On Tyranny: Swiss Grunge-Jazz Band District Five Warns MAGA Propaganda Is Corrupting Mainstream Entertainment

Posted in Interviews, On Tyranny, On Tyranny, Videos with tags , , , , , , , , on 06/21/2026 by Kurt Orzeck

Ten years ago, four multi-instrumentalists from Zürich, Switzerland, came together to form the we-dare-you-to-try-to-categorize-because-you-will-fail band District Five. “Intriguing” is probably the word that encapsulates the band, but in reality, District Five require – and are worthy of – much longer descriptions. This is one of those rare bands that can’t be figured out cerebrally; instead, District Five’s goal is to penetrate your heart and soul, making you remember what it’s like to feel the a human being again in an increasingly anti-human world.

Paul Amereller (drums, percussion), Tapiwa Svosve (vocals, synth, sax), Vojko Huter (vocals, guitar, synth) and Xaver Rüegg (bass) have reached a new pinnacle of musical proficiency and prowess with GLUT, the new District Five full-length that dropped in late May. (It’d be a cardinal sin not to mention that the esteemed Saul Williams appears on one of the songs.) Proving their enormous talents aren’t limited to just playing music, the band attached a manifesto of sorts to GLUT, and while The Bad Penny typically steers clear from quoting promotional materials, the missive is not only profound but explains the new District Five album and why the band is so well-suited for On Tyranny.

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Rock ‘N’ Roll Rebus #15

Posted in Fun And Games with tags on 06/21/2026 by Kurt Orzeck

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Song Premiere: Boston Band Merry Brigade’s ‘Work Smoothly’ Is White-Hot, Entrancing, Incandescent Rock

Posted in Exclusives with tags , on 06/20/2026 by Kurt Orzeck

It was only a month ago that we introduced you to Merry Brigade.

In Merry Brigade’s first video interview, Love revealed how the group’s trials and tribulations with their previous projects strengthened their new musical undertaking, what he learned from Soundgarden (his favorite band) and author David Foster Wallace, and how delicately he treats his lyrics.

Now, they’ve paid The Bad Penny a second visit to bequeath us with the premiere of their new song, “Work Smoothly.”

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Favorite Films: Martin Atkins (Ministry, Pigface) ‘Bedazzles’ Us by Picking a Comedy With Dudley Moore, Peter Cook

Posted in Favorite Films, Features, Interviews with tags , , , , , , , , on 06/20/2026 by Kurt Orzeck

If you want to get properly schooled in the history of post-punk and industrial music – and the music industry machinery that has both helped and harmed it over the decades – don’t read a music blog or turn to some know-it-all bottom-feeding on social media for information. Instead, seek out a revered guru like Martin Atkins, he of Pigface, Ministry, Killing Joke, Public Image Ltd and Nine Inch Nails note.

Atkins is a prolific author of books concerning the music industry; the studies coordinator on the very subject at Millikin University in Decatur, Illinois; and owner and operator of the Museum of Post Punk and Industrial Music in Chicago. If you’re more inclined to enjoy Atkins making music instead of reading his tomes, look no further than The Howler: An English Breakfast, a record he issued on vinyl for the first time about three weeks ago.

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On Tyranny: Why Musicians Must Speak Out Against MAGA – and Why Their Fans Must Support Them When They Do

Posted in Essays, Features, On Tyranny, On Tyranny with tags , , , , , , , , on 06/18/2026 by Kurt Orzeck

If you’ve enjoyed The Bad Penny‘s ongoing On Tyranny series, be sure to pick up the latest edition of The Big Takeover, underground music’s best magazine. Publisher, editor and perhaps the best person on earth Jack Rabid graciously allowed me once again to write one of the three coveted opinion essays that lead off the 160-page edition. My second commentary is a kindred spirit of the first, and both digs deep into the sums up lessons learned from On Tyranny. If you believe in punk rock and for which it stands, buy the newest issue of The Big Takeover.

