Archive for the Reviews Category

Portrayal of Guilt’s ‘…Beginning of the End’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 07/17/2026 by Kurt Orzeck

Portrayal of Guilt seemed to come out of nowhere in 2017, but once they did, they stuck their tongue to the frozen light pole and released five LPs, six EPs and three singles while our heads were still trying to catch up to their murderous maelstrom of metal. Once we got a good look at ’em, the brilliance of the band was on their collective face.

On paper, one would’ve sworn numerous bands had melded black metal and post-hardcore. But what makes Portrayal of Guilt’s music so magical is that whatever one deigns to describe in words (and yes, this writer is fully aware of the irony at play here) doesn’t do justice to the sound that bursts out of their amps like flames from a nuclear explosion.

That Portrayal of Guilt has surreptitiously tried to sidle up to the “grunge” qualifier is as laughable as the band is serious: Be proud of what you’ve accomplished, guys, by continuing to marry two heavy subgenres (to reiterate, black metal and post-hardcore) with the same success that Deafheaven did with black metal and shoegaze.

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Mono’s ‘Snowdrop’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 07/16/2026 by Kurt Orzeck

Just like poker players have a “tell,” so do songs by eminently admired post-rock instrumentalists Mono. Faintly reminiscent of The Twilight Sad or Godspeed, but not enough to call them copycats, Mono songs typically start on a gentle note, slowly crescendo into a state of guitar noise, burst into a shimmering shower of affirmation, and conclude with a carefully crafted, rarely abrupt descent. Perhaps because Mono fans are accustomed to the shape of the band’s songs, or more likely due to the fact that this is the post-rock squadron’s 13th studio effort, Snowdrop is their smoothest deployment thus far.

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Warning’s ‘Rituals of Shame’: Two Cent Review

Posted in Album Reviews, Reviews with tags , on 07/16/2026 by Kurt Orzeck

Warning‘s Rituals of Shame is an album effectively 20 years in the making, if not necessarily literally. Frontman Patrick Walker has released plenty of material during that time, but what we have here are five doom-metal masterpieces rather ironically untainted by the very trappings of the subgenre: repetition taken to tedious extremes, fogs of pot smoke so thick that the listener is blinded by what might very well be beauty at the core; overindulgence for overindulgence’s sake. Particularly on songs like “Station,” “Landing Lights” and “Night Comes Dawn,” Walker has created something fresh and new: clear-eyed, focused, minimalist yet illustrious doom metal. Perhaps it’s because he’s reached a transcendent understanding of the human condition, or something like it; the word “love” appears six times in the lyrics to the five songs.

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Mekons’ ‘Horrorble (Mekons vs. Tony Maimone in Dub Conference)’

Posted in Album Reviews, Reviews with tags , , , , on 07/16/2026 by Kurt Orzeck

At the ripe age of 50, Leeds post-punk/alt-country collective Mekons revisit last year’s under-the-radar Horror LP as a dub record with the aid of Pere Ubu’s Tony Maimone.

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Gunner’s ‘Reality Soldier’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 07/15/2026 by Kurt Orzeck

In case you haven’t noticed, the most disorienting senselessness that exists in our world is the reality we suffer through each and every day. As much as the vast majority of us would not only prefer not to hear the sound of reality but block our ears with our palms with such force that we might squash our own skulls like melons, Gunner buck up and administer the soundtrack of everyday life with Reality Soldier, an eleven-and-a-half minute brutal assault that leads you to re-evaluate the question, “can I hold my breath for that long if I submerge myself in water?”

Read the rest of my Post-Trash review here.

Cola’s ‘Cost of Living Adjustment’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 06/18/2026 by Kurt Orzeck

It appeared that Montreal’s post-punk squad Cola tried to pull a fast one when they formed in 2020. After all, properly capitalizing all the letters in their name would’ve clearly indicated it was an acronym and not a synonym for soda—which, in all fairness, would’ve been equally bland. On this, their third record, the trio finally come clean by confirming through its title that their handle is, in fact, a phrase used in the titillating field of economics and employment contracts.

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Converge’s ‘Hum of Hurt’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 06/05/2026 by Kurt Orzeck

Released just a few months after the more metal-leaning Love Is Not Enough, Converge course-correct by balancing the scales with hardcore on their second LP of 2026.

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Black Lung’s ‘Forever Beyond’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 06/02/2026 by Kurt Orzeck

With Forever Beyond, the title of which alludes to their limitless ambitions, Black Lung have fully embraced their psychedelic proclivities. In doing so, their experimentalism reaches greater heights than ever before; such exploratory tendencies are one of the main characteristics of psychedelic music. Somewhat similar to Jason Spaceman embellishing and expanding his vision for Spiritualized with each successive album, Black Lung incorporated not only the aforementioned add-ons but also the bouzouki and cello on Forever Beyond.

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Two Cent Review: Elder’s ‘Through Zero’

Posted in Album Reviews, Reviews with tags on 06/02/2026 by Kurt Orzeck

With their seventh LP, heavy psych-rockers Elder demonstrate what experimental majesty a band can create when they’ve spent two decades working to play together on the same wavelength.

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Future Islands’ ‘From a Hole in the Floor to a Fountain of Youth’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 06/01/2026 by Kurt Orzeck

Synthpop outfit Future Islands celebrate 20 years together by propping up their lesser known material, affirming the value of these cutting-room-floor songs that the band knew they had all along.

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