiar with the violent genre would be hard-pressed to name a deathcore band from Austria. Well, here’s one for ya: Castiel, who hails from Klagenfurt and started gnashing their teeth and every other part of their bodies since 2014. Dudes have flown under the radar since then, not even getting an entry on heavy metal’s Wikipedia equivalent, Encyclopaedia Metallum.

Read my full review on AllMusic.

REZN’s ‘Cycles in the Infinite Dream’: Two Cent Review

Posted in Album Reviews, Reviews with tags , , , , on 07/28/2026 by Kurt Orzeck

After a decade together, Chicago psych-doom quartet REZN craft a second album for Sargent House, Cycles in the Infinite Dream, that’s as deadly serious in story as it is in execution.

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