Read the interview to end all interviews with woefully underrated Brett Bradford, guitarist for Scratch Acid and frontman for Suckling. Check out previously unpublished photos of Bradford with his Scratch Acid bandmates, including David Yow, in my extensive feature for Post-Trash.
“Some who voted for [Trump] are not necessarily bad or gullible people. If that’s the case, they should very well now regret their decision and do what they can to right the wrong. They helped put the fox in the henhouse and should help to get rid of it.”
–Brett Bradford
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Recently, yours truly had the distinct honor of conducting an extraordinarily in-depth and all-encompassing interview with one of the most crucial figures in ’80s underground music and foundational guitarists in noise rock: Brett Bradford, formerly of Scratch Acid and now a member of indie-rock quartet Suckling.
The extensive feature will appear on Post-Trash on October 7, but in the meantime, we’re bringing you, separately, his thoughts on Authoritarian America as part of The Bad Penny‘s increasingly critical series called On Tyranny. Here is that portion of the interview, followed by some additional thoughts that Bradford later shared.
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(Note: The number of releases and duration of time spent by the bands on the label factored into this ranking. Nor did it take into account bands that issued records through Touch and Go‘s sister label, Quarterstick Records.)
1. Shellac
2. The Jesus Lizard
3. Big Black
4. Slint
5. Scratch Acid
6. Die Kreuzen
7. Don Caballero
8. Girls Against Boys
9. The Black Heart Procession
10. The Delta 72
11. Killdozer
12. Blonde Redhead
13. Didjits
14. Quasi
15. The New Year
16. Silkworm
17. Man or Astro-man?
18. Laughing Hyenas
19. Brick Layer Cake
20. CocoRosie
(PS: Fuck Butthole Surfers)
Touch and Go Records went to the trouble of assembling a Scratch Acid vinyl box set to the tune of $160—as well as individual reissues of their EPs for those in search of a more affordable option. Read my thoughts on Box Set/Scratch Acid/Berserker via Treble.
… And here’s my review of the Touch and Go Records’ three-day anniversary concert from September 2006.
CHICAGO — Touch and Go’s three-day anniversary bash wasn’t just a lesson in the history of the seminal record label. It was a Cliff’s Notes-like recap of the last 25 years of indie rock itself.
Underground granddaddies Big Black, Scratch Acid and Killdozer spit forth a lethal dose of abrasive, confrontational brutality, while !!!, Ted Leo and Enon courted the crowd with dance-rock appeal. And therein lied the clear distinction between the challenging approach taken by yesterday’s bands and the sheer accessibility of their successors.
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Now here’s a blast from the past. A blast from the past from the past, actually.
Touch and Go Records 4 eva.
Before Fall Out Boy, before the Academy Is … — hell, even before the Smashing Pumpkins — there was Touch and Go Records. Like those bands, the trailblazing record label’s reach has extended far beyond its Chicago base of operations, but come September, it’ll be enshrining its 25 years of influence with a massive anniversary gala designed to dazzle indie rock’s shrewdest scholars.
Scratch Acid, Big Black, Man … or Astro-man?, Killdozer — while they’re not exactly household names, the underground goons that shattered eardrums and tore punk rock a new one decades ago will be wreaking havoc once again in commemoration of the label that sustained them. Think of it as “A Mighty Wind” for the indie-rock masses.
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These are three hard-working men. One is bald, diminutive (around 5 feet tall) and brandishes a wrinkled, menacing smirk. This man has been arrested on numerous occasions for public exposure and enjoys his occupation, which involves howling, salivating, urinating and wrestling with complete strangers. Continue reading
The Bad Penny (beta) 