Read the interview to end all interviews with woefully underrated Brett Bradford, guitarist for Scratch Acid and frontman for Suckling. Check out previously unpublished photos of Bradford with his Scratch Acid bandmates, including David Yow, in my extensive feature for Post-Trash.
Irk are here to remind us of that fact, to pester us with the truth that fear-inducing art forms make us feel alive more than any other varieties. Art can make us laugh, but that reaction quickly dissipates. Art can thrill us, but only the duration of the piece of work ends. Art can make us weep, remind us of what love and sex feel like, but that affecting manipulation ends seconds after the observer of art concludes their experience with it. Read my full review Irk’s Seeing House on Post-Trash.
Mia Lin of L.A. DIY guitar band MyVeronica engages in a stimulating conversation about the impetus of real punk-rock artists meeting the moment and calling out authoritarianism and discrimination when they see it. We caught up earlier this week, following the early August release of Farewell Skylines, their split EP with Friend’s House.
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To enter the genteel, childlike and joyous world of Jonathan Richman is, in many ways, to embrace the essence of the music-listening experience: true escapism in a world crafted by a master creator of art and fantasy. Formerly of Jonathan Richman and the Modern Lovers, the singer/songwriter returns to Boise tonight after gracing Treefort Music Fest with a buoyant and jovial set on a sunny afternoon in March 2017.
Richman returns to the City of Trees tonight to perform at Shrine Social Club to embark upon a fall tour in support of his album Only Frozen Sky Anyway, released July 4 via Blue Arrow Records. The Bad Penny recently caught up with the legend to talk about why he “votes yes” on Boise, the favorite concerts he’s ever attended – and why, surprisingly, he doesn’t think now is the right time for hope.
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Signs of the Swarm frontman David Simonich and drummer Bobby Crow explain how the band’s latest album, To Rid Myself of Truth, confronts personal adversity and evolves sonically to be their most progressive project in the last decade. Read my story on Knotfest.com.
Well, at least someone in the now-ludicrously successful world of comedy is standing up for human rights. David Cross, in a Monday newsletter to his fans, expressed disappointment that many of his peers are performing for the “depraved, awful people” attending the Riyadh Comedy Festival in Saudi Arabia, whose authoritarian leadership mandates observance of Sharia law and carries out mass executions despite condemnation by international human-rights groups.
Notably, Cross pointed out the hypocrisy of comedians who regularly bemoan so-called “cancel culture” for participating in a comedy festival staged by a royal family that bans free speech in the country they rule. Crown Prince Mohammed bin Salman infamously directed the assassination of Washington Post columnist Jamal Khashoggi at the Saudi consulate in October 2018.
The Riyadh Comedy Festival began Friday and concludes a week from today. Other participants include Dave Chappelle, Aziz Ansari, Jimmy Carr, Russell Peters, Whitney Cummings, Pete Davidson, Tom Segura, Andrew Schulz, Bobby Lee, Sam Morril, Jo Koy, Gabriel Iglesias and Kevin Hart, among others.
Burr said on his Monday Morning Podcast that at least the festival’s attendees were “happy,” and called performing at the festival “one of the top three best experiences I’ve had,” according to Rolling Stone.
Continue readingCan a musician prove over the course of a single record that he is a genius? In most cases no, but Igorrr’s Amen makes the case that it’s not out of reach for Frenchman Gautier Serre. Read my review via Spectrum Culture.
Albums by SWRM, Zabus, Spaceface, Insomniac, Go Kurosawa, Late Again, Nate Smith and Orsak:Oslo made the cut on my list of great, overlooked psychedelic albums released in summer 2025, in my first quarterly column on the genre for Treble.
For all the love and attention that psych-rock is getting these days – mostly courtesy of and directed toward newish bands like King Gizzard and the Lizard Wizard, Osees and Ty Segall – there’s still a dearth of appreciation and respect for some of the bands that established the heady, colorful sound in the first place. They include 13th Street Elevators, Love, Captain Beefheart and – perhaps more than all the rest – Strawberry Alarm Clock.
The band that formed in 1966 in Glendale, California, is perhaps best known for its prime placement in the über-cult 1970 classic movie Beyond the Valley of the Dolls, directed by sexploitation pioneer Russ Meyer and written by Roger Ebert based off a bizarre and beyond-campy story they both wrote. Strawberry Alarm Clock’s best-known song remains “Incense and Peppermints.”
Strawberry Alarm Clock has undergone lineup changes and breakups over the years but is roaring back with a new single, “Monsters.” The song sees an official release tomorrow with the B-side “White Light,” and The Bad Penny couldn’t be more proud to premiere both a day early. The record release of “Monsters” marks the first time a Strawberry Alarm Clock song has appeared on vinyl since the band’s initial stretch from 1966 to 1971.
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The Bad Penny (beta) 