Earlier today, we introduced you to Helsinki’s brand-new, red-hot hard-rockers the Feral Kids, who gifted us with their first video interview with an American music journalist. We dug a little deeper into the band by then running their list of the 10 Best Finnish Bands Ever, in the Kids’ estimation.
The Bad Penny couldn’t resist sharing its own two cents, lest we neglect and even betray our decades-long love for about a dozen bands that hooked and reeled us in over the past two decades. They’re in descending order below. (We narrowed our list to melodeth bands; rank what you know, right?)
Now that you’ve become acquainted with Helsinki’s brand-new, red-hot hard-rockers the Feral Kids – courtesy of The Bad Penny delivering their first video interview with an American music journalist – let’s dig a little deeper and get to know what other bands from their homeland of Finland really make them tick … or rock. Per The Bad Penny‘s request, the band submitted their list of the 10 Best Finnish Bands Ever, which is featured below.
Surprisingly, many of The Bad Penny‘s favorite Finnish acts who call(ed) the country home are not represented on the list: But hey, who are we to say, still having never set foot on the gnarly Nordic country.
Thus, without further ado, here’s the list that the Feral Kids passed along:
In their first video interview with an American music journalist, Helsinki’s brand-new, red-hot hard-rockers the Feral Kids talk about how they came together, what matters most to them as a band, and which Guns N’ Roses song rules above all the rest. The Feral Kids consist of Anti (vocals), Renko (guitar), Wuffe (guitar), Krisu (bass) and Rudy (drums).
Definitely more horror than comedy, Sam Raimi nonetheless made an indelible mark in a short film that was part of master-of-the-macabre John Carpenter’s 1993’s anthology, Body Bags. (Raimi made a couple of cameos in it; keep yer eyes peeled. Horror king Wes Craven also makes a cameo, and one of the main roles.)
“Stranger,” the new song and video by Dexter and Six Feet Under actor Michael C. Hall’s band Princess Goes, is out today – and The Bad Penny has the honor of debuting it. The track is the first selection from the upcoming full-length by the band, which also features multi-instrumentalist and songwriter Matt Katz-Bohen (Blondie, Cyndi Lauper) and drummer Peter Yanowitz (Wallflowers, Natalie Merchant).
“Stranger” will be available for purchase on all major music providers tomorrow.
The three musicians founded Princess Goes in 2018 after vocalist/lyricist Hall met Katz-Bohen and Yanowitz as they all participated in performances of the acclaimed rock musical Hedwig and the Angry Inch.
After forming, the group put out two LPs and an EP. Their third full-length is due later this year and will be preceded by the release of additional singles.
Katz-Bohen touched base with The Bad Penny on Tuesday to exclusively discuss Princess Goes’ new song.
Brooklyn, New York, has no shortage of bands – specifically, ones considered to be of the indie-rock or post-punk persuasion. But while it’s tough to stand out among the crowd, LAPêCHE do so with catchy, addictive songs matched with impressive intellect. That goes for vocalist Krista Holly Diem – who initially incepted LAPêCHE as a solo project 10 years ago – guitarist Drew DeMaio, drummer Colin Brooks and bassist Dave Diem (Krista’s husband).
Enthusiastic about participating in The Bad Penny‘s On Tyranny series, Diem’s critical thinking skills were on full display in a Zoom conversation that took place a month ago. The interview began with Diem providing some background on LAPêCHE and commenting on the band’s their third LP, the recently released Autotelic (Tiny Engines). (The album title implies having a purpose in and not apart from itself, according to Merriam-Webster.)
The interview then segued into Diem waxing philosophical and sharing his profound-yet-crystal-clear beliefs about art:
“Music and art connects us, brings us together, so I think that creating art is an overtly political act, a form of radical compassion,” he said. ” ‘Radical acceptance,’ to me, is being mindful and responsive to a situation rather than being reactive. Acceptance … is really being honest and truthful about the situation, and then taking [the next right] action [that] keeps in mind yourself and how you impact others.”
Of all the musicians that have participated in The Bad Penny‘s ongoing On Tyranny series, two musicians with whom we spoke on Thursday seemed to be the most informed, smartest and amped-up when it comes to fighting fascism. If you’re seeking the most educational videos in this 125-plus-part series, don’t miss this interview with Gottlieb.
After forming in L.A. way back in 2000, the anarcho-punk band finally released their first full-length, The Far Fallen Fruit, on Friday via Quiet Panic. Gottlieb continuously prove they’re not going to be intimidated by the authoritarian forces who now have a stranglehold over the American citizenry. They’re also not afraid to share their political beliefs; in fact, discussions about fascism and other political matters surface in virtually every song on The Far Fallen Fruit.
Vocalist Andrew Pescara and bassist Dylan Marquez carved some time to talk with The Bad Penny for On Tyranny – and boy did they ever. The Gottlieb bandmates didn’t mince words, placate or pull punches during the wide-ranging conversation, which included discussion of fascism, socialism, ICE atrocities and the economic disaster facing all of us who aren’t in the top 1 percent of richest Americans.
Could there be a band better-suited to participate in The Bad Penny‘s ongoing On Tyranny series than one that prominently states on their Bandcamp page that they “detest fascism, white supremacy and nationalist ideology. NO GODS, NO MASTERS, NO BOOTLICKERS”?
The answer is no.
Meet Nixil, a melodic black-metal band that hails from Baltimore and is still pretty young at approximately five years old. When The Bad Penny learned that they. Nixil also distinguish themselves from just about every other extreme-metal band by incorporating atmospheric elements, French avant-garde flourishes, occult psychedelia and crust punk into their sound.
To the extent that Nixil have a peer group, it’s Portland, Oregon’s Drouth. That quartet stirs a stew of atmospheric death metal, black metal and blackened death metal in their proverbial cauldron. Nixil and Drouth are such a good match that the bands teamed for a split album, recorded and mixed by the revered J. Robbins, that came out roughly two weeks ago. The two bands are also heading out on tour together starting tomorrow.
The Bad Penny caught up with Nixil vocalist Ash Nix – who says he became an anarchist and anti-fascist in high school – and bassist/backing vocalist Aurora less than a month ago. During our candid conversation, they made a strong case that black metal currently occupies the fiercest role of any music genre in battling the Trump administration’s and oligarchs’ fascist takeover of the U.S.
As marginalized Americans continue to get hammered by a new upper-class uppercut every day, at least so it seems, visionary composer/bassist/singer David Roush is turning his idealistic vision into a reality by directly helping those most in need. Roush is the frontman of Ecce Shnak (pronounced Eh-kay sh-knock), a five-piece art-rock band now in its 15th year. They describe their sound as “one part pop music, another part classical music, and a third part punk music.”
Rousch is one of the 100-plus musicians profiled in The Bad Penny‘s On Tyranny series who are taking action during the most perilous time for U.S. democracy in recent decades, if not centuries. Specifically, Roush is tirelessly trying to help get poet/philosopher Keith LaMar off death row, where he was relegated to an Ohio prison 30 years ago for crimes he allegedly didn’t commit.
Roush discusses LaMar’s case and shares his analysis about the abysmal state of America, Ecce Shnak and much more in the latest installment of On Tyranny.
The Bad Penny (beta) 