Erosion’s ‘Invasive Species’: Two Cent Review

Posted in Album Reviews, Reviews with tags , , , , on 11/09/2025 by Kurt Orzeck

Not a second is wasted on this essential entry into the collection of every fan of heavy music who doesn’t like Disturbed and Korn. With that notion in mind, it’s no surprise that one of the most persnickety-yet-always-correct individuals in this sludgy underworld, Aaron Turner, gave Erosion his sign of approval by putting out Maximum Suffering seven years ago. Invasive Species comes courtesy of Canadian underground grindcore label Mechanized Apparatus Revolt, and boy did they luck out scoring this release. Get it here and thank us later — if your head hasn’t exploded by the time you’re done listening to it. Here’s my full Post-Trash review.

On Tyranny: Charlie Nieland on How LGBTQ+ Artists Can Push Back Against ICE, MAGA

Posted in Interviews, News, On Tyranny, Sound Off, Videos with tags , , on 11/09/2025 by Kurt Orzeck

Songwriter/producer Charlie Nieland–whose works regularly deal with his emotional, romantic and artistic struggles deserves–miraculously makes his art all that much more enriching for his students, classmates and the land as well. But when The Bad Penny caught word that had become more politically active as of late, we redoubled our efforts to interview him about how American Authoritarianism is already impacting artist communities, whether they know it or not.

Much to our delight, Charlie agreed to take part in The Bad Penny‘s latest episode of our “On Going” series.

Listen to our compelling conversation, become part of the effort to save and strengthen democracy across the world – and pick up Charlie’s latest works, Shame; and the just-released Stories From the Borderlines:

Here’s a taste of a new Charlie track:

Hope over to his Bandcamp page to dig deeper into him.

Furthermore, check out The Bad Penny‘s ongoing On Tyranny series, which we launched in the spring, here. Recent installments include interviews with Moonspell, The Grasshopper Lies HeavyDeaf ClubCosmic ReaperTed HearneTerzij de HordeChairmakerMyVeronicathe GunshyPlanet on a ChainNecrofierCheap PerfumeBobby ConnTruculentSpiritiste and many more.

The Bad Penny Interview: Jesus Lizard Vocalist David Yow

Posted in Sound Off on 11/09/2025 by Kurt Orzeck

[With Jesus Lizard vocalist David Yow having moved to Portugal, now seems as good a time as any to roll out the most incisive and insightful interview among the handful I did with him. Previously out of print and conducted roughly 21 years ago, here’s a toast to the only rock star who always does have a can of beer in his hand.]

As many of you have probably gathered and/or heard, a lot of the talk following this weekend’s Pitchfork fest has regarded the almost-night-capping Friday performance by the Jesus Lizard. If it hadn’t been for Built to Spill’s closing billing that evening, you would’ve expected the Liz to have left crowdmembers stumbling home with loose teeth shaking in their mouths and broken toes slapping around in their shoes.

The informed among us are well aware that those lovable ’90s crank-rock cretins called the Lizard have propagated a lethal dose of gratuitous grime, grit and glib glee over the masses since they recently re-collected themselves for redux performances. From the band’s confidants, we’ve heard reports that theirs was a solid show, one that should place David Yow and the gang on a secure path laid toward redemptive riches as the Liz re-arouses its fanbase for a series of widely unexpected reunion gigs throughout this year (and beyond? And a new album while we’re at it? Are we pressing buttons or just our luck?).

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Best New Music Vidoes (October 2025): Imogen Heap, Slowthrust, Rattboys, Matt Pond PA

Posted in Lists, Videos with tags , , , , , , , , on 11/09/2025 by Kurt Orzeck

1. Imogen Heap‘s “I AM __.”

2. Slowthrust‘s “Midnight Slay”

3. Infinity Dream‘s “Lost Embrace”

4. Ratboys‘ “Light Night Mountains All That”

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Psycroptic Say They Left Prosthetic for Metal Blade to Be With Friends Black Dahlia Murder, Cannibal Corpse, Revocation, Goatwhore 

Posted in Interviews with tags , , , , , , on 10/27/2025 by Kurt Orzeck

Psycroptic signed to Metal Blade Records after their deal with Prosthetic Records ended and the tech-death metal band became free agents. Psycroptic bassist Todd Stern told Music Connection the Australian act picked Metal Blade in part so they could rub elbows with their amigos Black Dahlia Murder, Cannibal Corpse, Revocation, Goatwhore and The Red Chord.

