Touch and Go Records went to the trouble of assembling a Scratch Acid vinyl box set to the tune of $160—as well as individual reissues of their EPs for those in search of a more affordable option. Read my thoughts on Box Set/Scratch Acid/Berserker via Treble.
After one of the worst weeks in American history, The Bad Penny just learned a smidgen of good news that may boost your spirits as much as it did ours: Jesus Lizard frontman David Yow, who resides in one the areas hardest-hit by the Southern California fires, did not lose his home.
Someone make this guy a boilermaker.
Hate to say we told you so, but a few years after an anonymous leaker from the Biden Crime Family provided Extra-Super-Top-Secret Classified Files to The Bad Penny, we can now officially confirm that the Deep State Documents are completely True and prove that two famous rock musicians (Hollywood Elites, of course) are indeed among the 47 million Lizard People living among us in the United States (which is a “garbage bin,” by the way). We call it “The Maynard/Yow Connection.”
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It was a privilege to be able to write a lengthy feature for FLOOD on The Jesus Lizard, one of my top three favorite bands of all time, and for vocalist David Yow and guitarist Duane Denison to speak extensively with me about their reunion(s), wild moments from yesteryear and their new album, Rack. Due to space constraints, FLOOD published an abridged version of the feature that ran roughly 2,000 words. Because The Bad Penny isn’t bound by such limitations, we’re bringing you the “extended and unreleased” version, which runs almost 900 words longer. Enjoy.
Continue readingExpect to hear a lot about the Jesus Lizard in the coming months, during which the underground rock legends will release their first studio album in 26 years and play a smattering of shows in support of it. But regardless of what articles get published about the band and its immortal frontman, David Yow, you won’t get to know him any better than in this 6,178-word, up-close-and-personal feature just published on New Noise.
From designing billboards for Frozen and Garfield: The Movie to terrifying a hotel room service worker on accident to witnessing a horrific disease claim the life of his mother to briefly meeting Queens of the Stone Age’s Josh Homme to throwing a Led Zeppelin-themed party to resisting Jesus Lizard reunion gigs to getting torn to shreds by his cat to turning the sound of his garage door into a song to breaking his nose on New Year’s Eve to linking up with David Lynch, Yow truly tells all like he never did before—and probably never will again.
What’s up next for the gang of not-quite-yet-geriatrics? In addition to one-off festival appearances, are David Yow and company creating their special brew of music: classic-rock, spray-painted with a punk-rock sensibility? Our probe begins with this article originally published via New Noise.
… And here’s my review of the Touch and Go Records’ three-day anniversary concert from September 2006.
CHICAGO — Touch and Go’s three-day anniversary bash wasn’t just a lesson in the history of the seminal record label. It was a Cliff’s Notes-like recap of the last 25 years of indie rock itself.
Underground granddaddies Big Black, Scratch Acid and Killdozer spit forth a lethal dose of abrasive, confrontational brutality, while !!!, Ted Leo and Enon courted the crowd with dance-rock appeal. And therein lied the clear distinction between the challenging approach taken by yesterday’s bands and the sheer accessibility of their successors.
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Now here’s a blast from the past. A blast from the past from the past, actually.
Touch and Go Records 4 eva.
Before Fall Out Boy, before the Academy Is … — hell, even before the Smashing Pumpkins — there was Touch and Go Records. Like those bands, the trailblazing record label’s reach has extended far beyond its Chicago base of operations, but come September, it’ll be enshrining its 25 years of influence with a massive anniversary gala designed to dazzle indie rock’s shrewdest scholars.
Scratch Acid, Big Black, Man … or Astro-man?, Killdozer — while they’re not exactly household names, the underground goons that shattered eardrums and tore punk rock a new one decades ago will be wreaking havoc once again in commemoration of the label that sustained them. Think of it as “A Mighty Wind” for the indie-rock masses.
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These are three hard-working men. One is bald, diminutive (around 5 feet tall) and brandishes a wrinkled, menacing smirk. This man has been arrested on numerous occasions for public exposure and enjoys his occupation, which involves howling, salivating, urinating and wrestling with complete strangers. Continue reading
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