Archive for the Album Reviews Category

Pixies’ ‘Bossanova (2026 Remaster)’: Two Cent Review

Posted in Album Reviews, Reviews with tags , , , , on 09/11/2026 by Kurt Orzeck

There’s arguably no Pixies record that could have benefited more from a masterful manicure, which is so well-executed from start to finish that it’s impossible to forget that you’re not listening to the original version. “Rock Music,” which once sounded limp, now lives up to its name as a sub-two-minute banger. This time around, “Velouria” sounds like a fantastical space odyssey presaging the interstellar obsession that Frank Black lacquered over his solo works years later. The brilliance of Dave Lovering’s frenetic drum rolls are crystallized on “Allison” and “Is She Weird,” the latter of which also brings Joey Santiago’s guitar playing and Kim Deal’s bass into shiver-inducing focus.

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Alabama Shakes’ ‘I Must Be Dreaming’: Two Cent Review

Posted in Album Reviews, Reviews with tags , on 09/09/2026 by Kurt Orzeck

Soulful rock trio Alabama Shakes sound like no time has passed at all after a decade-long break between studio records as they reignite their chemistry as a blockbuster unit.

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Innumerable Forms’ ‘Pain Effulgence’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 09/09/2026 by Kurt Orzeck

Doom-curious death-metal delinquents Innumerable Forms may not be the most charming crew you’ll bump into in Boston (not that the majority of Bostonians would qualify in that regard anyway). But as far as this band’s ever-improving tune-age is concerned, the third time’s the charm with Pain Effulgence.

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John Carpenter, Cody Carpenter & Daniel Davies’ ‘Cathedral’ Soundtrack: Two Cent Review

Posted in Album Reviews, Reviews with tags , , on 08/27/2026 by Kurt Orzeck

Without the cinematic accompaniment, John Carpenter’s music releases—Lost Themes, Lost Themes II, Lost Themes III: Alive After Death and Lost Themes IV: Noir—are, similar to the band Goblin, or the music David Lynch issued late in his life, sometimes frustrating in that one instinctually wants moving images to accompany them. This time around, Carpenter tries to bridge that gap—the artist is notorious for doing whatever the hell he wants to do, whenever he wants to do it—with Cathedral, the soundtrack to a graphic novel of the same name.

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Mclusky’s ‘My Pain and Sadness Is More Sad and Painful Than Yours (2026 Remaster)’: Two Cent Review

Posted in Album Reviews, Reviews with tags , , , on 08/26/2026 by Kurt Orzeck

The theme of mclusky’s first foray into recorded music has remained intact ever since My Pain and Sadness Is More Sad and Painful Than Yours’ initial release. It established that, right out of the gate, drummer Mat Harding, guitarist/vocalist Andrew Falkous and bassist/vocalist Jon Chapple were so sardonic that they must’ve had their tongues pressing against their cheeks throughout the entire record (whether that be of the demos or the studio versions of the songs). To ask whether mclusky were more devoted to late ’90s/early ‘00s sarcasm or social commentary would be the equivalent of calling heads or tails before a soccer game.

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Untitled With Drums’ ‘Made Flesh’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 08/24/2026 by Kurt Orzeck

With Made Flesh, it’s as if Untitled With Drums managed to turn their much weaker last album inside-out. This is not a raging album from start to finish. But the band has managed to make their songs’ quieter moments beatific instead of morose, and the loud passages replete with exaltation instead of cumbersome. (For the record, while some critics have pointed to other ‘90s bands as comparable to Untitled With Drums, it’s really the loud/quiet dichotomy that most closely aligns them with that era.)

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Ultra Lights’ ‘Pleasure’s All Yours’: Two Cent Review

Posted in Album Reviews, Reviews with tags , , on 08/21/2026 by Kurt Orzeck

Pleasure’s All Yours was crafted by a band from Atlanta that either doesn’t give a shit or is three sheets to the wind; the jury’s still out on that one. Either way, Ultra Lights are the real deal; we dare you to deny that claim after giving this, their first record, a full spin. Fans of Superchunk, Les Savy Fav and Sparta, take note. 

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Wild Pink’s ‘Still Coming Down’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 08/20/2026 by Kurt Orzeck

After documenting his recovery from cancer on 2024’s Dulling the Horns, Wild Pink’s John Ross returns with an album that reassures us that healing is always within our grasp.

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Hulder’s ‘Verbolgen’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 08/19/2026 by Kurt Orzeck

Whatever hang-up Hulder homes in on throughout Verbolgen, her response is an unwavering middle finger throughout seven of the record’s songs (the other two are instrumentals). “I stand unbowed” is her refrain over the course of “In Blood and in Earth,” which explicitly lays out two options in the face of adversity: “fall upon your knees” or “face the dawn as it glows.” Similar sentiments are located in the last album track with vocals, “View from Nemeton,” in which the Belgian-born artist evokes Prometheus Bound—knowingly or not—when she screams: “The eagle’s beak has ripped my corpse/ Here I shall remain.”

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Alienator’s ‘Brutal Occupation’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 08/19/2026 by Kurt Orzeck

It’s not a negative that Brutal Occupation is another Alienator EP with four strong songs. It’s actually the highest compliment that can be paid to a band that has been unwaveringly devoted to hardcore since day one — and, for our money, will probably adhere to that philosophy until their final day as a band. The word “authenticity” gets bandied about way too often these days, because it’s misused nine times out of ten. Alienator’s Brutal Occupation is what authenticity really sounds like. Read my full review on Post-Trash.