Archive for the Reviews Category

Shallowater’s ‘God’s Gonna Give You a Million Dollars’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 09/22/2025 by Kurt Orzeck

Houston “dirtgaze” trio Shallowater ruminate on our intolerable times with some of the quietest and slowest music—as well as the most deafening, distortion-filled cacophony—you’ll hear in 2025. Read my FLOOD review.

From the Vault: Deafheaven’s 2017 Tour Setlists and First-Ever Show in Boise – An Analysis

Posted in Concert Reviews, Essays, Reviews with tags , , , , , , on 09/22/2025 by Kurt Orzeck

Deafheaven’s setlist from their show at Mardi Gras in Boise on 3.25.17

When Deafheaven played their first show in Boise on March 25 – at Mardi Gras, a venue typically reserved for wedding functions – they provided the five-day Treefort Music Fest with its only dose of shoe-gazing black metal. Continue reading

From the Vault: Frivolous Live Blogging of Old ‘Headbangers Ball’ Episodes

Posted in Essays, Reviews, Videos with tags , , , , , on 09/21/2025 by Kurt Orzeck

Mastodon are kings of the mountain right now. If their clip for “Divinations” were a trailer for some “Thing”-like gritty Arctic-meets-outer-space sci-fi flick, I’d have already bought my ticket. That the bandmembers stepped into their acting shoes for the video is fitting, as everybody in the group has a “voice” – all the guys are contributing vocals. …

While that video might be reason alone to pray for “Headbangers Ball” to survive, the reality is late March’s two-hour episode had at best a half-dozen worthy videos (including Mastodon’s “Divinations,” Lamb of God‘s “Set to Fail,” Cannibal Corpse‘s “Evisceration Plague,” Exodus‘ “Riot Act” and Cattle Decapitation‘s “Regret & the Grave”).

So let’s do the math: That adds up to about 20 minutes of good viewing time over the course of two hours. The rest of the time is devoted to giving life support to bad informercials and bands like Hed P.E. (vanity spellings deliberately omitted ’cause they suck) and Dope and Lizzy Borden and …

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Pharaoh Overlord’s ‘Louhi’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 09/11/2025 by Kurt Orzeck

Consisting of two 19-minute-plus songs that lumber, stomp, and trudge along from start to finish, Pharaoh Overlord’s Louhi is one of those rare records that makes you reflect, “How did someone come up with the idea to make music like this?” Check out my review of the record on Post-Trash.

Ganser’s ‘Animal Hospital’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 09/09/2025 by Kurt Orzeck

Ganser’s Alicia Gaines (bass, vocals) Brian Cundiff (drums) and Sophie Sputnik (vocals, synth, guitar) tap into the artistic wisdom they’ve cultivated together for a decade – not gimmickry, not for a damn minute – to come up with sinister, seductive sounds that serve as the audio equivalent of a red light district or an opium den: irresistible, illicit temptations that even the strongest-willed among us aren’t strong enough to resist. Read my full review on Spectrum Culture.

Ivy’s ‘Traces of You’: Two Cent Review

Posted in Album Reviews, Reviews with tags , on 09/08/2025 by Kurt Orzeck

Completing songs written during sessions with late bandmate Adam Schlesinger, this collection hearkens back to the airy spirit that made Ivy such a delight at a time when it was hip to be hopeless. Read my full review on FLOOD.

Jobber’s ‘Jobber to the Stars’: Two Cent Review

Posted in Album Reviews, Reviews with tags , , on 09/03/2025 by Kurt Orzeck

With its 11 catchy grunge-pop tunes each referencing pro-wrestling culture, Brooklyn band Jobber’s full-length debut, Jobber to the Stars, prioritizes fun in its escapist return to the slacker-rock charm of the ’90s. Read my FLOOD review here.

Cass McCombs’ ‘Interior Live Oak’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 09/02/2025 by Kurt Orzeck

Reaching the pinnacle of his songwriting acuity, the vignettes Cass McCombs paints with his voice and guitar on his 13th album, Interior Live Oak, evoke a conversation between Thoreau and Nick Cave. Read my full review on FLOOD.

At Boise Gig, Bright Eyes’ Conor Oberst Recalls Built to Spill’s Doug Martsch Doing Him a Solid

Posted in Concert Reviews, News, Reviews with tags , , , , , , , , on 09/01/2025 by Kurt Orzeck

Bright Eyes commander Conor Oberst shared a heartfelt and formative memory with the crowd that packed the Treefort Music Hall to see his ensemble perform tonight.

About halfway through Bright Eyes‘ 20-song set, Oberst recalled that his prior band Commander Venus opened for their idols, Built to Spill, when the latter band performed in Oberst’s hometown of Omaha, Nebraska. He noted that he was only 14 years old at the time.

Oberst then recounted that when Bright Eyes played to an empty Neurolux in Boise when they were starting out, he received a note from that city’s hometown hero, Built to Spill leader Doug Martsch, on which he had written his home phone number an invitation for Oberst’s band to crash at his house for the night.

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Anciients, Now Touring the U.S., Are the Must-See Metal Band of the Moment

Posted in Concert Reviews, Reviews with tags , , , on 08/31/2025 by Kurt Orzeck

Keeping this quick, because The Bad Penny doesn’t typically run a review of a show previously previewed on the site: By any means necessary, catch Anciients on their current tour of the U.S., the Vancouver band’s first in eight years. Their gig in Boise on Friday night at the Shredder was pitch-perfect. When the band finished their 10-song set, it took awhile for the attendees to leave, as they struggled to locate their jaws, which had dropped off their faces and onto the floor during Anciients’ unrelenting, uncompromising, unpretentious and unimaginably spot-on set.

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