With the music-business climate perhaps more rotten than ever, there’s a growing tendency to romanticize the past. But it’s easy to forget the challenges faced by indie-rock bands and labels prior to the dawn of the Internet. Or, in the case of Merge Records, prior to the dawn of the Arcade Fire. Continue reading
Contrary to what ProTools fanatics might tell you, visionaries are hard to come by these days. During an era in which it’s incumbent upon artists to market and promote themselves. During an era in which selling out has become something of a moot point. Continue reading
Eleven years ago, I studied for five months in Santiago, Chile. As part of my education regiment, I chose a class on the history of rock and roll. You might think that’s as much as a cop-out as taking a class in bowling or frisbee golf. But as someone who had mostly shunned classic rock till that point, I actually learned a lot. My teacher was obsessed with Deep Purple and Cream, and explained to us how Ozzy Osbourne was rock’s first psicótico.
I like to think I returned him the favor by teaching him a bit about Nirvana, of whom he wasn’t much aware, in my final paper. The self-generated topic: How Nirvana ushered indie-rock, rougher production values and anti-corporate attitudes into the mainstream with In Utero. El profesor told me I worked harder than any of his Chilean students in the class, and that I nailed the exam (70 out of 70), too.
These days, my Spanish is a bit rusty, so I couldn’t tell you what most of the paper means. But here it is for your archival viewing pleasure. PDFs are included in case the images are too taxing on yer eyes:
The Bad Penny (beta) 