Cola’s ‘Cost of Living Adjustment’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 06/18/2026 by Kurt Orzeck

It appeared that Montreal’s post-punk squad Cola tried to pull a fast one when they formed in 2020. After all, properly capitalizing all the letters in their name would’ve clearly indicated it was an acronym and not a synonym for soda—which, in all fairness, would’ve been equally bland. On this, their third record, the trio finally come clean by confirming through its title that their handle is, in fact, a phrase used in the titillating field of economics and employment contracts.

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An All-En-Compass-Ing Conversation With June of 44’s Jeff Mueller

Posted in Interviews with tags , , , , , , , on 06/18/2026 by Kurt Orzeck

Enjoy my lengthy conversation with Jeff Mueller, one of the four captains steering iconic Louisville band June of 44. From start to finish, you will learn the history of June of 44 and get a deep understanding of the band’s ethos and spirit. You’ll learn why reuniting was a transcendent experience in which the band members discovered new meaning in and appreciation for songs they had written decades prior. You’ll discover that a group of musicians who appeared stoic and even intimidating in their heyday are empathetic to the core. And you might enjoy a laugh or two — surprising for a band whose concerts were considered to be serious, chuckle-free engagements back in the day.

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Sonny Rollins, Master Saxophonist and Jazz Pioneer, Dead at 95

Posted in Features with tags , , on 06/12/2026 by Kurt Orzeck

Sonny Rollins, widely considered to be one of the greatest saxophonists of all time, has died, according to a Sunday post on his Facebook page. He was 95 years old.

“It is with deep sorrow and profound love that we announce the passing of Sonny Rollins,” read a statement posted on the page at approximately 10 p.m. ET. “The Saxophone Colossus died this afternoon at his home in Woodstock, NY, at the age of 95.”

The post continued with a 2009 quote from Rollins, a jazz tenor saxophonist known as a jazz music purveyor and improvisational extraordinaire.

“I think when the creative person ends, he continues in the next existence,” the Rollins quote read. “I’m a person who believes this life isn’t the be-all and end-all of everything. A spiritual person doesn’t feel like that.”

As of 11:15 p.m. ET, Rollins’ website contained no information about the legend’s passing.

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Led Zeppelin Officially Broke Its Post-Breakup Vow — and Set a Ticket-Sales Record

Posted in Features with tags , , , on 06/12/2026 by Kurt Orzeck

When Led Zeppelin’s founding drummer, John Bonham, died due to an alcohol overdose in 1980, the classic-rock band broke up, and its three surviving members vowed to never reunite. Guitarist Jimmy Page, vocalist Robert Plant, and bassist John Paul Jones did so informally a few times, mostly for tribute events.

But it wasn’t until a 2007 concert celebrating the life of music executive Ahmet Ertegun – who signed Led Zeppelin to his Atlantic Records – that Page, Plant, and Jones played a full set for the first time in almost three decades. The show was so historic, and demand to attend it was so high (with 20 million ticket requests tallied), that Led Zeppelin set a new Guinness World Record.

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Green Day’s Blacklisted Hit Was Banned From Radio – and It Wasn’t Due to Profanity

Posted in Essays with tags , , on 06/12/2026 by Kurt Orzeck

In the wake of the attacks on September 11, 2001, radio station conglomerate Clear Channel Communications banned a slew of unlikely songs from the airwaves, including Simon & Garfunkel‘s “Bridge Over Troubled Water,” John Lennon‘s “Imagine,” Led Zeppelin‘s “Stairway to Heaven,” and many more. Another band that fell victim to the reactionary crackdown on free speech during a terrifying time in America was Green Day and their song “Brain Stew.”

The spirit of punk rock is to scream truth to power, no matter what the cost. Bands of that ilk tend to gravitate to the underground and indie record labels, where they can fully exercise their creative freedom and execute their vision without fear of corporate interference. Green Day is one of the rare – and undeniably most popular – punk-rock bands that, despite their fearless and sometimes controversial outspokenness, have spent the majority of their career on a major label (the Warner Bros. Records-owned Reprise).

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