Solution here.
For previous rebuses (rebi? Reba?), give these a go:
Rock ‘N’ Roll Rebus #10
Rock ‘N’ Roll Rebus #9
Rock ‘N’ Roll Rebus #8
Rock ‘N’ Roll Rebus #7
Rock ‘N’ Roll Rebus #6
Rock ‘N’ Roll Rebus #5
Rock ‘N’ Roll Rebus #4
Rock ‘N’ Roll Rebus #3
Rock ‘N’ Roll Rebus #2
Rock ‘N’ Roll Rebus #1
Earlier this month, post-rock and post-metal heathens Wolves dropped their latest record, which is self-titled but features snarky artwork referring to the effort as This Is a Record Called Self-Titled by a Band Called Wolves. Issued through Ripcord Records (whose mascot features a cat’s face), it finds the five-piece gnawing at the confines of genre with a ferocity that commands a feral-like instinct to pay attention on both carnal and cerebral levels.
Wolves, founded in 2016, consist of Mark Howes (vocals, guitar); Andrew “Beard” Rodger (guitar, vocals); Ryan Tyrrell (guitar, vocals); Andy Price (bass, vocals); and Robbie Tewelde (drums). They’re based throughout the Coventry in the Midlands County of England. If you just overlooked the fact that four of the five dudes contribute vocals, you won’t when you hear their seismic onslaught of a sound, which will reel in fans of Dillinger Escape Plan hook, link and sinker:
Incidentally, it’s not just Ripcord that’s obsessed with cats; so are the musicians who comprise Wolves. And many of their names are equally colorful and hilarious. Among Tewelde’s cats is Pharrell Williams, Howes’ cat is named Chairman Meow, (nicknamed “The Chairman” or “Mr. Bitey”). Price has one too, and in celebration of Wolves’ new, certifiably and quantifiably insane beast of a record, we invited him to participate in the latest edition of our long-running series, Pet Sounds.
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If you don’t have something nice to say, don’t say anything at all. Maybe the guys in Russian Circles were told that too many times by their moms. ‘Cause they’re certainly not the types to open their traps.
The Chicago cell is just about ready to introduce to the world the third Russian Circles record, Geneva – and like its predecessors, the heady adventure is vocal-free. Fortunately, though, we got guitarist Mike Sullivan to pipe up to us about the record.
Relaxed and genial, Sullivan quickly allayed our suspicions that social awkwardness might be behind Russian Circles’ speechless approach to heavy rock. We’re pretty sure he isn’t a hermit, even if he is in a band. Well, pretty sure.
You know a label is cool when it doesn’t even bother keeping track of how many records it sells. And while such slackerish business practices would seem to spell doom for any label, Ipecac Recordings is puking in the face of its naysayers as the company founded by Mike Patton and Greg Werckman blows out 10 candles this year.
“We don’t really count record sales that well,” Werckman sheepishly admitted to IndiePit in a recent chat. “For Mike and I … we’ve only been around 10 years, but man, we’ve done these records. And the records we’re proudest of are definitely not always the ones that sell the most. It’s just cool to work with so many talented people.”
Lest ye doubt the merit of Werckman’s word, try on for size the Melvins, Isis, Peeping Tom and Queens of the Stone Age – just a small nibble of the big cookie that is the Ipecac Recordings oeuvre.
“We have a foundation of artists who have been around for a while and have a built-in fanbase,” Werckman says of the aforementioned acts. “It would’ve been pretty hard for us to fail completely. … We have a base of Mike Patton’s projects since Faith No More – that’s a pretty strong fanbase. And then, right off the bat, we had the Melvins, who have a good, strong fanbase. The one band we’ve been able to grow and establish a fanbase with is Isis. And then Josh Homme, a good friend of ours from Queens of the Stone Age” who is a constant co-conspirator.
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Five members of exiled feminist protest punk-rockers Pussy Riot are facing lengthy prison sentences after a Moscow court ruled them guilty for staging anti-war performances that criticized Russia’s military actions, the performance-art group’s website, Mediazona, reported Wednesday.
Moscow’s Basmanny District Court handed down the ruling in absentia for Maria Alyokhina, Diana Burkot, Taso Pletner, Olga Borisova and Alina Petrova, who could face eight to 13 years apiece in prison, according to the website.
Continue reading“My attitude used to be like, I built this country, I’m going to fight for the soul of this country.
And then, finally, in the last decade, I was like, ‘Why?’”
-Eugene S. Robinson
During a lengthy conversation I recently had with Eugene S. Robinson, one of the most uncompromising, forthright and no-bullshit rock musicians around, he revealed that he has joined a slew of other American artists exiting the United States to live in other countries.
“I don’t live in America anymore,” he told me in an interview last month. “I’m in Poland at this very moment, on my way to Spain, where I bought a house, and that’s where I’ll be moving and living.”
He added: “My attitude used to be like, ‘I built this country, I’m going to fight for the soul of this country. And then, finally, in the last decade, I was like, ‘Why? Why? Why? [There are] lots of places to live in the world. Why [should I continue to live] here?'”
