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Wildest Concert Ever: mr.phylzzz Drummer Will Never Forget David Yow Pulling Out His Dong at Jesus Lizard Gig

Posted in Concert Reviews, Essays, Interviews, Reviews with tags , , , , , , on 08/21/2026 by Kurt Orzeck

(This recollection of a classic Jesus Lizard concert is brought to you by Danny Sein, drummer for self-described trashy grunge band mr.phylzzz from Chicago.)

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The most unforgettable show I ever attended featured the Jesus Lizard performing at the Metro in Chicago on December 9, 2017.

There’s a reason I have a tattoo. The Jesus Lizard has been a consistent band in the soundtrack of my life from the time I first heard them at 18. I didn’t like their music when I first heard it, but like most things I end up obsessing over, it grew on me with a few oddly persistent listens. I went [to the show] with my buddies Allen and Donny. I was 22.

When Allen came to pick us up, he was already blasting Goat at a deafening volume. It was frigid and snowing on the drive from Grand Rapids to Chicago, and the highway was icy with a heap of snow already on the ground. We hit 131 South and “Mouth Breather” started. Likely because of the song, Allen had a bit of a lead foot in the Crown Vic, so we fishtailed into a ditch. Donny and I pushed it back up onto the highway. We were up to our calves in snow. As soon as Allen resumed driving, he said, “Where were we?” And he started “Mouth Breather” over again from the beginning.

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Thank You, Bad Penny Readers!

Posted in Essays, News with tags on 08/18/2026 by Kurt Orzeck

Thank you to the devoted readers of this unconventional, iconoclastic and oftentimes just plain nutty music website – and also to those who just happened to stumble across it – for making Aug. 18, 2026, the most highly traffic day since The Bad Penny launched November 25, 2009. Traffic is not the be-all, end-all of this website, but it’s also worth noting that we surpassed our total numbers for the entire year of 2025 early last month.

Every single prop (that’s what the cool kids say nowadays instead of “all the props,” so get onboard, yo) goes to the readers who have consumed (we prefer “ingested”) one or more of our tens of thousands of posts, whether they be the multitudinous stories on The Jesus Lizard – who we are proud to say is the most popular band on The Bad Penny – to our invaluable (which is to say, value-less) post on the Best Albums of 1909.

Every day till all this goes away, we’ll continue to try to both educate and entertain you, turn Bad Penny readers on to good music, steer them away from crapola, buck trends, go against the grain, reject social media (except YouTube, which is our guilty-pleasure equivalent of Obama sneaking out for a cig), protecting all of us in this space from AI infiltration and, most importantly, adhere to what we consider to be our values as best we can.

If you ever have any valuable feedback, ideas worth sharing, rad bands you’d like to see get more coverage and that are a good fit for this website, don’t not never hesitate to contact me directly at korzeck at gee male dot calm. (Apologies for the tortured language; such are the rules on the battlefield in the war against the bots.)

Long live great music, great people with great character (we gotta get around to working on that someday) and great animals. And, lest it need be said, down with tyranny.

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Favorite Films: If You Loved ‘Backrooms,’ You’ll Probably Dig ‘The Cell’ Too

Posted in Essays, Favorite Films, Features with tags , , , , , , , , , on 07/28/2026 by Kurt Orzeck

To the surprise of no one, the summer blockbuster to beat is Christopher Nolan’s The Odyssey which, based on the reactions of critics and average-joe moviegoers alike, seems to be the best movie of all time ever made ever in the history of all times. But there’s still a curious mid-card match taking place far more unexpectedly: the jostling between two very low-budget psychological horror flicks, Obsession and Backrooms. Both are very unnerving, mostly sparing in the use of violence, and tap into Americans’ widespread fear these days of psychological insanity and not knowing what’s real (cough, MAGA, cough) versus physical violence.

The Bad Penny highly recommends both films – and one more, although it dates back 26 years. The Cell was a thoroughly original horror movie (more so than sci-fi, the genre in which it was primarily marketed and classified). It starred Jennifer Lopez, Vince Vaughn and Vincent D’Onofrio, who didn’t make for the strongest acting ensemble, but that issue was mitigated by the fact that visionary Indian director Tarsem Singh helmed The Cell.

