Music enthusiasts who think very highly of themselves may tell you that they can predict an artist will become a superstar based on their first album alone. With a few stray exceptions over the years, that’s basically hogwash spewed by a charlatan who wants to pump up their own ego so they can elevate their reputation.
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We all know Nirvana’s hit songs. “Smells Like Teen Spirit.” “Come as You Are.” “Heart-Shaped Box.” “All Apologies.” “Lithium.” “In Bloom.” Those tunes — which, fun fact, appear to be the last-released songs that are played on classic-rock radio — are imprinted indelibly on the minds of not just rock fans but American culture in general. But, as is always the case with any rock band, their hit songs only tell a small part of the group’s story. Another extremely critical aspect of Nirvana’s legacy is that they created at least a couple dozen high-quality tunes that never got their due.
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AllMusic brings you the three best ‘70s classic rock albums — which is to say, the triptych of full-lengths that achieved our website’s coveted perfect score. Comb through our archives, and you will inevitably discover what a rarity it is for any album to land that prized accolade. In light of that once-in-a-blue-moon score, we assert that the three records that were released in the 1970s and that are listed below defined the decade itself.
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If you happen to pass me walking the streets of Boise these days and don’t see that I have a tail, it’s because it’s between my legs.
In the 18 years I’ve operated this website – or blaaaag, as the peanut gallery derides it – I’ve issued a mea culpa from time to time. The specific instancess don’t come to mind at the moment, nor did they when I spent some more moments fishing around for flubs I’ve made in the past. But I admit they’re out there; after all, when you’ve published more than a thousand posts on a website, not to mention thousands more articles for magazines and other media outlets, there are bound to be some regrets.
But it appears my biggest misjudgment of all time on The Bad Penny has arrived and its name is Orbit Culture. Haven’t heard of them? Lucky for you, at least as far as their present attitude is concerned. As a sucker for Swedish melodic death metal, I glommed on to the band led by reliably downcast – neigh, ever-frowning, and even perpetually peeved – vocalist and rhythm guitarist Niklas Karlsson.
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While Bruce Springsteen and his band released the riveting song “Because the Night” in 1986, it actually originally appeared in 1978, on the studio album Easter — not by Springsteen, but by revered proto-punk poet Patti Smith (read my interview with the punk-poet legend here), who made it the best-known tune among Patti Smith Group tunes. The reason that occurred is because Springsteen allegedly couldn’t finish the tune, and engineer Jimmy Iovine (who later cofounded Interscope Record in 1990) facilitated the transfer of Bruce Springsteen’s unfinished song, “Because the Night.”
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This post will justifiably piss off a lot of people – and if someone else had published it, yours truly would be among them. Tool is one of the bands most beloved by this site, as evidenced by The Bad Penny‘s extensive coverage of Maynard James Keenan and company over the years.
Here are some, if not all, of the Tool posts published on this site since its launch in 2008:
• Tool’s 68 Songs, Ranked From ‘Invincible’ to ‘Disgustipated’
• CONSPIRACY REVEALED: Tool’s Maynard James Keenan And David Yow Are Lizard People!
• Best Albums Of 2019: Tool, Idle Hands, Immortal Bird, Destrage, Enisum
• Tool Take The Wiltern: 8.13.01
That said, our music heroes should not be immune from criticism. And Keenan deserves at least some pushback for helping condition young American men in particular to embrace and normalize the nihilistic and destructive vision that MAGA has injected into the political discourse in the U.S.
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Last time around, we rolled out a rather comprehensive history of Nirvana’s biggest hit song, “Smells Like Teen Spirit.” This time, we trace the lineage of the second single from Nirvana’s Nevermind – an aquatic, forlorn song that incorporates guns and early video special effects.
With a dreary mood that put even most major grunge songs to shame, “Come as You Are” is a downbeat tune that doesn’t exactly qualify musically as a ballad but had the sad thematic content to make it one of sorts. Like “Smells Like Teen Spirit” before it, “Come as You Are” also contains unsavory references, some of which are downright eerie decades after Kurt Cobain used a gun to commit suicide.
At the time of his death, Cobain apparently had heroin in his system; bleach, which is used in the injection process of the drug, also makes a (perhaps prescient) appearance in the words he sang on this tune.
Read The Bad Penny‘s full reflection on the song courtesy of AllMusic.
Despite a litany of posthumous releases – pricey box sets, “super deluxe edition” reissues, unreleased songs and more – “Smells Like Teen Spirit” will always remain Nirvana’s most enduring song. Not only did it reach the top spot on countless charts in dozens of countries, it became so ubiquitous in mainstream culture that it cemented Nirvana as one of the greatest rock bands ever and legitimized alternative music as the quintessential music genre of the 1990s.
Read more of my thesis on Nirvana’s “Smells Like Teen Spirit” on AllMusic.
Breaking the third wall here a bit, if there still is one …
Over the course of my 30 years as a music journalist, Queens of the Stone Age and Foo Fighters are among the top five bands about which I’ve written the most. I still rank QOTSA as my third-favorite band of all time (Nirvana and the Jesus Lizard will probably forever occupy those #1 and #2 spots, respectively). And I continue to regard Dave Grohl as my ultimate rock idol, it gives me no pleasure to report that the new QOTSA record, Perfecth (due October 30), is – from the few spins I’ve given it thus far – not just the worst record in the band’s catalog, by a long shot, it’s utterly perplexing that the band would even put its name on it.
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“Punk” music didn’t start in 1976 or 1977, with Ramones’ self-titled album or Leave Home, which came out in those years, respectively. Sex Pistols didn’t launch the genre with the four singles and album (Never Mind the Bollocks, Here’s the Sex Pistols) the British band released in those same years.
The same goes for The Clash’s self-titled debut, released in 1977; The Damned’s Damned Damned Damned and Music for Pleasure, both issued in 1977; or albums by the Buzzcocks, Black Flag or MC5. Rather, the seeds of punk – a term coined by the godfather of rock-music journalism, Lester Bangs – were planted many years earlier, not by bands but by an attitude and a sound that cropped up in scattered pockets of the Western world.
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