Archive for the Features Category

Doppelgängers: David Cronenberg’s ‘Scanners’ and Brian De Palma’s ‘The Fury’

Posted in Doppelgängers, Essays, Features with tags , , , on 08/30/2025 by Kurt Orzeck

Can’t seem to find much discussion about this online, but does anyone else notice that David Cronenberg’s Scanners (1981) and Brian De Palma’s The Fury (1978) – both films that come very, very highly recommended – are virtually identical? Both movies revolve around young adults who possess telekinetic powers that can control people à la The Force from Star Wars. These outcasts keep their potentially threatening, manipulative abilities on the DL, find solace living in secret societies, and are hunted by malevolent thugs out to kill them.

The exploding cherry on top of this theory? How often do you see self-combustion sequences onscreen?

Scanners:

The Fury:

De Palma would be the obvious plagiaristic culprit here, as his 1981 John Travolta classic (not an oxymoron!), Blow-Out, copped copiously from Francis Ford Coppola’s The Conversation (1974) – two even greater masterpieces. ‘Cept The Fury came out three years before Scanners, which Cronenberg himself wrote.

Please share any insights if you got ’em, so long as they don’t cause anyone’s head to explode.

On Tyranny Poll: Are You Afraid of Attending Concerts as the Military Patrols US Cities?

Posted in Features, On Tyranny, Polls with tags , , , , , , , on 08/27/2025 by Kurt Orzeck

Zaq Baker Finds Self-Worth Amid Mental Health Struggles, Writing First Novel

Posted in Features, Interviews, What You Readin' For? with tags on 08/05/2025 by Kurt Orzeck

“There’s a lot of danger in saying ‘I feel better now,’ because I [wrote a novel or recorded an album]. There’s like a tenuousness to that, especially in music. [Those feelings of pride] have an arc that goes down eventually.” -Zaq Baker

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Exclusive: Mawiza Reveal Origin of Eco-Themed Collabo With Gojira Frontman

Posted in Exclusives, Features, Interviews, On Tyranny with tags , , on 07/30/2025 by Kurt Orzeck

Solidarity is hardly a new concept to Mawiza, an indigenous metal/folk group born and bred in sacred Mapuche Nation lands in Chile. In 1861-’83, the military staged campaigns and an occupation of the Araucanía Region in central Chile under the Orwellian-sounding “Pacification of Araucanía.” The indigenous community had to band together if they wanted a chance to survive the military incursion. Nevertheless, the brutal invasion paved the way for notorious, U.S.-backed Augusto Pinochet’s military coup about 100 years later.

Formed in 2014, Mawiza’s stated goal — beyond concocting an entirely original sound that fuses metal with Mapuche folk music — is “to preserve ancestral roots, rescue indigenous moral values and to promote biodiversity conservation, guided by the indigenous worldview and struggle.” (Read more about the band and its mission in an interview with Mawiza vocalist and rhythm guitarist Awka, as part of our ongoing series On Tyranny.)

As Mawiza’s career progressed, the band found that another critical issue is inherent in indigenous communities valiantly attempting to preserve their culture and land: the environment. Fortuitously, the band drew attention and, subsequently, ardent support, from a band more than 7,000 miles away that is considered metal royalty across the globe: Gojira. In its lyrics for songs ranging from “Global Warming” to “Toxic Garbage Island” to the entirety of 2005’s From Mars to Sirius, the French progressive-metal band makes it a top priority to educate their fans about eco-awareness.

Mawiza and Gojira bonded even more closely when the latter band took the former one under their wing and performed together live. Cementing their friendship and admiration for each other, Gojira frontman Joe Duplantier traveled to the Mapuche community to record his featured spot on “Ti Inan Paw-Pawkan,” the first single from Mawiza’s new album ÜL, which Season of Mist issued 12 days ago.

Around the same time, The Bad Penny communicated exclusively with Awka to learn more about “Ti Inan Paw-Pawkan” and how it came about.

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5 Reminders About Punk Rock’s Core Principles

Posted in Essays, Features, On Tyranny with tags on 07/29/2025 by Kurt Orzeck

Say what you will about the new identity of punk rock and the renewing of marriage vows between punk rock and corporate enterprise, here are a few reminders about what still lies at the heart of the movement:

1. Subservience, complacency and inaction in the face of authoritarianism, now the governing force in the United States — and its myriad and once-unimaginable horrors — is not punk rock.

2. Engaging in pay-to-play schemes that pads the pockets of music venue owners and managers, magazine editors and publishers, agents and promoters and publicists, and other industry types who profit off musicians, is not punk rock.

3. Propagating, platforming or even permitting racism, sexism, homophobia, transphobia and all related forms of hate and discrimination is not punk rock.

4. Increasing one’s personal gain at the expense of punk-rock bands and fans, whether it be through inflated ticket prices, ad revenue largesse and opportunistic financial benefits is not punk rock.

5. Taking advantage of or profiting unjustly off sincere, well-intentioned and therefore often vulnerable people who support punk-rock ethics is not punk-rock.

Cool? Cool.

