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Archive for Scream

Dave Grohl’s Hardcore-Punk Bonafides Propelled Him – and Nirvana – to Enormous Mainstream Success

Posted in Essays, Features with tags Dave Grohl, Foo Fighters, Krist Novoselic, Kurt Cobain, Lemmy, Nirvana, Scream on 05/08/2026 by Kurt Orzeck

When Nirvana signed to a major label in 1990, they had already established a strong fan base in their hometown of Seattle thanks to the underground success of Bleach, their debut album. But even though the band was just a trio, the consistency of its lineup was tested by a Spinal Tap-esque rotating cast of drummers (the last of which was Dave Grohl). When Nirvana inked a deal with the David Geffen-owned DGC Records, they also faced skepticism from a fan base suspect of artists tied to corporate entities. Whether deliberate or not, Kurt Cobain successfully diffused those concerns while simultaneously strengthening his three-piece by tapping Grohl, a drummer who had already established his punk-rock bona fides by the time he joined the band in his early 20s. Read my full feature on the topic courtesy of Collider.

Happy Birthday, Dave Grohl!

Posted in Comedy with tags Dave Grohl, Foo Fighters, Mondo Generator, Nirvana, Queens of the Stone Age, Scream, Sound City Players, Them Crooked Vultures on 01/14/2026 by Kurt Orzeck

“Don’t tell me how to make a record. I was in Nirvana. I was in the greatest rock and roll band of the ’90s. We changed the course of rock music. … Give me a carton of Marlboros. Fuck you, man, I was in Nirvana, you asshole. I’m on RCA, dammit. Don’t you know who I am? I’m a millionaire.”
–Dave Grohl of Nirvana (and Foo Fighters, and Queens of the Stone Age, and Them Crooked Vultures, and Mondo Generator, and Sound City Players, and Backbeat Band, and Scream).

Nirvana’s In Utero: Un Vínculo Progresivo Entre Los Mundos Del Rock Mainstream Y Rock Independiente

Posted in Essays, Features with tags Black Sabbath, Courtney Love, Dave Grohl, Dinosaur Jr., Germs, Jimi Hendrix, Krist Novoselic, Kurt Cobain, Nirvana, Ozzy Osbourne, Pat Smear, Pavement, Scream, Sebadoh, Sonic Youth, Steve Albini, the Beatles, the Velvet Underground on 12/30/2009 by Kurt Orzeck

Eleven years ago, I studied for five months in Santiago, Chile. As part of my education regiment, I chose a class on the history of rock and roll. You might think that’s as much as a cop-out as taking a class in bowling or frisbee golf. But as someone who had mostly shunned classic rock till that point, I actually learned a lot. My teacher was obsessed with Deep Purple and Cream, and explained to us how Ozzy Osbourne was rock’s first psicótico.

I like to think I returned him the favor by teaching him a bit about Nirvana, of whom he wasn’t much aware, in my final paper. The self-generated topic: How Nirvana ushered indie-rock, rougher production values and anti-corporate attitudes into the mainstream with In Utero. El profesor told me I worked harder than any of his Chilean students in the class, and that I nailed the exam (70 out of 70), too.

These days, my Spanish is a bit rusty, so I couldn’t tell you what most of the paper means. But here it is for your archival viewing pleasure. PDFs are included in case the images are too taxing on yer eyes: