Archive for Pavement

Guerilla Toss, Pals of Pavement’s Stephen Malkmus and Phish’s Trey Anastasio, Ready to Go Ape in Boise Tonight

Posted in Interviews with tags , , , , , , , , , on 09/27/2025 by Kurt Orzeck

After a kinda middling summer concert-wise in Boise, the next month is chock-full with super shows, and The Bad Penny will do its best to both inform you about can’t-miss and encourage you to attend them. One is happening tonight at Shrine Social Club, which will host Sub Pop art-rock quintet Guerilla Toss, along with Vancouver, British Columbia’s alt-punks Still Depths and Evan Zuri.

Guerilla Toss’ set will perform selections from their fifth record, You’re Weird Now, which dropped Sept. 12 and features contributions by Stephen Malkmus of Pavement (who produced the album) and Ben Katzman, who came in third on Season 46 of Survivor. Bet you didn’t have that latter guest appearance on your bingo card.

Guerilla Toss singer Kassie Carlson did The Bad Penny the favor of touching base with us during their long drive from Portland to the City of Trees. Our conversation went a little something like this:

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Revising History: Kathryn Williams On Nick Drake’s Bryter Layter, Björk’s Homogenic, More

Posted in Features, Revising History with tags , , , , , , , , , , , , , , , , on 10/06/2010 by Kurt Orzeck

On her 2004 covers album, Relations, revered British singer/songwriter Kathryn Williams breathed new life into classics such as Nirvana’s “All Apologies,” the Velvet Underground’s “Candy Says” and Pavement’s “Spit on a Stranger.” In commemoration of the release finally reaching U.S. shores on Tuesday (via One Little Indian), the Bad Penny asked the Mercury Prize nominee to christen a new feature: Revising History. Continue reading

Stephen Malkmus On Pavement Breakup, Reunion – And MC Hammer

Posted in Interviews with tags , , , on 09/30/2010 by Kurt Orzeck

Any indie-rock fan worth their salt is either talking or thinking about Matador’s big “Lost Weekend” in Las Vegas, which starts tomorrow. The lineup is the record label’s equivalent of MLB’s All-Century Team, feature the likes of Pavement, Guided by Voices, Superchunk, Yo La Tengo and oh-so-many more. Continue reading

Los Campesinos! Drop Not-So-Boring LP; Gareth Holds Out Hope For Covers EP

Posted in Features, Interviews, Meet And Greet with tags , , , , , , , , , , , , , , , on 01/28/2010 by Kurt Orzeck

Los Campesinos! consist of seven musicians. But they are more than a band. Los Campesinos! are flying up the totem pole of indie stardom because of their spectacular concerts. But they are more than a spectacle. Los Campesinos! evoke joy, celebration and fun in the purest sense. But they are more than a feeling. Continue reading

Los Campesinos! Singer Talks Pavement, No Age – And That One-Of-A-Kind Box Set

Posted in Interview Transcripts, Interviews with tags , , , , , , , , , on 01/28/2010 by Kurt Orzeck

There’s Nuggets. There’s Led Zeppelin’s Complete Studio Sessions. And then there’s the best box set ever. A bold statement, certainly. But by the end of this post, you should be swayed. Continue reading

Meet And Greet: Cassettes Won’t Listen

Posted in Features, Interviews, Meet And Greet with tags , , , , , , , , on 01/10/2010 by Kurt Orzeck

Jason Drake is having a hard time concentrating.

It’s late July 2009, and he’s chatting with me on his cell from a Whole Foods parking lot somewhere in L.A. Continue reading

Vampire Weekend’s Contra: Two Cent Review

Posted in Album Reviews, Reviews with tags , , on 01/05/2010 by Kurt Orzeck

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Nirvana’s In Utero: Un Vínculo Progresivo Entre Los Mundos Del Rock Mainstream Y Rock Independiente

Posted in Essays, Features with tags , , , , , , , , , , , , , , , , , on 12/30/2009 by Kurt Orzeck

Eleven years ago, I studied for five months in Santiago, Chile. As part of my education regiment, I chose a class on the history of rock and roll. You might think that’s as much as a cop-out as taking a class in bowling or frisbee golf. But as someone who had mostly shunned classic rock till that point, I actually learned a lot. My teacher was obsessed with Deep Purple and Cream, and explained to us how Ozzy Osbourne was rock’s first psicótico.

I like to think I returned him the favor by teaching him a bit about Nirvana, of whom he wasn’t much aware, in my final paper. The self-generated topic: How Nirvana ushered indie-rock, rougher production values and anti-corporate attitudes into the mainstream with In Utero. El profesor told me I worked harder than any of his Chilean students in the class, and that I nailed the exam (70 out of 70), too.

These days, my Spanish is a bit rusty, so I couldn’t tell you what most of the paper means. But here it is for your archival viewing pleasure. PDFs are included in case the images are too taxing on yer eyes:

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