It only took Creed less than two months to confound us once again with a self-owning update:

It only took Creed less than two months to confound us once again with a self-owning update:

Songwriter/producer Charlie Nieland–whose works regularly deal with his emotional, romantic and artistic struggles deserves–miraculously makes his art all that much more enriching for his students, classmates and the land as well. But when The Bad Penny caught word that had become more politically active as of late, we redoubled our efforts to interview him about how American Authoritarianism is already impacting artist communities, whether they know it or not.
Much to our delight, Charlie agreed to take part in The Bad Penny‘s latest episode of our “On Going” series.
Listen to our compelling conversation, become part of the effort to save and strengthen democracy across the world – and pick up Charlie’s latest works, Shame; and the just-released Stories From the Borderlines:
Here’s a taste of a new Charlie track:
Hope over to his Bandcamp page to dig deeper into him.
Furthermore, check out The Bad Penny‘s ongoing On Tyranny series, which we launched in the spring, here. Recent installments include interviews with Moonspell, The Grasshopper Lies Heavy, Deaf Club, Cosmic Reaper, Ted Hearne, Terzij de Horde, Chairmaker, MyVeronica, the Gunshy, Planet on a Chain, Necrofier, Cheap Perfume, Bobby Conn, Truculent, Spiritiste and many more.
It’s a crisp, autumn afternoon in a quasi-rural area in America’s Pacific Northwest, and something feels off. No, it’s not that we were apparently, miraculously spared from the apocalyptic fires and resulting ash that typically choke us out for weeks practically every year as a result of climate change. Nor is it that Trump and his MAGA minions are tying up the remaining ends that will cement America’s transition from a democracy into a country ruled by a king (and, if we’re being generous, equally megalomaniacal and sadistic billionaire oligarchs).
Rather, what’s stuck in this writer’s craw today is the gaping maw – expected in the mainstream, because Ozzy was more tabloid fodder than musician in his twilight years – but shameful in the metal world, where former social studies teacher Lindberg’s impact on underground metal was if not as seismic than still immeasurable than Osbourne’s role in bringing metal to the masses. Needless to say, the deaths of each metal vocalist powerhouse was saddening and unsettling, but it bears noting that they epitomized different factions of the music genre that – attendance size aside – are standing, more or less, on equal ground.
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When we had the pleasure of interviewing indie legend Too Much Joy this week, we talked a hell of a lot about their upcoming plans, a special reissue they have on the way, their take on Authoritarian America and much more.
We’ll be bringing you a couple of articles stemming from the 60-minutes-plus conversation with two of the Too Much Joy dudes, but as a way of whetting your palette, we present you today with an informative chunk of conversation with bassist/vocalist Sandy Smallens and vocalist Tim Quirk that wouldn’t have fit into the other stories.
Our exchange revolves around not just Too Much Joy but also Chat Pile. Specifically, Smallens addresses why he thinks other young bands should follow Chat Pile’s lead – not duplicating their sound, but learning how the best noise-rock band of the past five years interacts with their fanbase.
In the words of Ariel from The Little Mermaid, “It’s a whole new world,” and Smallens all but implores bands that want to build a strong fanbase to take note of how Oklahoma City giants Chat Pile have done so.
Continue readingBoise came together in a massive way earlier today to participate in the nationwide No Kings 2 protests that spurred an estimated 7 million Americans to protest the authoritarian takeover of the country. Early accounts suggest the mobilizations will mark the biggest day of protest in the history of the country.
This evening, Boise’s music community is rallying together for another critical cause: to raise funds and awareness about mental health struggles that young people in this city are experiencing, and to celebrate the life of Ian Waggoner, who tragically died earlier this year. The event will be held in the form of a fundraising concert at The Shredder.
Continue readingTreefort Music Fest organizers on Thursday announced the first wave of music talent confirmed to participate in the 2026 installment of Boise’s biggest and best music festival, and it’s a doozy.
The headliners for each night of the four-day music blowout will be flipturn (Thursday), Magdalena Bay (Friday), Geese (Saturday) and Father John Misty (Sunday). Hannibal Buress and Joe Pera will anchor the festival’s comedy lineup.
Continue readingWell, at least someone in the now-ludicrously successful world of comedy is standing up for human rights. David Cross, in a Monday newsletter to his fans, expressed disappointment that many of his peers are performing for the “depraved, awful people” attending the Riyadh Comedy Festival in Saudi Arabia, whose authoritarian leadership mandates observance of Sharia law and carries out mass executions despite condemnation by international human-rights groups.
Notably, Cross pointed out the hypocrisy of comedians who regularly bemoan so-called “cancel culture” for participating in a comedy festival staged by a royal family that bans free speech in the country they rule. Crown Prince Mohammed bin Salman infamously directed the assassination of Washington Post columnist Jamal Khashoggi at the Saudi consulate in October 2018.
The Riyadh Comedy Festival began Friday and concludes a week from today. Other participants include Dave Chappelle, Aziz Ansari, Jimmy Carr, Russell Peters, Whitney Cummings, Pete Davidson, Tom Segura, Andrew Schulz, Bobby Lee, Sam Morril, Jo Koy, Gabriel Iglesias and Kevin Hart, among others.
Burr said on his Monday Morning Podcast that at least the festival’s attendees were “happy,” and called performing at the festival “one of the top three best experiences I’ve had,” according to Rolling Stone.
Continue readingSUMAC and Moor Mother, whose collaborative record The Film is one of the most universally acclaimed metal releases of the year, are already planning a follow-up effort, SUMAC frontman Aaron Turner confirmed to The Bad Penny on Thursday.
In response to The Bad Penny noting the widespread positive reaction that SUMAC and Moor Mother received for The Film, Turner replied: “I was very pleased that it got such a warm reception. It felt like a very challenging record. I was confident in what we produced but had no expectation in terms of how it was going to be received. We’re definitely talking with her about more shows upcoming in the near future, and then a little further down the road, to make another record together. I hope that happens.”
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