We hear ya here at The Bad Penny: We cover too much metal, not enough metal, etc. One common denominator across all genres is that artists are capable of creating captivating, innovative, original, hilarious and harrowing music videos regardless of genre. With that in mind, here are the clips we enjoyed the most in the month of August, two thousand whatever.
1. Packaging’s “In Your Pocket”
“The majority of Americans are angry about this idiocy. There will come a tipping point.
The majority will fight back and win.”
-Andrew Laties
Andrew Laties isn’t your typical free-speech advocate. The decorated author co-founded the annual Easton Book Festival in Pennsylvania, The Children’s Bookstore in Chicago, the Chicago Children’s Museum Store and the Eric Carle Museum of Picture Book Art Bookstore in Massachusetts. In some respects, he is Donald Trump’s greatest nemesis: He is omnipresent thanks to the aforementioned institutions he established across the country, he won’t be bullied (as he was in the past), he doesn’t mince words or self-censor but rather speaks from the heart with unfiltered ferocity, he is an outspoken champion of free-speech who refuses to be silenced, and he is prepared to battle the Trump administration’s book bans to the bitter end.
In other words, Laties is one of us. Even if you don’t place censorship and book bans high on your list of priorities, whether you deem the issues to be political or not, he’s fighting for your rights too. His previously detailed his crusade in the book Rebel Bookseller: Why Indie Businesses Represent Everything You Want to Fight For – From Free Speech to Buying Local to Building Communities. Last month, he unveiled his latest work, the very timely You’re Telling My Kids They Can’t Read This Book? Our Hundred-Year Children’s-Literature Revolution and How We’ll Keep Fighting to Support Our Families’ Right to Read.
When Laties reached out to The Bad Penny, it was a no-brainer to invite him to participate in our ongoing series On Tyranny, inspired by the Timothy Snyder handbook of the same name. Here is the exchange in which we thoroughly enjoyed partaking today with Laties, a hero in the sickening, unbelievable and yet very real battle to save democracy for us all, and not just the livelihoods of artists and dissenters, but their right to exist in American society.
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Today marks the 53rd anniversary of “Power to the People,” a performance by John Lennon and Yoko Ono’s Plastic Ono Band. As a nation, we are thirsting for our own contemporary music megastars (Taylor Swift, Beyoncé, Drake, Billie Eilish, Bad Bunny, etc.) to re-create such an event at a time even more perilous than when the peace activists of yore performed at Madison Square Garden in New York.
Side note: The whole “karma” concept that Lennon and Ono preached? Yeah, that’s proven to be a fallacy. No amount of suffering that could befall Donald Trump from here on out would be commensurate with the amount of damage he’s done to our country, which will take many decades to repair.
Fortunately, Lennon isn’t around to bear witness to the atrocities that are occurring every day in the U.S.
Check out these previous installments of The Bad Penny’s On Tyranny series:
• Poll: Are You Afraid of Attending Concerts as the Military Patrols US Cities?
• Haggus Frontman Blasts Punk Bands’ Silence on Gaza, ICE
• As US Citizens Get Disappeared and Terrorized, Chile’s Mawiza Reflects
• Punk Legends UK Subs Denied Entry Into US Due to Alleged Trump Criticism
• Kuwaiti Metal Artist Abzy Calls Hate ‘A Black Hole’
• Hungarian Black-Metallers Sear Bliss Lost ‘Freedom’ In Orbán’s Autocracy
• Necrofier Frontman Wonders ‘Is It Going to Be Like ‘The Handmaid’s Tale’?’
• ‘People in America Have Blinders On,’ Lamb of God’s Randy Blythe Says
• Musicians Living Under Authoritarian Rule Speak Out
• Mark Mallman Says ‘Suffering Artists’ Are a Myth, Making Art Isn’t a ‘Job’
• Cellista: ‘Creating and Existing Under Trump’s America Is My Act of Radical Resistance’
Jack Tucker (Zack Zucker):
Connor O’Malley:
Chris Fleming:
Can’t seem to find much discussion about this online, but does anyone else notice that David Cronenberg’s Scanners (1981) and Brian De Palma’s The Fury (1978) – both films that come very, very highly recommended – are virtually identical? Both movies revolve around young adults who possess telekinetic powers that can control people à la The Force from Star Wars. These outcasts keep their potentially threatening, manipulative abilities on the DL, find solace living in secret societies, and are hunted by malevolent thugs out to kill them.
