Cooped up in a flat in South London, partners Kathy Wright (vocals, guitar)) and Helen Skinner (vocals, bass) decided too take the big plunge around 2014 and embrace another member of their modest family: a cat adoringly and uniquely named Crayon. While the indie-pop group has made no secret of their biggest fan and booster, they recently reached out to The Bad Penny to rave about their lovely little companion. Trust us, both their remarks and the song SassyHiya pale in comparison to the smoosh-ability of their priceless feline.
Continue readingPet Sounds #95: London Queer Indie-Pop Duo SassyHiya Adore Their Kitty’s Sassy Antics
Posted in Features, Interviews, Pet Sounds with tags Pet Sounds, SassyHiya on 10/13/2026 by Kurt OrzeckFuming Mouth: Ringing in a New Chapter
Posted in Interviews with tags Chuck Schuldiner, Control Denied, Death, Fuming Mouth, Mark Whalen, Triple B on 10/13/2026 by Kurt Orzeck“It doesn’t matter who you are – we’re all human, you know – even if you reach this point of victory and you conquer death and all that, the bell still tolls for thee.”
Those are some of the first words uttered by Fuming Mouth mastermind Mark Whalen. As Central Massachusetts as they come, Whelan is direct and blunt, and his concision is not only evident in what he says in conversation but what he pours into his hardcore-meets-death-metal project.
Fuming Mouth’s early recordings flaunted Whalen adeptness at guitar, bass and vocals — and, in the words of Whelan he knew he had struck gold “immediately.” Whelan divulges his trick as follows “The goal isn’t to be the heaviest band. It’s to make good songs. … And it was never even to build a fan base; it was about a scene and a community. I want to contribute to hardcore and add my little piece to it.”
Continue readingExclusive Premiere: Desert-Rock Pioneer Crumpler Explores Love’s ‘Perpetual Mystery’ on New Song, Video With Califone Founder
Posted in Exclusives, Interviews, Videos with tags Califone, Crumpler, desert rock, Jacob Floyd Ross, Kyuss, QOTSA, Queens of the Stone Age, Red Red Meat on 10/13/2026 by Kurt OrzeckSmooshing together desert-rock fuzz and surf-rock licks like peanut butter and jelly, the sandwich that Jacob Floyd Ross’ Crumpler project delivers in the form of Evolution Is for Lovers is a throwback to a more innocent and less drug-fueled era dominated by bands like Kyuss and Queens of the Stone Age, who ascended to the rock throne in California’s Palm Desert in the mid-’90s.
Crumpler, effectively a one-man project, actually originated in Chicago after Kyuss issued their debut, Wretch, in September 1991. Crumpler’s first release, the cassette-only Stramonium – an original score for Tom Kiehfuss’ play Stramonium: A Search for Grace – didn’t come out until four years later, at which point Ross formally established his project. Meanwhile, Kyuss guitarist Homme incepted QOTSA shortly thereafter in California’s Palm Desert and propelled the desert-rock sound into the mainstream. Ross went in a different direction, intending for Crumpler to serve as a generator (so to speak, for all you desert-rock fans) to make scores for films and theatrical productions.
That said, Crumpler’s many records are available on the project’s Bandcamp page. His most recent release is Evolution Is for Lovers, which came out digitally in June 2025 but will see a vinyl release on October 23. Ross, who currently resides in L.A. with his family, has also played with Low Skies, Ribbon Effect, The Warmbloods, Man Is Man and Judson Claiborne.
Continue readingWhat ‘Led Zeppelin IV,’ Fleetwood Mac’s ‘Rumours’ and Pink Floyd’s ‘Dark Side of the Moon’ Have in Common
Posted in Essays with tags Fleetwood Mac, Led, Pink Floyd, Zeppelin on 10/13/2026 by Kurt Orzeck
AllMusic brings you the three best ‘70s classic rock albums — which is to say, the triptych of full-lengths that achieved our website’s coveted perfect score. Comb through our archives, and you will inevitably discover what a rarity it is for any album to land that prized accolade. In light of that once-in-a-blue-moon score, we assert that the three records that were released in the 1970s and that are listed below defined the decade itself.
Continue readingWhat the Hell Happened to Orbit Culture?
Posted in Essays, Sound Off with tags cheesy, melodeth, Niklas Karlsson, Orbit Culture, Stryper, Swedish, W.A.S.P., Winger on 10/12/2026 by Kurt OrzeckIf you happen to pass me walking the streets of Boise these days and don’t see that I have a tail, it’s because it’s between my legs.
In the 18 years I’ve operated this website – or blaaaag, as the peanut gallery derides it – I’ve issued a mea culpa from time to time. The specific instancess don’t come to mind at the moment, nor did they when I spent some more moments fishing around for flubs I’ve made in the past. But I admit they’re out there; after all, when you’ve published more than a thousand posts on a website, not to mention thousands more articles for magazines and other media outlets, there are bound to be some regrets.