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Mastodon’s Release of a Heart-Wrenching Video About the Death of Ex-Bandmate Brent Hinds Was a Tragic Mistake

Posted in Essays with tags , , , , on 07/19/2026 by Kurt Orzeck

(I don’t typically break the third wall on The Bad Penny, because my grandmother taught me it was rude to use the word “I,” it creates distance with the reader, and the goal of this website is to focus on bands and not a hack journalist like me. But in this instance, as Mastodon are responsible for deeply enriching my love of heavy music – and because I don’t want to suggest the opinion I’m about to set forth is held by anyone other than myself – I’m breaking my rule.)

Mastodon are the most important heavy band of the 21st century. (Queens of the Stone Age ceded the throne with their softer, but no less righteous, “Matador trilogy.”) When I first saw them in concert – at Knitting Factory Hollywood in February 2004, in support of their Remission debut – the 300-person venue seemed on the verge of spontaneous combustion during their entire set. There was no need – or ability – to cut a rug; the floor was shaking with such force that those of us who didn’t intend to jump up and down in place didn’t have the option to do so.

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The Who Sell Out – Again. This Time to Walmart. And for What?

Posted in Essays with tags , , , on 06/28/2026 by Kurt Orzeck

The Who is the greatest rock and roll band of all time that has consistently made itself hard to like. Or easy to hate, depending on your point of view. A band that should be easily considered one of the top three or five rock groups of all time are, as the years go on, struggling to stay in the top 25 because they continue to make bad decision after bad decision. All for the sake of snatching up another buck or two.

And we’re not even talking about Pete Townsend, Roger Daltrey, and for good measure Mick Jagger, Keith Richards and Paul McCartney – all of whom are older then Donald Trump – releasing new music. There’s no need to go there. It’s too easy a target. But of course we will: All the geriatric rock legends are guilty of continuing to poop out new music that should’ve remained a lump in their diapers but instead crawled its way, like some sentient glob animated by the special effects team of John Carpenter’s The Thing, onto our screens in the form of advertisements and ubiquitous purchase options.

It’s The Rolling Stones who are for some reason dead-set on claiming the throne of releasing awful music until the bitter end and perhaps using the unsold copies to insulate their mausoleum for heat. Their new album, Foreign Tongues, is due July 10 and should be the only non-American entity that the courts allow Trump to lock up in an undisclosed detention center.

But back to The Who and the pressing question that warranted this diatribe: What the fuck, man? Pete? Rog?

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Edge of Sanity Frontman Dan Swanö Reveals 10 Swedish Bands That Made Their Way Into His Musical DNA

Posted in Essays, Lists with tags , , , , , , , , , on 06/23/2026 by Kurt Orzeck

It’s a preeeeety safe bet to say that Dan Swanö belongs on the Mount Rushmore of Swedish melodic death-metal musicians. Not only did he help engender the extreme-metal genre with his bands Edge of Sanity, Nightingale, Unicorn, Pan-Thy-Monium and about two dozen more (see for yourself), his knowledge of the musical strain is unparalleled. To put it simply, without Dan Swanö, there probably wouldn’t be melodic death metal (and all its latter-year torchbearers, like At the Gates, In Flames, Dark Tranquillity and the like).

We connected with Dan “The Man” Swanö after publishing our 20 Best Scandinavian Melodic Death Metal Bands of All Time feature in mid-December. Little did we know that posting the piece would result in a reaping of dividends like communicating and collaborating with some of the most revered musicians in the metal underground, not to mention other enthusiasts concocting their own best-of lists and sending them to The Bad Penny so we could, in turn, share them with you. (After finishing this read, check out some of the other submissions from true, authentic metal musicians like Swanö. They’re listed at the end of the article.)

Swanö was so generous in providing us with loads of memories, thoughts and commentary about how he fell in love with music, his coming-of-rage years and how he became so well-versed in Sweden’s distinct brand of metal that we will likely run a sequel story in the not-too-distant-future. (So long as you engage in the conversation with us by submitting comments, sending in your own lists and the like, that is.)

And with that, let’s hear from the immortal Dan Swanö about the bands and songs that helped make him the metal god that he became and continues to be to this day.

