Joe Turmes is an instrumental figure in mobilizing the No Kings protests in Idaho and one of the key resistance movement leaders in Idaho. He recently participated in The Bad Penny‘s On Tyranny series for a conversation about Idaho 50501’s efforts to push back against ICE, galvanize local organizations under common causes (rejecting fascism among them) — and why the music community in Boise and beyond is instrumental (pun intended) in fighting back against Trump’s authoritarian takeover.
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On Tyranny: Nightrage Guitarist Scolds Complicit Public for ‘Looking the Other Way’ as Democracy Dies
Posted in Interviews, Lists, News, On Tyranny, On Tyranny with tags authoritarianism, fascism, Marios Iliopoulos, Nightrage, On Tyranny, trump, tyranny on 12/18/2025 by Kurt Orzeck
Little did The Bad Penny expect that a feature called “The 20 Best Scandinavian Melodic Death Metal Bands of All Time” that we published five days ago would become the most popular post in the history of this 15-year-old website in its entire existence. But that’s exactly what the headbangers ordered, and it’s spurring us to run some spinoff articles about bands made the cut on the list but that we’ve never had the pleasure of interviewing.
Reaching out to the bands on the list that aren’t as popular as your In Flames, Amon Amarth and Dark Tranquillity, we were reminded that Gothenburg is the historic city that birthed more than just three MDM bands. Nightrage guitarist Marios Iliopoulos said he was both flattered to be recognized and that their artistic output is just as strong as many of the other bands included on the rundown.
Continue readingOn Tyranny: Finland’s Rotten Sound Don’t Fear Crackdown on Dissent Because ‘We Live in a Democratic Country’
Posted in Features, Interviews, On Tyranny, On Tyranny with tags authoritarianism, fascism, On Tyranny, Rotten Sound, trump, tyranny on 12/16/2025 by Kurt Orzeck
When The Bad Penny embarked on its On Tyranny project more than a year ago, we initially interviewed artists residing in countries controlled by authoritarian regimes in order to learn how they are still able to pursue their vocation despite fears of retaliation including censorship, imprisonment and even death. We conversed with musicians in Russia, Iraq, Saudi Arabia, Kuwait and Hungary.
About six months later, the Trump regime began deploying military forces into U.S. cities, deported U.S. citizens without due process to countries they had never resided nor visited, and ordered masked “authorities” with no visible identification to kidnap and disappear people with no criminal records off the street. Thus, we turned our focus to how U.S.-based musicians are coping with previously unimaginable atrocities and how Authoritarian America is damaging the careers and personal lives of artists and dissenters.
Today we bring you a different perspective on the growing power of autocracy as the governing force across the world via a short-and-sweet interview with grindcore band Rotten Sound from Finland. While the vast majority of artists we’ve interviewed for On Tyranny have expressed fear, disgust and despair over the direction that the U.S. – and, by extension, the world – is headed, The Bad Penny was surprised to learn that some artists are not worried about being persecuted for their stances, whether they be creative or “political” (whatever that term actually means anymore).
Continue readingOn Tyranny: Tortoise Wasn’t ‘Sure Any Business Would Survive Donald Trump’s Ineptitude and Destruction’
Posted in Features, Interviews, On Tyranny, On Tyranny with tags authoritarianism, fascism, On Tyranny, Tortoise, tyranny on 12/13/2025 by Kurt Orzeck
The newest print edition of The Big Takeover – for which its publisher, editor, and perhaps the best person on earth, Jack Rabid, has graciously allowed me to contribute for 23 years – is now available for purchase. If you believe in punk rock and for which it stands, buy it. Among my 10 contributions is a challenging interview with Tortoise. I’ll note my other submissions in the coming days but won’t be reproducing them here. Buy the damn mag; it’s 170 pages long, a work of art in its own right and only costs seven bucks.
Go to the On Tyranny archive for more installments in the series.
