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No food left? No money with which to more of, said, food? When all seems lost, there’s always …
… Meat Ball Manifesto.
Last year, I dished up a recipe on Eddie Spaghetti Carbonara to warm applause from the man himself. Here’s a new platter, presented \\ just in time for dinner tonight (West Coast time, that is). Continue reading
Not a second is wasted on this essential entry into the collection of every fan of heavy music who doesn’t like Disturbed and Korn. With that notion in mind, it’s no surprise that one of the most persnickety-yet-always-correct individuals in this sludgy underworld, Aaron Turner, gave Erosion his sign of approval by putting out Maximum Suffering seven years ago. Invasive Species comes courtesy of Canadian underground grindcore label Mechanized Apparatus Revolt, and boy did they luck out scoring this release. Get it here and thank us later — if your head hasn’t exploded by the time you’re done listening to it. Here’s my full Post-Trash review.
Songwriter/producer Charlie Nieland–whose works regularly deal with his emotional, romantic and artistic struggles deserves–miraculously makes his art all that much more enriching for his students, classmates and the land as well. But when The Bad Penny caught word that had become more politically active as of late, we redoubled our efforts to interview him about how American Authoritarianism is already impacting artist communities, whether they know it or not.
Much to our delight, Charlie agreed to take part in The Bad Penny‘s latest episode of our “On Going” series.
Listen to our compelling conversation, become part of the effort to save and strengthen democracy across the world – and pick up Charlie’s latest works, Shame; and the just-released Stories From the Borderlines:
Here’s a taste of a new Charlie track:
Hope over to his Bandcamp page to dig deeper into him.
Furthermore, check out The Bad Penny‘s ongoing On Tyranny series, which we launched in the spring, here. Recent installments include interviews with Moonspell, The Grasshopper Lies Heavy, Deaf Club, Cosmic Reaper, Ted Hearne, Terzij de Horde, Chairmaker, MyVeronica, the Gunshy, Planet on a Chain, Necrofier, Cheap Perfume, Bobby Conn, Truculent, Spiritiste and many more.
[With Jesus Lizard vocalist David Yow having moved to Portugal, now seems as good a time as any to roll out the most incisive and insightful interview among the handful I did with him. Previously out of print and conducted roughly 21 years ago, here’s a toast to the only rock star who always does have a can of beer in his hand.]
As many of you have probably gathered and/or heard, a lot of the talk following this weekend’s Pitchfork fest has regarded the almost-night-capping Friday performance by the Jesus Lizard. If it hadn’t been for Built to Spill’s closing billing that evening, you would’ve expected the Liz to have left crowdmembers stumbling home with loose teeth shaking in their mouths and broken toes slapping around in their shoes.
The informed among us are well aware that those lovable ’90s crank-rock cretins called the Lizard have propagated a lethal dose of gratuitous grime, grit and glib glee over the masses since they recently re-collected themselves for redux performances. From the band’s confidants, we’ve heard reports that theirs was a solid show, one that should place David Yow and the gang on a secure path laid toward redemptive riches as the Liz re-arouses its fanbase for a series of widely unexpected reunion gigs throughout this year (and beyond? And a new album while we’re at it? Are we pressing buttons or just our luck?).
Continue reading1. Imogen Heap‘s “I AM __.”
2. Slowthrust‘s “Midnight Slay”
3. Infinity Dream‘s “Lost Embrace”
4. Ratboys‘ “Light Night Mountains All That”