Agriculture’s ‘Spiritual Sound’: Two Cent Review

Posted in Album Reviews, Reviews with tags , on 10/27/2025 by Kurt Orzeck

Agriculture, the self-categorized “ecstatic black metal” outfit, returns with a second album that is called The Spiritual Sound and is just as singular and spectacular as their debut. Read my FLOOD review.

On Tyranny: With Authoritarian Takeover Now Complete in U.S., ‘We’re Just Focusing on Survival,’ Queer Artist Nic Pugh of Midniter Says

Posted in Features, Interviews, On Tyranny, On Tyranny, Videos with tags , , on 10/27/2025 by Kurt Orzeck

“It’s just too much,” kindhearted musician Nic Pugh says on Monday, Oct. 27, in the latest installment of The Bad Penny‘s increasingly popular “On Tyranny” series. In it, musicians open up about how they are damaged, targeted and made to feel unwelcome in Authoritarian America.

While mostly disconnected from politics in the past, the artist behind indie-electronic pop project Midniter explains how he arrived at the decision to speak his mind about Authoritarian America. It’s no easy task, with Trump and Steve Bannon’s “flood the zone” theory of controlling the U.S. media now in its 10th month.

“Right now, I don’t feel like there’s necessarily a benefit for me having an interview other than the fact that I just feel I need to do it,” the queer indie electronic artist/singer/songwriter notes. Pugh’s efforts to raise awareness about social issues goes beyond making music; he founded SugarTank! Records with Nic Holman, who are in the riot-grrrl-inspired quartet Dreamboat. The label’s primary goal is to support and celebrate LGBTQ+ artists and allies in the artists’ hometown of Charlotte, North Carolina.

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Memento: Jawbox Letter Proves They Were the Truest ‘Sweethearts’ of ’90s Indie Rock

Posted in Essays, Exclusives, Features, Mementos with tags , , , on 10/27/2025 by Kurt Orzeck

For a band that titled arguably its best album For Your Own Special Sweetheart (1994), Jawbox may themselves be the sweetest post-hardcore band of the ’90s.

On the fateful Friday night of Nov. 22 in 1996, excitement for the weekend got into the heads of three students – including yours truly – and ousted any semblance of logic as punishment. When we learned that the J. Robbins-led Jawbox had plans to play a gig at Mabel’s in Champaign, a city located two hours south of Chicago.

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Damn You, Ozzy Osbourne, for Preventing Us From Fully Mourning At the Gates Frontman Tomas Lindberg When He Too Died

Posted in Essays, News, Sound Off with tags , , , , on 10/26/2025 by Kurt Orzeck

It’s a crisp, autumn afternoon in a quasi-rural area in America’s Pacific Northwest, and something feels off. No, it’s not that we were apparently, miraculously spared from the apocalyptic fires and resulting ash that typically choke us out for weeks practically every year as a result of climate change. Nor is it that Trump and his MAGA minions are tying up the remaining ends that will cement America’s transition from a democracy into a country ruled by a king (and, if we’re being generous, equally megalomaniacal and sadistic billionaire oligarchs).

Rather, what’s stuck in this writer’s craw today is the gaping maw – expected in the mainstream, because Ozzy was more tabloid fodder than musician in his twilight years – but shameful in the metal world, where former social studies teacher Lindberg’s impact on underground metal was if not as seismic than still immeasurable than Osbourne’s role in bringing metal to the masses. Needless to say, the deaths of each metal vocalist powerhouse was saddening and unsettling, but it bears noting that they epitomized different factions of the music genre that – attendance size aside – are standing, more or less, on equal ground.

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From the Vault – Inside The Label: I’m Better Than Everyone Records

Posted in Features, Inside The Label, Interviews with tags , , , , , , , , on 10/26/2025 by Kurt Orzeck

“It was something new,” label founder Karim Khan said. “[Everything] caught me by surprise. And from [that] record, I discovered bands like Eyehategod”

In last week’s chapter of Inside the Label, we put our high beams on Bloodshot Records, a ‘print founded 15 years ago by two people whose combined previous record label experiences amounted to basically nothing. Nan Warshaw and Rob Miller’s labor was one of love, derived from a sheer and uncompromising appreciation for independent music (rowdy, beer-soaked independent music, in particular).

But while neither Warshaw nor Miller had worked at a label before, they had at least served some time in the industry: Warshaw with promoting artists and shows, and Miller with music production.

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