10 Best Free Bandcamp Downloads #6: Death Pose, Softcult, Hull of Light, Scott Lucas

Posted in Lists, MP3s with tags , , , , , , , , on 12/18/2025 by Kurt Orzeck

Strapped for cash but hungry for great music? You won’t have much luck camping out at the grocery store these days; Bandcamp is a way better destination. Here’s a rundown of 10 rad releases, most newly released, that The Bad Penny recently came across on Bandcamp.

1. Death Pose – “Unresolved (A Song for Jeff)” (feat. Scott Lucas of Local H)

One year ago, Jeff Ulbrich – founding member of Chicago hard-rock squad Death Pose died unexpectedly, rendering his family, friends and bandmates inconsolable. None of those folks have fully recuperated from the devastating loss – and probably will – but participation by Local H frontman Scott Lucas shows the solidarity in Ulbrich’s community is still intact.

2. Mercury’s Antennae – Veil Opaque v.2

Portland, Oregon’s ambient darkwave unit Mercury’s Antennae aren’t categorizing this release as an EP, even though it only runs roughly five minutes and contains two remixes. But don’t bellyache – remember, like all the releases presented here, it can be yours for the low, low price of no money.

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Hedonist’s ‘Scapulimancy’: Two Cent Review for Post-Trash’s Best 50 LPs of 2025

Posted in Album Reviews, Reviews with tags , on 12/18/2025 by Kurt Orzeck

Hedonist’s Scapulimancy debut terrorizds the innocent with a sound resembling a construction crew of demons using pile drivers to burrow deep, and then deeper, and then even deeper, into the earth. Go to Post-Trash to read my full review for the outlet’s “Year in Review: The Best of 2025” roundup.

Don’t miss these two other roundups either:

• Friends of The Bad Penny Share Their Top 10 Lists of 2025 Best Albums

• Boise Friends of The Bad Penny Share Their 2025 Top 10 Lists

Is Gaerea’s New Album ‘Loss’ About Alien Abductions? Or UFOs, at Least? The Clues Are There …

Posted in News, Reviews with tags on 12/18/2025 by Kurt Orzeck

The phrase “most anticipated album of the year” is, when actually considered, an absurd thing to say. The phrase is inherently contradictory, given that music has an unwavering subjective appeal even among an artist’s devoted fanbase. Because fans typically don’t know what’s in store on an upcoming release, it’s illogical for fans to froth at the mouth over a record that hasn’t yet materialized. 

A more accurate comment would come from someone who has actually listened to the record in advance. If that arbiter thinks long and hard about the approaching album – and seriously considers the hopes and expectations of the fans of the artist who is putting it out – they might be able to predict, based on their musical expertise, that the album will hit the marks that the artist’s fanbase craves.

So let’s put it another way: Gaerea’s fifth album, Loss, is already positioned to be one of the most devastating and glorious (those words are interchangeable in the metal community) – and perhaps one of the best, metal records of 2026. We can base that theory on three principle pieces of evidence. 

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From the Vault: Cost-Cutting Hacks For Broke Bands, Pt. 1: Trail Of Dead, Sigh, Black Anvil

Posted in Interviews with tags , , on 12/18/2025 by Kurt Orzeck


From the “starving artist” lore of yore to Woody Guthrie illegally hopping trains as a method of touring to record labels, promoters, and clubs ripping off bands, artists have struggled to make ends meet since the dawn of … (commercial) art. And we didn’t even mention gear theft, vans breaking down, and natural disasters (until we did just now).

Resilient bands sometimes overcome such hurdles thanks to their fans’ generosity, if the musicians are wise and savvy enough to build, grow, and maintain their fanbase. Other bands get big(ger) through contracts involving their music, merchandise, tours, and marketing. Yet even more broke bands manage to succeed by keeping their costs low—or simply getting lucky.

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From the Vault: Sigh Frontman Says ‘There’s No Way to Get Away From Death’

Posted in Interviews with tags on 12/17/2025 by Kurt Orzeck

A couple of weeks ago, Mirai Kawashima—frontman of Sigh, one of Japan’s longest-running metal bands—published a two-sentence Facebook post that summed up both his current state of mind and his band’s latest material. And the thought he shared didn’t even mention Sigh.

In true metal form, Kawashima wrote: “So I turned 53 today. There’s not much difference between 52 and 53, but obviously 53 is 1 year closer to death.”

And, in true Facebook form, the oblivious top comment read: “Happy Birthday!!”

It’s obvious to say, but Kawashima (who is also a music journalist) couldn’t have posted that remark were he a day younger. But that fact is worth noting because, when he spoke with The Bad Penny ahead of Sigh’s latest album, the vocalist and bassist explained that he couldn’t have made Shiki at a younger age, either.

Tying it all together, Shiki is about Kawashima’s increasing obsession with death as he gets older. Compounded by the passing of his father the month before we spoke with him, Kawashima explained how death was an abstract concept to him, until he turned 50 years old.

