When Sistemas Inestables arrive in the U.S. for the first time ever later this month, they’ll be toting — and touting — a mellifluous blend of electronic-heavy post-rock — and some serious jet lag, presumably. Coming all the way from Santiago, Chile, the band is an extra-special component of this year’s Treefort Music Fest.
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Orions Belte will play Boise’s Treefort Music Fest later this month in support of one of the more fascinating music releases in recent memory. In November, they put out a box set under the name of Orions Belte — and yet it contains no music by the indie-rock band, technically.
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Mother Sun are much more than just a cleverly named psychedelic rock band. Hailing from British Columbia, the quartet are hometown heroes, having helped firm up the province’s indie-rock scene through their participation in various local bands. Expect a lot of smiles in the crowd when they play two sets of killer, off-kilter — but certainly not off-putting — music at this year’s Treefort Music Fest later this month.
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Every March, Treefort Music Fest brings a boatload of surprises to music aficionados in Boise, Idaho, and beyond. Those surprises help shape the evolving identity of the ambitious festival from year to year. While the newest installment will feature about 500 bands, it’ll have a wider scope than ever before. Ahead of launching a series profiling the majority of international artists playing Treefort, the Bad Penny also recently caught up with Eric Gilbert, Treefort co-founder and festival director, to learn more about its increasing geographical reach.
Continue readingCheck out my latest Signing Story for Music Connection — this one on Nashville songwriter Jared Conrad — right here.
Check out my review of nature morte, the new album by Big|Brave, courtesy of FLOOD Magazine.
One of the biggest acts to anchor this year’s edition of Treefort Music Fest in Boise isn’t even a musician.
Headlining Comedyfort, the self-described offshoot of the March extravaganza, is Tig Notaro. The veteran entertainer started performing more than 20 years ago and is now one of the most talked-about comedians in the U.S.
To wit, the Notaro performance scheduled for Comedyfort — specifically, at the Egyptian Theatre on March 25 at 8 p.m. — sold out quickly. Earlier this week, organizers announced a second show; they told the Bad Penny that it will happen on the same evening at 10:30 p.m.
Continue readingWith just 30 days until Boise’s Treefort Music Fest kicks off — and shortly before the Bad Penny rolls out an exciting interview series surrounding it — here’s a look back in photos (and some words) at 2019’s installment.
(Originally published by Music Connection.)
… And here’s my review of the Touch and Go Records’ three-day anniversary concert from September 2006.
CHICAGO — Touch and Go’s three-day anniversary bash wasn’t just a lesson in the history of the seminal record label. It was a Cliff’s Notes-like recap of the last 25 years of indie rock itself.
Underground granddaddies Big Black, Scratch Acid and Killdozer spit forth a lethal dose of abrasive, confrontational brutality, while !!!, Ted Leo and Enon courted the crowd with dance-rock appeal. And therein lied the clear distinction between the challenging approach taken by yesterday’s bands and the sheer accessibility of their successors.
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Now here’s a blast from the past. A blast from the past from the past, actually.
Touch and Go Records 4 eva.
Before Fall Out Boy, before the Academy Is … — hell, even before the Smashing Pumpkins — there was Touch and Go Records. Like those bands, the trailblazing record label’s reach has extended far beyond its Chicago base of operations, but come September, it’ll be enshrining its 25 years of influence with a massive anniversary gala designed to dazzle indie rock’s shrewdest scholars.
Scratch Acid, Big Black, Man … or Astro-man?, Killdozer — while they’re not exactly household names, the underground goons that shattered eardrums and tore punk rock a new one decades ago will be wreaking havoc once again in commemoration of the label that sustained them. Think of it as “A Mighty Wind” for the indie-rock masses.
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