
Read my insightful Post-Trash interview with Kontusion vocalist/guitarist/bassist Mark Bronzino on the creation of his punk-peppered, death-metal band’s debut album, Insatiable Lust for Death.

Read my insightful Post-Trash interview with Kontusion vocalist/guitarist/bassist Mark Bronzino on the creation of his punk-peppered, death-metal band’s debut album, Insatiable Lust for Death.

Five members of exiled feminist protest punk-rockers Pussy Riot are facing lengthy prison sentences after a Moscow court ruled them guilty for staging anti-war performances that criticized Russia’s military actions, the performance-art group’s website, Mediazona, reported Wednesday.
Moscow’s Basmanny District Court handed down the ruling in absentia for Maria Alyokhina, Diana Burkot, Taso Pletner, Olga Borisova and Alina Petrova, who could face eight to 13 years apiece in prison, according to the website.
Continue readingConsisting of two 19-minute-plus songs that lumber, stomp, and trudge along from start to finish, Pharaoh Overlord’s Louhi is one of those rare records that makes you reflect, “How did someone come up with the idea to make music like this?” Check out my review of the record on Post-Trash.
You said you wouldn’t be giving any concerts in the United States. Was this out of concern about [the mass deportations of] Latinos in the United States?
Man, honestly, yes. There were many reasons why I didn’t show up in the US, and none of them were out of hate – I’ve performed there many times. All of [the shows] have been successful. All of them have been magnificent. I’ve enjoyed connecting with Latinos who have been living in the US But specifically, for a residency here in Puerto Rico, when we are an unincorporated territory of the US… People from the US could come here to see the show. Latinos and Puerto Ricans of the United States could also travel here, or to any part of the world. But there was the issue of – like, fucking ICE could be outside [my concert]. And it’s something that we were talking about and very concerned about.
Go to The Bad Penny’s On Tyranny hub for more installments in this series.
Ganser’s Alicia Gaines (bass, vocals) Brian Cundiff (drums) and Sophie Sputnik (vocals, synth, guitar) tap into the artistic wisdom they’ve cultivated together for a decade – not gimmickry, not for a damn minute – to come up with sinister, seductive sounds that serve as the audio equivalent of a red light district or an opium den: irresistible, illicit temptations that even the strongest-willed among us aren’t strong enough to resist. Read my full review on Spectrum Culture.
Completing songs written during sessions with late bandmate Adam Schlesinger, this collection hearkens back to the airy spirit that made Ivy such a delight at a time when it was hip to be hopeless. Read my full review on FLOOD.
Strange as it may sound, metal band Heavy Heavy Low Low from San Jose, California enjoyed a rather effervescent and extended era between the time they formed in 2004 and went on hiatus six years later. The band had a reputation for shenanigans but was never considered malicious or destructive — simply a badass, must-see group of lads who made three records that many considered to be “screamo” essentials: 2005’s Courtside Seats…, 2005’s Everything’s Watched, Everyone’s Watching and 2008’s Turtle Nipple and the Toxic Shock.
There was certainly disappointment when the band went away in 2010, but no TMZ-worthy drama to speak of. But as their records became even more appreciated in the ensuing years, Heavy Heavy Low Low’s decision to get back in the game in 2019 was met with great joy and fanfare. The reception at their reunion shows was so positive, in fact, that it led the band to create a new studio album, Pain Olympics, that came out earlier this year. They toured extensively in support of it up till recently.
But when The Bad Penny checked in with vocalist Robbie Smith, we discovered there was far more beneath the surface of what otherwise seemed like a breeze of a reunion. Pain Olympics documents a heavy dose of grief the band members suffered through over the years and in many ways functions more as an exercise in healing than simply a comeback album. Take a seat and a few deep breaths before reading this extensive interview with Smith, a gentle and candid artist who is also a filmmaker and a genuinely good man.
Continue reading(Note: The number of releases and duration of time spent by the bands on the label factored into this ranking. Nor did it take into account bands that issued records through Touch and Go‘s sister label, Quarterstick Records.)
1. Shellac
2. The Jesus Lizard
3. Big Black
4. Slint
5. Scratch Acid
6. Die Kreuzen
7. Don Caballero
8. Girls Against Boys
9. The Black Heart Procession
10. The Delta 72
11. Killdozer
12. Blonde Redhead
13. Didjits
14. Quasi
15. The New Year
16. Silkworm
17. Man or Astro-man?
18. Laughing Hyenas
19. Brick Layer Cake
20. CocoRosie
(PS: Fuck Butthole Surfers)
Amid the rise of dictatorships across the globe, which is the focus of The Bad Penny‘s On Tyranny series, there are some signs of hope and remarkable individuals rising to the occasion to fight for justice, democracy and peace. One of those people is Audrey Keelin, guitarist and vocalist for Brooklyn band Hiding Places, who has helped create two music compilations benefiting the Palestine Children’s Relief Fund.
The most recent one, Merciless Accelerating Rhythms – Artists United for a Free Palestine – Vol II, came out Friday via Brooklyn-based label HATETOQUIT and features contributions from an astonishing 64 artists, including Andy Boay (Tonstartssbandht), Colin Miller (MJ Lenderman), Landon George (MJ Lenderman), Prith/ The Coke Dares (members of Magnolia Electric Co.), villagerrr, Hiding Places, Andy Loebs, Renny Conti and more.
Watch the above video to learn about what motivated Keelin to undertake the ambitious endeavor, what inspires the Hiding Places captain during these dark times – and how you can create a project that, like the compilation albums, have the potential to make a major difference.