Continue readingAmid the rise of dictatorships across the globe, which is the focus of The Bad Penny‘s On Tyranny series, there are some signs of hope and remarkable individuals rising to the occasion to fight for justice, democracy and peace. One of those people is Audrey Keelin, guitarist and vocalist for Brooklyn band Hiding Places, who has helped create two music compilations benefiting the Palestine Children’s Relief Fund.
The most recent one, Merciless Accelerating Rhythms – Artists United for a Free Palestine – Vol II, came out Friday via Brooklyn-based label HATETOQUIT and features contributions from an astonishing 64 artists, including Andy Boay (Tonstartssbandht), Colin Miller (MJ Lenderman), Landon George (MJ Lenderman), Prith/ The Coke Dares (members of Magnolia Electric Co.), villagerrr, Hiding Places, Andy Loebs, Renny Conti and more.
Watch the above video to learn about what motivated Keelin to undertake the ambitious endeavor, what inspires the Hiding Places captain during these dark times – and how you can create a project that, like the compilation albums, have the potential to make a major difference.
“The goal of fascism is control and power. That’s the whole thing. That’s it. There’s no ideology beyond that. … Maybe we’ll make it through this. But I don’t know for sure.”
-Bobby Conn
Chicago’s own Bobby Conn is a king among troubadours, a musician’s musician, and yet also a musician who fights for the people, á la Billy Bragg. His last name is perfectly ironic, as Conn is best known for speaking truth to power and dutifully serving as a protest musician since he started playing music in 1989 with the avant-garde group Conducent. Five years later, that band broke up and Conn embarked upon his journey as a solo artist, which resulted in eight studio albums.
His ninth, Bobby’s Place, just arrived in late August. It’s pretty far out there, dubbed a “split-personality” record in which the first half tells a fantastical story about him living on an astral plane, while the second half imagines him as the star of an alternative-reality workplace sitcom named “Bobby’s Place.” The project captures and sustains the eccentric personality that Conn has embraced throughout his career, which has showcased him as a performance artist, glam-rock devotee and unabashedly outspoken critic of American politics and culture.
When The Bad Penny interviewed Conn via video before the release of Bobby’s Place, he noted that it is his least political record to date. That said, he told Splendid Magazine in 2008 that “All the records that I’ve done are a critique of what’s going on in contemporary America.” And with that in mind, Bobby’s Place can’t be considered detached from reality, even if some of the storylines he tells take place in an alternate reality.
That debate aside, we invited the highly politically opinionated legend to participate in our ongoing series On Tyranny, and he graciously and enthusiastically obliged.
Continue reading“Hearing stories of other bands paying for their visas and still being unceremoniously detained at the [U.S.] border and denied entry makes us wonder if it’s even worth it. As a band with leftist political affiliations, we’re becoming increasingly wary of the risks.”
-Theo Vandenhoff
The news reports are piling up. ICE agents arresting Kilmar Abrego Garcia, a legal U.S. resident without any criminal record or allegations in any country, and sending him to a Venezuelan gulag for months without due process.
An Australian woman held in federal prison and deported simply for visiting her husband, a U.S. Army officer, at the base where he is stationed in Hawaii.
A U.S. citizen detained at the border after trying to return to the States after visiting Canada.
If you’re ignoring the news or looking the other way, you might want to refresh yourself on the definition of “Stockholm Syndrome.” Or admit you’re a lousy citizen and bad American unwilling to fight to preserve democracy. Or under the delusion that it’s not just alleged criminals who are losing their freedoms, when in fact all Americans are (with the potential exception of the super-rich).
Continue reading“Everyone involved in this effort isn’t making a penny. It’s so humbling, it’s hard for me to get over it, to be honest. It makes up for the times when the record industry and the music industry are an absolute shit show. It restores my faith in it a bit.”
–The Dogs of Hope compilation creator Tom Bejgrowicz
Punk-rock can save human lives, providing catharsis and community to young people in particular who struggle with being ostracized, anger issues and mental health problems. But just last month, Boston’s Iodine Recordings – which Casey Horrigan founded 30 years ago and is one of the most legendary indie labels in the Northeast – demonstrated that punk can save the lives of dogs too.
The label proved as such by teaming with Tom Bejgrowicz, an industry vet who worked on projects for artists ranging from Quicksand to Johnny Cash, for a uniquely laudable compilation called The Dogs of Hope. Consisting almost entirely of previously unreleased songs exclusive to the collection, participants include Jeromes Dream, Deadguy, Killswitch Engage, Snapcase, Enforced, Walter Schreifels of Quicksand, and other bands Iodine devotees would eat up. All proceeds from sales of the collection support the Randolph County Animal Shelter in rural Alabama.
Bejgrowicz started volunteering for the no-kill, privately run facility five years ago and decided to pursue his Dogs of Hope project as a way to offset the total lack of funding the shelter receives from the public or Randolph County region. To make matters worse, the county has zero public animal control or spay/neuter programs, and the shelter is four years into being at full capacity.
When The Bad Penny caught wind about The Dogs of Hope project, we immediately got in touch with Iodine and Bejgrowicz, as it appeared to be – and, it turns out, certainly is – supremely fitting for our ongoing Pet Sounds series. Here’s what Bejgrowicz had to say about the impact volunteering at the shelter has had on his life, his motivations for making the compilation and the tsunami of support Bejgrowicz didn’t expect to receive for giving a hand to man’s best friend.
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