Archive for the Reviews Category

Favorite Films: Heavy Heavy Low Low Vocalist Lists His Favorite Flicks as Halloween Creeps Closer

Posted in Favorite Films, Interviews, Lists, Reviews with tags , , , , , , , , , on 10/25/2025 by Kurt Orzeck

It’s not uncommon for an actor to form or join a band – after all, it takes a certain gene to drive a person to be at the center of attention as much as they possibly can. But this past summer, when we caught up with vocalist Robbie Smith of sasscore squad Heavy Heavy Low Low, we learned that the inverse isn’t necessarily as common.

Sure, he enjoys fronting the band from San Jose, California, and writing and recording their songs – which are so unhinged and berserk that even Guantanamo Bay couldn’t restrain or temper them. Nonetheless, Smith also enjoys stepping away from the physical intensity of the band’s concerts to focus on an artistic endeavor he may value even more than crafting music: filmmaking.

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My Morning Jacket’s ‘Z (20th Anniversary Deluxe Edition)’: Two Cent Review

Posted in Album Reviews, Reviews with tags , on 10/21/2025 by Kurt Orzeck

Remastered and padded out with 14 outtakes and demos, this reissue of My Morning Jacket’s fourth LP, Z, celebrates their breakout moment of glorious, cosmos-reaching rock music. Read my FLOOD review.

Perturbator’s ‘Age of Aquarius’: Two Cent Review

Posted in Album Reviews, Reviews with tags , , , , on 10/21/2025 by Kurt Orzeck

Vocals from Ulver, Alcest and Author & Punisher help James Kent thrust his darksynth project Perturbator into lightspeed as it comes closer than ever to a full-fledged band’s sound on Age of Aquarius. Read my FLOOD review.

Bitchin Bajas’ ‘Inland See’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 10/14/2025 by Kurt Orzeck

This writer’s interpretation of Bitchin Bajas’ Inland See is that, by using wordplay in its title, the essence of the record is a gentle but assured suggestion to look inside yourself, accept who you are—foibles and all—and arrive at a place of acceptance where the sensation is akin to floating, without moving any of your muscles, above a warm and serene body of water. From there, you re-enter the earthly womb and become reborn: not as an entirely new person, but as the person you are and were always meant to be. Don’t you see? Read my review of Bitchin Bajas’ Inland See on Treble.

Irk’s ‘Seeing House’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 10/04/2025 by Kurt Orzeck

Irk are here to remind us of that fact, to pester us with the truth that fear-inducing art forms make us feel alive more than any other varieties. Art can make us laugh, but that reaction quickly dissipates. Art can thrill us, but only the duration of the piece of work ends. Art can make us weep, remind us of what love and sex feel like, but that affecting manipulation ends seconds after the observer of art concludes their experience with it. Read my full review Irk’s Seeing House on Post-Trash.

Igorrr’s ‘Amen’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 10/02/2025 by Kurt Orzeck

Can a musician prove over the course of a single record that he is a genius? In most cases no, but Igorrr’s Amen makes the case that it’s not out of reach for Frenchman Gautier Serre. Read my review via Spectrum Culture.

8 Great Psych LPs From Summer 2025 by SWRM, Zabus, Spaceface, Insomniac

Posted in Album Reviews, Lists, Reviews with tags , , , , , , , on 10/02/2025 by Kurt Orzeck

Albums by SWRM, Zabus, Spaceface, Insomniac, Go Kurosawa, Late Again, Nate Smith and Orsak:Oslo made the cut on my list of great, overlooked psychedelic albums released in summer 2025, in my first quarterly column on the genre for Treble.

Black Heart Procession’s ‘Hearts & Tanks’ EP: Two Cent Review

Posted in Album Reviews, Reviews with tags , on 10/01/2025 by Kurt Orzeck

Although it only contains four songs, Black Heart Procession’s Hearts & Tanks EP captured the essence of the circumspect band. With drummer Joe Plummer (Modest Mouse, Cold War Kids) and accordion player Matt Resovich (The Album Leaf, Mung) in tow, Black Heart Procession crafted and recorded the four songs in 72 hours. That may seem rushed, but as writers will tell you, stream-of-consciousness exercises in which revisions are forbidden often result in works of unadorned honesty. Read my full review on Spectrum Culture.

From the Vault: Top 20 Reasons Why Monterey Pop Was Better Than Today’s Music Festivals

Posted in Concert Reviews, Essays, Reviews with tags , , , on 10/01/2025 by Kurt Orzeck

[This article was originally published in 2009 on IndiePit.]

So IndiePit will be at the Mayhem festival this weekend. Yeah, yeah, keep snickering, buster. Look, we all have guilty pleasures, and one of ours happens to be Mushroomhead, OK? Kidding, kidding … but Job for a Cowboy, Behemoth and Slayer? Not a terrible way to spend a Sunday afternoon. Sure beats mowing lawns.

Obviously, Mayhem is only one of about a gazillion festivals, hootenannies, throwdowns, hoedowns, showdowns and mow-downs (?) happening this “summer,” that wacky, wet and wild season that began oh, some 18 days ago and will last until September 22. At that point, autumn will swoop in, wrest the reins from its rival season and pulverize it into oblivion … for nine months or so, anyway.

Getting a little off-topic, are we? Oh, yes. Music. Sweet music. Since it is the summer and all, attention naturally gravitates toward festivals, those bastions of sweat-soaked sods, misplaced mods, knuckle-dragging clods, Christopher Dodds and other odds and ends.

They can be fun — if you’ve got buckets of patience, nary a phobia and an active-enough imagination to keep you distracted from all the dirt, heat, smoke and slick flesh sliding up against yours. But they can also be torturous and confining, like being helplessly strapped to a chair, at the mercy of a dentist from hell.

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Titanic’s ‘Hagen’: Two Cent Album Review

Posted in Album Reviews, Reviews with tags on 09/30/2025 by Kurt Orzeck

Titanic wasn’t all that big when it made its debut in October 2023 with Vidrio meekly introduced the project birthed by pianist/guitarist i.la Católica. Something of a cross between a bedroom recording and a hushed session in an after-hours jazz speakeasy, the modest affair featured only three additional guest players, who contributed carefully measured amounts of vocals, cello, saxophone and drums to its eight songs. The follow-up LP, Hagen, does a far better job living up to the Titanic moniker with which Católica christened her project. Read my review on Spectrum Culture.