But it appears my biggest misjudgment of all time on The Bad Penny has arrived and its name is Orbit Culture. Haven’t heard of them? Lucky for you, at least as far as their present attitude is concerned. As a sucker for Swedish melodic death metal, I glommed on to the band led by reliably downcast – neigh, ever-frowning, and even perpetually peeved – vocalist and rhythm guitarist Niklas Karlsson.
Continue readingTop 10 Best Chinese Metal Bands, According to Homegrown Heathens Dehumanizing Itatrian Worship
Posted in Features, Interviews, Lists, Videos with tags Armed Conflict, Black Kirin, China, DeadTrees, Deep Mountains, Dehumanizing Itatrian Worship, Mvltifission, Never Before, Tumourboy, Zuriaake on 10/12/2026 by Kurt OrzeckWhen we launched what we’re unofficially calling The Bad Penny Passport earlier this year, we never would’ve imagined we’d get a submission from a Chinese heavy metal band listing what they consider to be the top 10 bands of their ilk who also hail from their country. (Frankly, we didn’t think we’d score one from a Russian musician either.) But thanks to the devoted efforts of one of our closest allies, Jon Asher of Asher Media Relations, the truly unlikely came to fruition. Think of it as our version of Guns N’ Roses’ Chinese Democracy gambit.
Lots more info on Dehumanizing Itatrian Worship – a brutal slamming death metal group founded in 2014 – is below. But first, let’s take a look at what they consider to be the top 10 best metal bands in their homeland of China.
1. Tumourboy
One of my favorite Chinese thrash metal bands. Some punk influence makes the songs really aggressive; I lean toward fast riffs, and the arrangement and vocals are both well done.
2. Zuriaake
This is probably one of the most famous black metal bands in China. Perfect fusion of black metal and Eastern aesthetics.
Continue readingChat Pile’s ‘Who Loves the Sun’: Two Cent Review
Posted in Album Reviews, Reviews with tags Chat Pile on 10/12/2026 by Kurt OrzeckIn the strongest sign yet that the quixotic quartet known as Chat Pile are neither to be underestimated nor to be considered a band that’s only willing to strike the iron while it’s hot, they have delivered Who Loves the Sun. While that news no doubt titillated fans, many of us wondered, “Yes, but do they have anything left to say?” The answer, of course, is an unmitigated yes.
Continue reading10 Best Bandcamp Free Downloads #22: Nadja, Left Arm Tan, Mom Jeans, Paper Girl, Serpent Column, Oceanlord
Posted in Lists, MP3s with tags Bandcamp Freebies, Foreign Body, Genocide Kvlt, Left Arm Tan, Mead Thief, Mom Jeans, Nadja, Oceanlord, Paper Girl, Serpent Column on 10/11/2026 by Kurt Orzeck1. Najda‘s BSP Live Series: 2026-09-23 Tokyo
Home: Berlin, Germany
Genre: Experimental ambient doom metal
Label: Broken Spine Productions
2. Paper Girl‘s i (instrumentals of covers) EP
Home: Nashville
Genre: Instrumental ukulele bedroom pop
Label: Self-release
3. Genocide Kvlt‘s Promo 2025 EP
Home: Lubsko, Poland
Genre: Black metal
Label: Self-release
Favorite Films: Radio Karma Dig ‘Evil Dead,’ ‘Rock ‘n’ Roll High School,’ Multiple Tim Burton Flicks, ‘Stopmotion’
Posted in Favorite Films, Features, Interviews, Videos with tags Ed Wood, Evil Dead, Evil Dead 2, Joe Giddens, movies, Nightmare Before Christmas, Radio Karma, roger corman, Sam Raimi, Tim Burton on 10/11/2026 by Kurt OrzeckWelcome to the latest installment in our Favorite Films series, in which we chat up musicians about the movies they treasure the most. Today we host Radio Karma, a power-pop/rock project led by lyricist/songwriter Richard Rossi and multi-instrumentalist Joe Giddings, who was previously a member of Star Collector and has his own solo material to boot. Radio Karma recently released a three-song EP, We Were Gods, which we’ll tell you more about in the near future. But as it’s the weekend, when we bring you new installments of Favorite Films, we’re rolling out this part of our conversation with the gentlemen first.
Enjoy learning about Rossi’s and Giddings’ most treasured movies … we can virtually guarantee at least a couple of them will be new to you.
Joe Giddings’ Favorite Films
Evil Dead (1981): “I watched that in the theater 13 or 14 times. I started doing call-outs during the movie, like The Rocky Horror Picture Show. In one scene, the lady’s being dragged across the floor, drenched and covered in blood. And you see her from top to bottom, and there’s barely any blood on her. So there’s a continuity [issue] there, and as that’s happening, I’m yelling, “Got a tough stain?” which at the time was [a commonly used phrase in laundry detergent] commercials. Everybody in the theater cracked up. (2:45) Apart from that silliness, I appreciated the practical effects, the stop motion and the comedy that was involved.”



