On Tyranny: Italian Psych Band Malota Reflect on Mussolini’s Legacy as US Faces Fascism
Posted in Features, Interviews, On Tyranny, On Tyranny with tags authoritarianism, fascism, Malota, On Tyranny, trump, tyranny on 12/11/2025 by Kurt Orzeck
“Every day could be one’s last, whether because of repression sparked by even a single misplaced word of dissent, or because of the indiscriminate bombings.”
-Malota’s Max D’Ospina
With its canals and bistros and overall sense of tranquillity, Venice, Italy, is arguably one of the most picturesque, luxurious places on Earth – which makes it no wonder that it’s also one of the most popular tourist destinations anywhere. Dig a little deeper under the surface, and you’ll find that it also has to offer – perhaps conflictingly to some, but not necessarily musically erudite readers of The Bad Penny – a heavy psych-rock band very much worth its (Italian sea) salt.
Said group is Malota, a quartet whose new album, Scapegoat, dropped in mid-October via Go Down Records. While their mesmerizing record is worth not just perusing but purchasing, when we had the opportunity to interview the immensely talented troupe, we forewent conducting a typical banal back and forth about Scapegoat. Instead, we picked the brain of Max D’Ospina (bass, piano, didjeridoo, vocals) about fascism, a toxic political ideology that Italy defeated less than a century ago and that is currently corroding what little remains of democracy in America.
It used to be said that “history repeats itself.” Wisely, and fortunately, historians have amended that aphorism to say “history does not repeat itself exactly, but it rhymes.” Perhaps we can learn something from what D’Ospina had to share about the horrors that happened in his homeland, which he bravely shared with us.
Continue readingThe Armed’s ‘The Future Is Here and Everything Needs to Be Destroyed’: Two Cent Review for FLOOD’s Best Albums of 2025
Posted in Album Reviews, Reviews with tags authoritarianism, fascism, On Tyranny, The Armed, trump, tyranny on 12/09/2025 by Kurt Orzeck
Within days of No Kings I, The Armed gave us “Kingbreaker,” which could’ve easily served as the head-banging set’s theme song for the day. And then, less than two months later, The Armed unveiled The Future Is Here and Everything Needs to Be Destroyed, a long-form manifesto of the Detroit-based band’s opening salvo that made a spectacular case supporting the name of their latest album. Read my reflection on their LP as part of FLOOD‘s best albums of 2025 feature.
On Tyranny: Have Trivium Abandoned Their Support for Social Justice?
Posted in Concert Reviews, Essays, Features, On Tyranny, On Tyranny, Reviews with tags authoritarianism, fascism, On Tyranny, Trivium, trump, tyranny on 12/08/2025 by Kurt Orzeck
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Trivium, one of the hardest-working metal bands that also boasts an ever-reliably broad appeal, are close to clocking their 100th date in another year of rigorous touring. Their 2025 regiment has focused heavily on celebrating/resurrecting interest in their second full-length, Ascendency, a formidable effort – some might call it the Florida band’s breakthrough release – ostensibly because it came out 20 years ago.
But as Matt Heafy and company look back on that release – currently playing four selections from it in their current 14-song set, as The Bad Penny witnessed last month in Garden City, Idaho – we can’t help be reminded what short shrift Trivium continues to give 2006’s The Crusade, the successor to Ascendency. More specifically, we’re confused as to why the band continues to bury the record’s strongest tracks, which still constitute some of the best material Trivium have crafted in an admittedly cramped catalog with loads of compositions adored by fans of the band, thrash and metalcore, and even critics.
Chief among those neglected songs are The Crusade‘s opening track “Ignition”; first album single “Detonation”; and the most politically charged number in Trivium’s career, “Contempt Breeds Contamination.” Since Trump became president for the first time in 2016, the metal band has played all three songs two times in concert. Not apiece – combined.
The Bad Penny has knocked guitar maestro Heafy in the past for his sometimes substandard lyrics. But the ones he wrote for those aforementioned songs stand among his best-written, not to mention his most admirable. So why don’t we hear them – or, more importantly, the sentiments he expressed in those compositions – more often?
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