Pet Sounds #57: BC Camplight Talks About His Buddy Canine

Posted in Interviews with tags , on 07/29/2025 by Kurt Orzeck

Welcome to the debut installment of the ongoing Pet Sounds series on The Bad Penny, after it migrated here from a previous website. In this special edition, alt-songwriter and multi-instrumentalist Brian James Christinzio – a.k.a. BC Camplight – provides us with startling reflects on trauma, along with extremely well-considered insights into life as a pet owner.

For those familiar with BC Camplight – who was born in New Jersey but now resides in Manchester – it actually comes as no surprise that he took so much time and care with his responses to our questions about his relationship with Frank, his 9-year-old “Jug” (a Jack Russell and Pug mix). Similar clarity, delivered with both heart and precision, is the tie that binds the songs on BC Camplight’s new album, A Sober Conversation, which arrived late last month.

Throughout the record, the multi-hyphenate musician fearlessly opens up about recently getting sober while also working through childhood trauma. Clearly, his pet helped him build up the courage, and provided him with support during the trying two-year period leading up to the release of A Sober Conversation. That BC Camplight maintains a somewhat subdued but ultimately sunny mood throughout the record is a testament to how gracefully he must treat his adoring buddy, Jug.

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5 Reminders About Punk Rock’s Core Principles

Posted in Essays, Features, On Tyranny with tags on 07/29/2025 by Kurt Orzeck

Say what you will about the new identity of punk rock and the renewing of marriage vows between punk rock and corporate enterprise, here are a few reminders about what still lies at the heart of the movement:

1. Subservience, complacency and inaction in the face of authoritarianism, now the governing force in the United States — and its myriad and once-unimaginable horrors — is not punk rock.

2. Engaging in pay-to-play schemes that pads the pockets of music venue owners and managers, magazine editors and publishers, agents and promoters and publicists, and other industry types who profit off musicians, is not punk rock.

3. Propagating, platforming or even permitting racism, sexism, homophobia, transphobia and all related forms of hate and discrimination is not punk rock.

4. Increasing one’s personal gain at the expense of punk-rock bands and fans, whether it be through inflated ticket prices, ad revenue largesse and opportunistic financial benefits is not punk rock.

5. Taking advantage of or profiting unjustly off sincere, well-intentioned and therefore often vulnerable people who support punk-rock ethics is not punk-rock.

Cool? Cool.

Månegarm Celebrate 30 Years; Frontman ‘Can’t Picture Life’ Without Band

Posted in Interviews with tags on 07/28/2025 by Kurt Orzeck

The general consensus among historians is that the Vikings, led by King Cnut the Great and subsequently his sons, ruled England from 1016 to 1042 during a relatively peaceful reign after the Dane brutally mutilated Anglo-Saxon hostages. Hey, no one’s perfect. 

Månegarm–the Swedish band named after a mythological Norse wolf–have “ruled” in the Viking black/folk‐metal sense of the term for an even three decades as of this year. And they just dropped a hefty bag of silver, their 11th studio record, to represent the spoils that the technically proficient band has gathered over the course of its formidable existence.

“Thirty fucking years. That’s strange, man,” says vocalist/bassist Erik Grawsiö, pondering the seemingly unexpected achievement aloud. “When I think back to those days, I get a great big smile on my face. It was a great time in my life. I was 16, 17. Once the first lineup was complete, to make a long story short, we got together, played our first song, and it was fucking great.”

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Bask on Pouring Their Souls Into Hopeful LP After Hurricane Helene

Posted in Interviews with tags , on 07/28/2025 by Kurt Orzeck

Self-help charlatans, fitness freaks, and corporate advertisers will have you believe that “What doesn’t kill you makes you stronger.” But those blustering boobs typically omit a rather critical part of the equation: Often times, the most trying challenges in life befall us when we least expect it, before we have the time to steel ourselves in preparation for such trials and tribulations. It’s why sucker punches are strictly prohibited in every imaginable form of a so-called “fair fight.”

Psych-rock outfit Bask learned this lesson by facing a challenge that no one should have to face: a devastating natural disaster—specifically, the deadliest hurricane to hit the U.S. mainland in almost two decades. Hurricane Helene obliterated the band’s rehearsal space when it ripped through their hometown of Asheville, North Carolina, in September of last year. Fortunately, the band members didn’t suffer devastating physical injuries that threatened to put a halt to their careers, as kindred spirits Baroness experienced in an unforgettably devastating bus crash in 2012.

Bask certainly had their work cut out for themselves as they tried bouncing back from their own horrific twist of fate. The band relied on charitable donations from a GoFundMe campaign they launched to replace gear and rehearsal space furniture they lost in the flood. But during a March check-in with Bask, longtime friends Zeb Camp (guitar/vocals) and Scott Middleton (drums) already had perspective on overcoming what could quaintly be referred to as an “adversity.”

“We can’t complain too much,” Middleton said at the time. “A lot of people had it way worse than us.”

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Chris Adler Admits Leaving Lamb of God for Firstborne Cured His Depression

Posted in Features, Interviews, On Tyranny with tags , , on 07/28/2025 by Kurt Orzeck

The look on Chris Adler’s face says it all. One of the best rock drummers known to man is sitting in a tranquil environment in his studio, located in his family’s awe-striking home in Richmond, Virginia. It’s the same general vicinity where the 52-year-old Adler grew up and where he and a few pallies developed so-called “American Made Metal” purveyors Lamb of God.

In fact, one could argue that the drummer’s ardent fans are currently witnessing Peak Adler, who found inner peace during a meditation retreat. He has a new record coming in less than one month—Lucky, the first created by the new configuration of supergroup Firstborne. Adler is not about to, isn’t currently and doesn’t face any prospects in the near future of throttling himself to death like he used to during his Lamb of God days.

“I stopped listening to music,” Adler divulges in a mid-June conversation.

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The Jesus Lizard’s 103 Songs, Ranked From the G.O.A.T. to the … Just Don’t

Posted in Lists, Reviews with tags , , , , on 07/27/2025 by Kurt Orzeck

Because I said so. Order never subject to change.

1. “Gladiator”

2. “Destroy Before Reading”

3. “Monkey Trick”

4. “Boilermaker”

5. “Dancing Naked Ladies”

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Superchunk’s ‘Songs in the Key of Yikes’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 07/26/2025 by Kurt Orzeck

Superchunk are delivering their sunniest, most playful and even chipper-sounding record since 1995’s Here’s Where the Strings Come In. Read my Music Connection review.

Sooper Records Pursues ‘Authentic Expression[s] of the Human Experience’

Posted in Interviews with tags on 07/24/2025 by Kurt Orzeck

Sooper Records cofounder Glenn Curran speaks elaborately with conviction and altruism about what drives him and his partners to pour their heart and soul into the super-duper Sooper Records—and release albums they believe in, as art for art’s sake. Read my profile on the bespoke Chicago label for Music Connection.

RIP Ozzy Osbourne, Voice of Heavy Metal, Prince of Darkness, Biter of Bat Heads, Cooker of Eggs

Posted in News, Videos with tags on 07/22/2025 by Kurt Orzeck

HLLLYH’s ‘URUBURU’: Two Cent Review

Posted in Album Reviews, Reviews with tags , on 07/17/2025 by Kurt Orzeck

HLLLYH’s URUBURU was originally intended to be the fourth Mae Shi album. But the members of HLLLYH discovered that making new music by piggybacking on prototypes of old Mae Shi material sounded like Mae Shit. In hindsight, it was as if HLLLYH had put on an elaborate stage production of Weekend at Bernie’s. Read my review on Treble.