The exploding cherry on top of this theory? How often do you see self-combustion sequences onscreen?
Scanners:
The Fury:
De Palma would be the obvious plagiaristic culprit here, as his 1981 John Travolta classic (not an oxymoron!), Blow-Out, copped copiously from Francis Ford Coppola’s The Conversation (1974) – two even greater masterpieces. ‘Cept The Fury came out three years before Scanners, which Cronenberg himself wrote.
Please share any insights if you got ’em, so long as they don’t cause anyone’s head to explode.
Slow Crush present the noisiest and more mature version of themselves yet on Thirst, which arrives today. The Belgian shoegazers’ third record takes the form of a hopeful manifesto that the human race still has the opportunity to reinvent itself. Read my full review on FLOOD.
This week alone:
• RFK Jr. effectively sentenced millions of Americans to potentially die thanks to his contested decision to roll back critical, effective vaccines that (sigh) do not have microchips or tiny aliens in them.
• Trump announced plans to expand the U.S. military presence (i.e. martial law) into Seattle and Portland, in addition to L.A., Chicago and D.C.
• Another preventable school shooting resulted in the deaths of Catholic children in Minnesota and inflicted trauma on an indeterminate number of kids and families.
• ICE unlawfully arrested a bunch of firefighters in Washington while they battled a blaze.
• ICE detained Kilmar Abrego Garcia again, apparently with plans to send him to human-rights-abuse-lovin’ Uganda instead of a gulag in El Salvador this time.
• Israel killed five more journalists in yet another bombing in Gaza.
And to cap it all off, now we have to tolerate the return of Mudvayne. That’s right: fucking Mudvayne.
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(Go here to read my post-mortem on Anciients’ performance in Boise on Friday and why you should make every effort to see them on their current tour.)
Criticize awards all you want, but there’s something to be said for a band that has more hardware than they can carry with two hands. One of the more unlikely bands faced with this honor, problem or whatever you wanna call it is Anciients.
The Vancouver prog-metal crew snatched the Juno Award for Metal/Hard Music Album of the Year in 2018 for their second record, Voice of the Void; their debut, Heart of Oak, was deemed a long-listed nominee for Canada’s other major award for artists, the 2013 Polaris Music Prize.
Adding to their accolades, the complex, challenging band scooped up their second Juno Award for the same category mentioned above on the strength of Beyond the Reach of the Sun, released exactly one year ago. They beat out the likes of Spiritbox, Devin Townsend and other bands you’ve probably never heard of (PSYCH!).
Two days ago, Anciients initiated their first U.S. tour in eight years, dubbed “Quest Beyond Our Minds,” in Seattle. Call it a victory lap celebrating all the awards they’ve accumulated, a refresher course in their three reputed Season of Mist records and/or a jaunt serving to boost their latest Beyond the Reach of the Sun single, “Is It Your God,” their performances are a must-see for anyone who even remotely has an affinity for Anciients or their kindred spirits Opeth.
The Bad Penny touched base with Anciients vocalist/guitarist Kenny Cook mere hours before they took the stage in Seattle to pick his brain about various matters, including their concert tonight in Boise, which will mark the first time they’ve played in the potato pueblo in a dozen years.
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Even fans of Scandinavian underground music may have missed one of this year’s overlooked gems, Still Quiet (Voices of Wonder), a transfixing and truly original work of experimental erudition that vacillates between post-metal and post-rock while lacing the pacifying musical passages with male and female vocals.
The release came out a few months back courtesy of The Soundbyte, a more adventurous project led by Trond Engum. The guitarist and composer is better known for his more popular band The Third and the Mortal, which activated last year following a 19-year break, much to the delight of rock fans titillated by forays into melodic doom metal, darkwave, atmospheric alternative-rock and even trip-hop.
The Soundbyte is arguably even more daring in its compositional capacities, and Engum’s project hasn’t paused since he incepted it in 1998. If this all sounds like a lot to digest, join us as we delve into the mind of one of Norway’s most cherished musicians, and take a gander at some Still Quiet selections along the way, in The Bad Penny‘s most extensive interview of 2025 thus far.
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