1. Imogen Heap‘s “I AM __.”
2. Slowthrust‘s “Midnight Slay”
3. Infinity Dream‘s “Lost Embrace”
4. Ratboys‘ “Light Night Mountains All That”
1. Imogen Heap‘s “I AM __.”
2. Slowthrust‘s “Midnight Slay”
3. Infinity Dream‘s “Lost Embrace”
4. Ratboys‘ “Light Night Mountains All That”
It’s not uncommon for an actor to form or join a band – after all, it takes a certain gene to drive a person to be at the center of attention as much as they possibly can. But this past summer, when we caught up with vocalist Robbie Smith of sasscore squad Heavy Heavy Low Low, we learned that the inverse isn’t necessarily as common.
Sure, he enjoys fronting the band from San Jose, California, and writing and recording their songs – which are so unhinged and berserk that even Guantanamo Bay couldn’t restrain or temper them. Nonetheless, Smith also enjoys stepping away from the physical intensity of the band’s concerts to focus on an artistic endeavor he may value even more than crafting music: filmmaking.
Continue reading[This article was originally published on IndiePit in 2010.]
Punks don’t make the likeliest businessmen, for obvious reasons. Capitalism and punk aren’t exactly synonymous – in fact, by definition, they’re more or less contradictory.
But funny things happen in a time of crisis.
These days, more bands are taking more matters into their own hands, whether it be issuing their own material (like Clutch), producing their own records and/or shooting their own videos. But while this trend has mostly arisen out of necessity – the mother of invention, as the saying goes – self-empowerment has historically been a brass ring of sorts for bands adamant about maintaining control over their artistic output. Now they’re managing to find an opportunity in crisis: complete creative control.
Continue readingAlbums by SWRM, Zabus, Spaceface, Insomniac, Go Kurosawa, Late Again, Nate Smith and Orsak:Oslo made the cut on my list of great, overlooked psychedelic albums released in summer 2025, in my first quarterly column on the genre for Treble.
We hear ya here at The Bad Penny: We cover too much metal, not enough metal, etc. One common denominator across all genres is that artists are capable of creating captivating, innovative, original, hilarious and harrowing music videos regardless of genre. With that in mind, here are the clips we enjoyed the most in the month of September, two thousand whatever.
1. Peter McPoland’s “Last Looks”
How you likin’ Authoritarian America now? To all the conservative “disrupters” out there, The Bad Penny hopes this is what you were wishing for – and (with tongue firmly planted in cheek) that the wave of tyrannical terror sweeping the nation doesn’t drown you in its wake.
Don’t say we didn’t warn you; after all, we launched this On Tyranny franchise in December. But rather than subject you to “I told you so examples” from our 25-part series, we’ll instead suggest some of our favorite contemporary protest records that you can serve as your soundtrack for the weekend. Here goes, in chronological order:
Refused‘s The Shape of Punk to Come (1998)
System of a Down’s Toxicity (2001)
Continue readingEarlier this month saw a new release by Point Break 2 – no, not a sequel to the immortal 1991 surfing-undercover-cop-thriller-pseudohomoerotic-unintentional-comedy-action masterpiece starring Keanu Reeves and Patrick Swayze, but rather a fresh record by a band using that amusing name as its moniker. Featuring members of Brooklyn indie bands These Are Powers and The Flag including Ted McGrath, Point Break 2’s self-titled EP dropped on Naturally Records.
McGrath originally assembled Point Break 2 to bide his time while The Flag’s second LP was in the works. But he hit it off so well with Flag bandmate Ryan Crozier, Jason Robira of Sunwatchers, Fixtures’ Kris Liakos and Billy Bouchard (Ice Balloons, Dancehall Crashers) that they decided to formalize Point Break 2 as a full-fledged project.
And how could they not, with a fuzzy, skronky song as infectious as lead single “Hall of Justice”?