Our recent, lively conversation with Slothrust leader Leah Wellbaum ahead of their new album What They Grow in the Garden, resulted in a FLOOD interview and an exclusive bit of news that we ran on this website. But we have another leftover from the articles that might supply you with a good read if you’re in need of one.
The book in question is Milk Fed by Melissa Broder, released in February 2021.
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Ombra – a thrash unit from Montreal consisting of Giuseppe “G” Criniti on vocals and lead guitar, Marco Sisti on rhythm guitar and his cousin Nico‑Angelo Sisti on drums – just released their first EP, Night Terror, on Monday. But we’ll be damned if these hosers (we’re kidding; these are three bright dudes) don’t know their metal history, especially when it comes to their Canada homeland.
Ombra – not to be mixed up with the Indonesian hardcore-punk band of the same name – live by a simple credo: “We encourage listeners to think freely, explore their minds, and express themselves without compromise,” the band states on its website. Their mesmerizing, pulverizing music is far more complex, however; it’s a stew of old‑school thrash, sludge, groove metal and psychedelic rock that will appeal to fans of Mastodon, Power Trip, High on Fire and Motörhead. It’s almost impossible to believe that only three guys are making Ombra’s music.
Before delving into Ombra’s picks for the best Canadian heavy bands, check out their cosmic, seizure-inducing new video for the psych-metal voyage “Blue Dream,” one of the songs featured on Night Terror.
And now, Ombra’s picks for the best heavy metal bands to come out of Canada.
1. Rush
Rush tops the list because of their impact, influence and pioneering of the heavy-rock scene. Canada’s first arena-scale heavy act: the Zeppelin-weight riffs of “Working Man and the sci-fi crush of 2112 proved a Toronto trio could hang with Sabbath and still invent something no one else was doing. They never stayed in one gear, but when they wanted weight – with Stick It Out, Far Cry and stretches of Clockwork Angels – they delivered drop-tuned, dissonant heaviness without abandoning the virtuosity that made every later Canadian metal band possible. Influence plus longevity plus those genuinely heavy moments is why they sit at number one to us. -G
2. Spiritbox
Spiritbox lands at number two because no Canadian heavy band this decade has moved the needle like they have. Holy Roller and Eternal Blue turned a Victoria act into a global force. Courtney LaPlante’s shift from glass-clear melody to gut-level lows – stacked on Mike Stringer’s precision-groove riffs – gives them both the hooks and the impact that most modern metal chases and misses. They’re the proof that Canadian heaviness didn’t freeze in the thrash and death-metal eras; it just got sharper, louder, and harder to ignore. -G
Actress – Radical Frame (Ninja Tune)
Babehoven – I See Them, I See Me (Double Double Whammy)
Beabadoobee – Pylon (Double Hit)
Beck – Ride Lonesome (Capitol)
Bees Made Honey in the Vein Tree – In Between Strides (Magnetic Eye)
Boy Harsher – Get Mean (Atlantic)
Castle Rat – Bestiary (Blues Funeral)
Cenobia – Lethal Devotion EP (Fearless)
Chasing Abbey – Cyber Celt (Remote Control)
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Cor de Lux – Year of the Horse (Ipecac)
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Dogs – Trauma Junkie (Indie Recordings)
In the most brutally honest and thus edifying installment yet of our 100-plus-installment On Tyranny series, brand-new Irish electro-Celtic trio Chasing Abbey hold nothing back in speaking out against authoritarianism, oppression and the Palestinian genocide.
We’re publishing this video today to celebrate the release of the trio’s debut record, Cyber Celt, which comes out today (Friday) courtesy of Remote Control Records.
Get a breath of fresh air as you listen to all three members of Chasing Abbey – multi-instrumentalists/producers/vocalists Ronan Bell, Jonathan Byrne and Ted Conway – bravely speak their mind and exercise free speech fearlessly and proudly … just like the Irish tradition calls for.