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On Tyranny: Why Musicians Must Speak Out Against MAGA – and Why Their Fans Must Support Them When They Do

Posted in Essays, Features, On Tyranny, On Tyranny with tags , , , , , , , , on 06/18/2026 by Kurt Orzeck

If you’ve enjoyed The Bad Penny‘s ongoing On Tyranny series, be sure to pick up the latest edition of The Big Takeover, underground music’s best magazine. Publisher, editor and perhaps the best person on earth Jack Rabid graciously allowed me once again to write one of the three coveted opinion essays that lead off the 160-page edition. My second commentary is a kindred spirit of the first, and both digs deep into the sums up lessons learned from On Tyranny. If you believe in punk rock and for which it stands, buy the newest issue of The Big Takeover.

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Green Day’s Blacklisted Hit Was Banned From Radio – and It Wasn’t Due to Profanity

Posted in Essays with tags , , on 06/12/2026 by Kurt Orzeck

In the wake of the attacks on September 11, 2001, radio station conglomerate Clear Channel Communications banned a slew of unlikely songs from the airwaves, including Simon & Garfunkel‘s “Bridge Over Troubled Water,” John Lennon‘s “Imagine,” Led Zeppelin‘s “Stairway to Heaven,” and many more. Another band that fell victim to the reactionary crackdown on free speech during a terrifying time in America was Green Day and their song “Brain Stew.”

The spirit of punk rock is to scream truth to power, no matter what the cost. Bands of that ilk tend to gravitate to the underground and indie record labels, where they can fully exercise their creative freedom and execute their vision without fear of corporate interference. Green Day is one of the rare – and undeniably most popular – punk-rock bands that, despite their fearless and sometimes controversial outspokenness, have spent the majority of their career on a major label (the Warner Bros. Records-owned Reprise).

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On Tyranny: Emperor X Contends That Arts Communities Need Heterodoxy During Global Political Realignment

Posted in Essays, Features, On Tyranny, On Tyranny with tags , , , , , , on 06/04/2026 by Kurt Orzeck

Gifts come in all shapes and sizes. But The Bad Penny has never received nor published any piece of writing as remotely profound, thoroughly researched, detailed, brilliant, educational and exceptional as a dissertation-style thought piece/ intellectual analysis of this website’s On Tyranny series that Berlin-based American singer/songwriter Chad Randall Matheny, a.k.a. Emperor X, recently sent us. In his comprehensive analysis, Matheny discusses the connection that On Tyranny has to the broader worldwide trend that the educator and noise-pop provocateur refers to as “The Global Political Realignment” that is currently underway.

Before you dig into Matheny’s masterpiece, this seems like an appropriate time and place to tell readers of this website, and specifically On Tyranny, that maintaining it has been and continues to be a tremendous challenge. While I will elaborate on the story of the series at another time – truly, what Emperor X has created here is worthy of your attention more so than any other post on this website – publicists, musicians, friends and family members have recommended I halt or even terminate this series amid the growing threat of fascism in the U.S.

[Emperor X’s new album, Unified Field, will be issued by Bar/None and available for purchase starting June 26. Rest assured that The Bad Penny will cover the release heavily. Read more about Emperor X on his website; and his Instagram, Facebook and Bandcamp accounts.]

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‘Send Help’: An Analysis of the Eye-Gouging Scene(s) in Sam Raimi’s Breakaway Horror-Comedy Hit

Posted in Essays, Favorite Films, Features with tags , , , , , on 05/26/2026 by Kurt Orzeck

Just two weeks ago, we raved about the best movie of the year so far, Sam Raimi’s Send Help. But just as we can’t stop rewatching the deliriously entertaining horror-thriller-with-a-smile, we keep finding more in-jokes (or Easter eggs, if you prefer) with each subsequent viewing.

The most obvious one is the golfing motif, which is not unlike the collectible coin/button storytelling device that Raimi used in his last great horror-comedy, Drag Me to Hell. (The Bad Penny still maintains the latter flick is the better of the two discussed here.) Just as the coin/button completed the narrative circle of Drag Me to Hell with a sinister smirk, Raimi similarly introduces the golf club and brief discussions about golf at the very beginning and very end of Send Help.

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