Chris Adler Admits Leaving Lamb of God for Firstborne Cured His Depression

Posted in Features, Interviews, On Tyranny with tags , , on 07/28/2025 by Kurt Orzeck

The look on Chris Adler’s face says it all. One of the best rock drummers known to man is sitting in a tranquil environment in his studio, located in his family’s awe-striking home in Richmond, Virginia. It’s the same general vicinity where the 52-year-old Adler grew up and where he and a few pallies developed so-called “American Made Metal” purveyors Lamb of God.

In fact, one could argue that the drummer’s ardent fans are currently witnessing Peak Adler, who found inner peace during a meditation retreat. He has a new record coming in less than one month—Lucky, the first created by the new configuration of supergroup Firstborne. Adler is not about to, isn’t currently and doesn’t face any prospects in the near future of throttling himself to death like he used to during his Lamb of God days.

“I stopped listening to music,” Adler divulges in a mid-June conversation.

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On Tyranny: Haggus Frontman Blasts Punk Bands’ Silence on Gaza, ICE

Posted in Features, Interviews, On Tyranny with tags on 07/11/2025 by Kurt Orzeck

“If you use weak-ass, purposely offensive artwork or lyrics just to ‘shock’ people, or stay silent during times like this in attempt to walk the fence in fear that your reputation might be tarnished, then fuck you. We don’t want or need you as a peer.”
-Haggus’ Hambone

Haggus is the band leading the charge for “mincecore,” a form of “grindcore,” to be accepted by the punk underground community. But founder Hambone doesn’t mince words when it comes to Nazis, racists, bigots, sexists and other propagators of hate. To paraphrase the admirable musician, they can all fuck off.

Three weeks ago, shortly after the Oakland band released its new album Destination Extinction on Tankcrimes, Hambone spoke in great length with The Bad Penny about Haggus, the band’s history, his views on punk music, and just about every other issue under the sun.

Buckle up, kiddos. You’re able to hear the straight dope from a wicked talented musician who has no tolerance for dopes.

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Mark Mallman Says ‘Suffering Artists’ Are a Myth, Making Art Isn’t a ‘Job’

Posted in Features, Interviews, On Tyranny with tags on 07/09/2025 by Kurt Orzeck

“This myth of the ‘suffering artists,’ the myth of Van Gogh and ideas like this—perpetuated by Hollywood—have become abstracted. It guilt-trips us all into thinking that if our art is our job, it lacks purity, and purity is the highest art form. But really, all we’re doing is trying to manifest joy, or insight, or translate the human experience.” Read more of my interview with Mark Mallman on New Noise.

Sub Pop Partner Share It Music Puts Artists Over Profits—And Wins

Posted in Features with tags , , , on 07/04/2025 by Kurt Orzeck

As humble a music industry executive if there ever was one, the eminently genteel and likable Sharratt cut the ribbon on his project in February 2018 after interning at Sub Pop to cultivate his skills in the music biz. Seven years later, Share It Music barged into 2025 with prized full-lengths by the Unfit and Cumulus. Read my feature story on the admirable nonprofit courtesy of Music Connection.

15 Best QOTSA Parody Ideas for ‘Weird’ Al Yankovic to Create

Posted in Comedy, Doppelgängers, Lists with tags , , , on 06/15/2025 by Kurt Orzeck

Sure, they may be one of the biggest rock bands in the world, but let’s get real: Have Queens of the Stone Age truly “made it”?

Some would argue no for the simple reason that, some 30 years into their career, “Weird” Al Yankovic still hasn’t made a parody of even one QOTSA song. It’s a critical rite of passage in pop music, and until it happens, a musical act really hasn’t achieved irrefutable commercial success.

In an effort to help QOTSA finally break that glass ceiling, and to inspire Al to write some quality new parodies, here are The Bad Penny‘s Top 15 choicest ideas for QOTSA parody songs:

Original: “Regular John”
Parody: Regular John Tesh

Original: “Go With the Flow”
Parody: Go With the Flomax

Original: “Better Living Through Chemistry”
Parody: “Better Living Through Home Ec

Original: “I Think I Lost My Headache”
Parody: “I Think I Lost My Keys

Original: “Avon”
Parody: “The Avon Lady”

Original: “I Sat by the Ocean”
Parody: “I Sat by Billy Ocean (On a Plane)”

Original: “You Can’t Quit Me, Baby”
Parody: “You Can’t Quit Me, Baby Ruth

Original: “The Lost Art of Keeping a Secret”
Parody: “The Lost Art of Wearing Secret Antiperspirant

Original: “The Way You Used to Do”
Parody: “The Way You Used to Do the Mountain Dew

Original: “Sick, Sick, Sick”
Parody: “Mick, Mick, Mick” (tribute song to Rocky Balboa’s deceased trainer/ manager)

Original: “My God Is the Sun”
Parody: “My God Is the Hamburger Bun”

Original: “Long Slow Goodbye”
Parody: Long Slow Fart

Original: “Keep Your Eyes Peeled”
Parody: “Keep Your Oranges Peeled

Original: “How to Handle a Rope”
Parody: “How to Handle a Rope-a-Dope

Original: “No One Knows”
Parody: “Owen’s Nose” (referring to actor Owen Wilson’s unusual facial appendage)

• Fun fact: QOTSA frontman Josh Homme told me he especially enjoyed this one.)

Go here for more QOTSA coverage.