“I’m a control freak,” seemingly (but more likely surreptitiously) demure music wunderkind Alicia Lindberg freely admitted to The Bad Penny in a video conversation last week. “A part of me likes doing everything myself, because I like to get it the way I want it.”
Indeed, Lindberg – who leads the experimental jazz/pop group Linda 917 – is as clear-eyed and determined an artist as you’ll encounter. Lindberg doesn’t leave her new album, ONLINE, which comes out Friday, open to interpretation. To the contrary, she openly states that the record is intended to combat male domination in the jazz world, and that she draws on feminist music icons like Kate Bush and Björk for inspiration. She fearlessly addresses topics that, blasphemously, are still not more openly discussed in contemporary society: mental health, eating disorders and body image issues among them.
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Slothrust leader Leah Wellbaum talks predatory consumerism, loss of agency in an increasingly digital world, and her brief music journalism career ahead of the duo’s sixth album, What They Grow in the Garden.
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As musically gifted as they are hyper-intelligent, as hyper-intelligent as they are kind, and as kind as they are wise, there was no better band to approach than atmospheric black-metal masters Der Weg einer Freiheit for The Bad Penny Passport‘s stop in Germany. That’s the name we’re calling our latest series, in which we check in with musicians in countries across the globe to get the real deal on the best bands their homelands have to offers. We’re blown away by your positive reception of the series, dear readers; we surmise it’s because you’re refreshed to be getting listening recommendations from musicians instead of Spotify, the algorithm or AI.
On Friday, Der Weg einer Freiheit released an instrumental version of Innern, the studio album they released last year, and we’ll bring you an interview with vocalist/guitarist Nikita Kamprad and bassist Alan Noruspur post-haste. But before we do, we’re gifting to you a list of Germany’s top 10 metal bands that Kamprad – one of our best comrades, and who we’ve interviewed before – in turn gifted to us. (Der Weg deserve a lofty place on the list, but Kamprad is too humble to have put his own band on it.)
Without further ado, here’s his list, with generously ample descriptions of the featured bands and explanations as to why they deserve to be on it.
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Familiarize yourself with Spanish experimental art-pop endeavor Sehore, and you will undoubtedly have encountered the most artistically and intellectually challenging musical act in quite some time. Sehore won the Silver Medal for the song “Pesadilla” (“nightmare” in English) and the Bronze Medal for “Bla bla bla (cha cha cha)” (we’ll leave that translation to you) at the Global Music Awards 2025.
With compositions written and performed in extremely complex time signatures, Sehore started last year with the release of its first two albums: Ladencia in January and Husfikbur in September. The group’s project’s album, Ptkbdglmnr (due November 20), is led by the first single “IA.” Sehore describes it as follows: “The rhythmic figures shift between different internal groupings of five (3+2, 2+3, 4+1, etc.), creating a fragmented and unstable pulse that mirrors the theme and is built on the diminished scale. The track alternates consonance and dissonance, using kitsch elements and miniature structures.”
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If you’re a fan of electronic indie-pop – or heartfelt, folk-spirited music in general – and you aren’t familiar with Josaleigh Pollett, you’re missing out. The Salt Lake City musician stands out in the sprawling singer/songwriter community due to her musical talent, thoughtfulness, and penchant for learning. Don’t believe us? St. Vincent, Torres, Deep Sea Diver and DeVotchKa – with whom she has shared bills – would back up our backing of Pollett.
Pollett’s new album, the exquisitely named (and performed) If I Let It Quiet, features four singles – “Radio Player,” “The Witness,” “Like a River” and “Bed of Quiet” – and came out in late July. We caught up with the artist shortly before its release and, due quite frankly to our own flakiness, are finally delivering the lovely conversation we had with the artist today.
(Note: Pollett had performances planned for October 15 at Seeker Coffee in Old Ford, North Carolina; and the following day at The Hideaway in Johnson City, Tennessee.)
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