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On Tyranny: POWAMOV’s Son Brave, Shango $upreme Urge End to Authoritarians’ Favorite Weapon: Violence

Posted in Features, On Tyranny, On Tyranny, Videos with tags , , , , , , on 12/17/2025 by Kurt Orzeck


Son Brave and Shango $upreme, one-half of Baltimore anti-violence collective POWAMOV, speak with The Bad Penny about how America will never be truly “great” until we face and eradicate social unrest, discrimination and easy access to guns — all of which are forms of violence — that corrode our country. We’ve dug one hell of a deep hole for ourselves, but Son Brave and Shango $upreme explain that, by acting as positive role models for kids and treating each other as neighbors worthy of respect and basic human freedoms, all is not lost.

The message isn’t just one that Son Brave and Shango $upreme elaborate on during this installment of On Tyranny; it’s the beating heart of their POWAMOV EP, due January 17. A precursor to their TBA full-length, the collective present a fresh take on Boom Bap/Phonk-influenced hip hop — proving POWAMOV want us to see and hear the world with fresh eyes and ears.

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Degraved’s ‘Spectral Realm of Ruin’: Two Cent Review for Post-Trash’s Best 50 LPs of 2025

Posted in Album Reviews, Reviews with tags , , , on 12/17/2025 by Kurt Orzeck

A tip of the sombrero to Post-Trash for allowing me to write seven capsule reviews among the 50 presented in the esteemed website’s Year In Review: The Best of 2025. The first one I’m presenting on The Bad Penny is Degraved’s Spectral Realm of Ruin (Dark Descent / Me Saco Un Ojo),

Seattle’s death-metal dealers took a helluva long windup before finally pitching their first full-length, concentrating for five years after their formation to ensure their opening salvo landed smack-dab in the middle of the strike zone. Indeed, the band hit right on the money.

Go to Post-Trash to read my full review.

Japan’s 夢遊病者 (Sleepwalker) Says They Won’t Tour but That ‘Life, as Art, Is Unpredictable’

Posted in Interviews with tags , on 12/16/2025 by Kurt Orzeck

“РЛБ30011922 is a way to deal with a death, to honor a memory and create a record of a reminder that this honor must be preserved.”
-PBV of 夢遊病者

When a band decides to call itself “夢遊病者,” it exponentially decreases their chances of getting “discovered.” But, of course, that presupposes the notion that mass appeal is the top priority for every musician. From all indications, that ain’t the modus operandi for Osaka, Japan’s experimental death-metal crew 夢遊病者. Their primary goal appears to be attracting erudite music-heads who are highly selective with what tunes they choose to consume.

The Bad Penny recently came across 夢遊病者 and became instantly hooked on the trio’s original sound, which also incorporates folk, free-jazz, grind, thrash and psychedelia. You owe it to yourself to check out РЛБ30011922, which consists of one engrossing song that runs 37 minutes (divided into 10 segments) and came out in late October. Don’t dare call the song, which shares the same name as the title of the release, a throwaway track; PBV (guitars/saz/bow/vocals/effects, NN (bass/electrophones) and KJM (drums/percussion) spent three years crafting it.

After getting hooked on the kaleidoscopic track, yours truly championed it in my Treble column, “The 13th Floor,” as one of the eight best psychedelic releases of the fall season. (You’ll find 夢遊病者’s “РЛБ30011922” even more tempting to seek out because it’s available on Bandcamp at a pay-what-you-want price point.)

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Pet Sounds #75: Brokedowns’ Drum Kit Player Can’t Get Enough of His Kitty Cats

Posted in Features, Interviews, Pet Sounds with tags , , on 12/16/2025 by Kurt Orzeck

If you’re unfamiliar with the Brokedowns, a punk band out of Chicago, than shame on you. Less than three weeks ago, the band’s irrepressibly good-natured and good-humored guitarist/vocalist, Kris Megyery, bravely participated in our On Tyranny series, informing us how he had personally witnessed despicable ICE raids at his workplace. He also agreed to speak with The Bad Penny because the Brokedowns’ new record, Let’s Tip the Landlord, which just came out a few weeks ago through Red Scare Industries.

During the same interview, Megyery informed us that the Brokedowns’ drummer, Mustafa Daka, has limitless love for his pets, making him an ideal candidate for the Bad Penny’s other popular series, Pet Sounds. Megyery’s claims proved to be very well-founded, as Daka got back to us speedy, ready to gush over his cats.

“My precious angels, sisters Ava and Olive … are my favorite topics to talk about!” he gushed during an email exchange.

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The Visionaries: Sadness Finds His ‘Purpose’ in Music, Readies for Breakout Year in 2026

Posted in Features, Interviews, The Visionaries with tags , , on 12/16/2025 by Kurt Orzeck

“If I have a purpose in life, it’s to make music.” That’s a powerful statement from a young man named Damián Antón Ojeda, whose solo blackgaze project Sadness exudes the sincerity, intensity and deep emotion of an artist proving his credo through his art. All those factors combined make him an ideal entrant in The Bad Penny‘s new series “The Visionaries,” in which we interview introverted musical savants who typically don’t do many interviews. Following Aaron Turner and Jute Gyte, Ojeda is in very good company.

While Sadness has crafted dozens upon dozens of releases over the past decade or so – most recent the exquisite EP Shimmer – 2024 marked the first live performance for the project. But now, having really broken out of his shell, Ojeda is ready to tour next year and – while he’s too humble to say so himself – is well-positioned for global domination.

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