As marginalized Americans continue to get hammered by a new upper-class uppercut every day, at least so it seems, visionary composer/bassist/singer David Roush is turning his idealistic vision into a reality by directly helping those most in need. Roush is the frontman of Ecce Shnak (pronounced Eh-kay sh-knock), a five-piece art-rock band now in its 15th year. They describe their sound as “one part pop music, another part classical music, and a third part punk music.”
Rousch is one of the 100-plus musicians profiled in The Bad Penny‘s On Tyranny series who are taking action during the most perilous time for U.S. democracy in recent decades, if not centuries. Specifically, Roush is tirelessly trying to help get poet/philosopher Keith LaMar off death row, where he was relegated to an Ohio prison 30 years ago for crimes he allegedly didn’t commit.
Roush discusses LaMar’s case and shares his analysis about the abysmal state of America, Ecce Shnak and much more in the latest installment of On Tyranny.
Fans of grindcore no doubt are aware that Nequient – arguably Chicago’s greatest contribution to the subgenre – just spat out their third LP two Fridays ago on Nefarious Industries. One of the main themes on the nine-track Avarice fits in comfortably with The Bad Penny‘s ongoing On Tyranny series.
Vocalist Jason Kolkey shows no restraint in lambasting the greedy oligarchs who are stridently, shamelessly and soullessly puppet-mastering the U.S. economy into incalculable and perhaps unsalvageable economic ruin, particularly during Donald Trump’s fascist reign. It’s difficult which is more terrifying, Nequient’s unforgivable brutality or the nauseating avarice of the top 1 percent richest individuals in America.
Kolkey generously carved out some time late last week to elaborate on his highly charged and completely coherent positions with The Bad Penny. Dude knows what he’s talking about … Kolkey earned a PhD in English from Loyola University Chicago, and works as an independent scholar and writer when not declaring war on his vocal cords (and the ultra-wealthy) as the frontman of Nequient.
David Yow’s penchant for physical prowess is not only evident in his four decades as noise-rock’s ultimate madman; the Jesus Lizard frontman also taps into his mesmerizing contortions and transformations as an actor. Fans of Yow and his bands – which have also included Scratch Acid, Qui and Flipper – may be aware of his various forays in film, but only a select few have seen this wacky demo reel he used to clinch acting roles.
Earlier this week, The Bad Penny caught up with Joe Love, vocalist/guitarist of brand-new, badass Boston band Merry Brigade, who freshen up grunge-era alt-rock with a modern sound. The quartet — which also features Dave Holmes (guitar/backing vocals), Kevin Delprete (bass) and Ben Chase (drummer) — self-released their debut EP, DDD, in mid-March. After taking that first step, Merry Brigade are moving full-steam ahead, with their first full-length slated to come out later this year and a second LP — which the band is already toiling away at — poised to materialize in 2027.
“The real deal” is a phrase that gets bandiedabout often – excessively and sloppily so when it comes to singer/songwriters. But listen to Nashville musician William Tyler say five words, and you’ll immediately identify his Achilles’ heel: bullshit. Tyler has no reason to bloviate when he’s spent so much of his decorated career recording and touring with a litany of other sacrilegiously overlooked yet irrefutably talented musicians of the indie-folk, Americana and cosmic country varities. Tyler had membership in Silver Jews and Lambchop, made a record five years ago with Marissa Anderson, and counts Bonnie “Prince” Billy as one of his multitudinous collaborators.
Over the course of his three-decade career, the immediately disarming and infectiously kind Tyler’s list of credits runs longer than one featured at the end of a Sergio Leone film. And yet occasions in which Tyler overtly tackles topical issues or shares his beliefs about politics and the like are rare. Which is why The Bad Penny took note of Tyler’s participation in a recent compilation co-produced by indie filmmaker Rick Alverson called Passages: Artists in Solidarity with Immigrants, Refugees, and Asylum Seekers. A description accompanying the Western Vinyl release stated: “Passages is both an acknowledgement of work in progress and an invitation to do more. Our representatives need to see us. Our families need to hear from us. Our neighbors and local organizations on the front lines of this crisis are ready for us to join them.”
Curious to learn more about the collection and its participants, we reached out to some of the contributors. One of them curiously rebuffed our invitation to participate in On Tyranny, saying “I really don’t feel like any of my troubles are the real burden of this moment.” But as the days, weeks, months and years in the still-nascent fascist regime taking hold of this country are proving, none of us will be untouched by the shock, awe, pain and lament that is growing like a cancer inside our collective civic body.
As if any of us needed any more convincing that Authoritarian America is increasingly resembling Russia, thanks in part to Donald Trump modeling himself after his hero Vladimir Putin, this latest installment of The Bad Penny‘s ongoing series On Tyranny will demonstrate how chillingly similar life in the two countries has become. And for this we have a musician named n0 trixx to thank: The Russian artist is unwavering in her conviction that those who call themselves artists must be uncompromising, courageous beyond dispute and speaking truth to power.
At a time when more American musicians are finally speaking out about the full-scale assault on democracy that Trump and his band of sycophants and sociopaths effectively began launching a decade ago, artists in the U.S. still have much, much more to learn. If there’s an upshot to the pillorying of musicians here, it’s that they have learned, are learning or soon will learn that making art is not simply an exercise in entertainment: It’s a critical activity that ensures the circulatory system of democracy is in good shape.
No Kings 3, which took place last week and drew an estimated 8 to 9 million participants – exceeding the turnouts of the first two protests – provided more wind in the sails of the pro-democracy movement that is barreling toward a critical juncture at the November midterm elections.
Red-hot MC TINO – who hails from Dayton, Ohio – didn’t make it to the protest. But since the early 2010s, the hip-hop high-achiever has kept his mind trained on educating and galvanizing his audience with socially conscious messages while ensuring his lips are trained on spitting transcendent rhymes.
Franzi Szymkowiak – vocalist, guitarist and synth player for psych/shoegazers Lukka – joins The Bad Penny to share her unique perspectives of how tyranny is taking root in the U.S. similar to how it did in Germany, where she was born before the Berlin Wall fell. In addition to remembering how the German people were “manipulated by Russian propaganda” after World War II, she recalls stories from her ancestors about even more atrocious acts committed by Hitler against intellectuals and artists.
“Hitler was going against people who could see through his whole ideology and who could think more intellectually about [his regime, philosophy and actions] and convince people that was not the way to go,” Szymkowiak states. “It was way worse at the time because people got executed for raising their opinion against the establishment.”