Archive for the Stooges

The Stooges, Death, New York Dolls and Patti Smith Set the Table for Punk: A Brief History Lesson

Posted in Essays with tags , , , , on 09/15/2026 by Kurt Orzeck

“Punk” music didn’t start in 1976 or 1977, with Ramones’ self-titled album or Leave Home, which came out in those years, respectively. Sex Pistols didn’t launch the genre with the four singles and album (Never Mind the Bollocks, Here’s the Sex Pistols) the British band released in those same years. 

The same goes for The Clash’s self-titled debut, released in 1977; The Damned’s Damned Damned Damned and Music for Pleasure, both issued in 1977; or albums by the Buzzcocks, Black Flag or MC5. Rather, the seeds of punk – a term coined by the godfather of rock-music journalism, Lester Bangs – were planted many years earlier, not by bands but by an attitude and a sound that cropped up in scattered pockets of the Western world.

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Revising History: Mike Watt On John Coltrane, Miles Davis, Sun Ra, More

Posted in Features, Revising History with tags , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , on 10/08/2010 by Kurt Orzeck

Now this is quite the honor: Mike Watt, one of the most respected musicians ever to lurk in the underground, has anted up – all jazz-style – for the second installment in the Bad Penny’s brand-new series, Revising History. Continue reading →

Iggy Pop: ‘I Didn’t Want To Sell Out’ The Stooges

Posted in Interviews with tags , , , , , , , on 01/19/2010 by Kurt Orzeck

Nostalgia may be the enemy of the future, but the coming months are bound to see a lot of hoopla surrounding Iggy Pop and his band of Stooges. And for good reason. Continue reading →

Iggy Pop Transcript, 7.18.03: ‘I Was Shooting Dope At The RIAA Awards When It Wasn’t Chic’

Posted in Interview Transcripts, Interviews with tags , , , , , , , , , , on 01/19/2010 by Kurt Orzeck

Get Iggy Pop talking and the time just flies. A living legend in his own right, he’s also as well-versed as anybody on classic and contemporary music. And with a frankness and candor you’re not apt to find from just about anyone else, he’s one of the record industry’s most critical – even prophetic – commentators. Continue reading →