Archive for authoritarianism

On Tyranny: Italian Psych Band Malota Reflect on Mussolini’s Legacy as US Faces Fascism

Posted in Features, Interviews, On Tyranny, On Tyranny with tags , , , , , on 12/11/2025 by Kurt Orzeck

“Every day could be one’s last, whether because of repression sparked by even a single misplaced word of dissent, or because of the indiscriminate bombings.”
-Malota’s Max D’Ospina

With its canals and bistros and overall sense of tranquillity, Venice, Italy, is arguably one of the most picturesque, luxurious places on Earth – which makes it no wonder that it’s also one of the most popular tourist destinations anywhere. Dig a little deeper under the surface, and you’ll find that it also has to offer – perhaps conflictingly to some, but not necessarily musically erudite readers of The Bad Penny – a heavy psych-rock band very much worth its (Italian sea) salt.

Said group is Malota, a quartet whose new album, Scapegoat, dropped in mid-October via Go Down Records. While their mesmerizing record is worth not just perusing but purchasing, when we had the opportunity to interview the immensely talented troupe, we forewent conducting a typical banal back and forth about Scapegoat. Instead, we picked the brain of Max D’Ospina (bass, piano, didjeridoo, vocals) about fascism, a toxic political ideology that Italy defeated less than a century ago and that is currently corroding what little remains of democracy in America.

It used to be said that “history repeats itself.” Wisely, and fortunately, historians have amended that aphorism to say “history does not repeat itself exactly, but it rhymes.” Perhaps we can learn something from what D’Ospina had to share about the horrors that happened in his homeland, which he bravely shared with us.

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The Armed’s ‘The Future Is Here and Everything Needs to Be Destroyed’: Two Cent Review for FLOOD’s Best Albums of 2025

Posted in Album Reviews, Reviews with tags , , , , , on 12/09/2025 by Kurt Orzeck

Within days of No Kings I, The Armed gave us “Kingbreaker,” which could’ve easily served as the head-banging set’s theme song for the day. And then, less than two months later, The Armed unveiled The Future Is Here and Everything Needs to Be Destroyed, a long-form manifesto of the Detroit-based band’s opening salvo that made a spectacular case supporting the name of their latest album. Read my reflection on their LP as part of FLOOD‘s best albums of 2025 feature.

On Tyranny: Have Trivium Abandoned Their Support for Social Justice?

Posted in Concert Reviews, Essays, Features, On Tyranny, On Tyranny, Reviews with tags , , , , , on 12/08/2025 by Kurt Orzeck
Trivium frontman Matt Heafy plays at Revolution in Garden City, Idaho, on November 29, 2025

Trivium, one of the hardest-working metal bands that also boasts an ever-reliably broad appeal, are close to clocking their 100th date in another year of rigorous touring. Their 2025 regiment has focused heavily on celebrating/resurrecting interest in their second full-length, Ascendency, a formidable effort – some might call it the Florida band’s breakthrough release – ostensibly because it came out 20 years ago.

But as Matt Heafy and company look back on that release – currently playing four selections from it in their current 14-song set, as The Bad Penny witnessed last month in Garden City, Idaho – we can’t help be reminded what short shrift Trivium continues to give 2006’s The Crusade, the successor to Ascendency. More specifically, we’re confused as to why the band continues to bury the record’s strongest tracks, which still constitute some of the best material Trivium have crafted in an admittedly cramped catalog with loads of compositions adored by fans of the band, thrash and metalcore, and even critics.

Chief among those neglected songs are The Crusade‘s opening track “Ignition”; first album single “Detonation”; and the most politically charged number in Trivium’s career, “Contempt Breeds Contamination.” Since Trump became president for the first time in 2016, the metal band has played all three songs two times in concert. Not apiece – combined.

The Bad Penny has knocked guitar maestro Heafy in the past for his sometimes substandard lyrics. But the ones he wrote for those aforementioned songs stand among his best-written, not to mention his most admirable. So why don’t we hear them – or, more importantly, the sentiments he expressed in those compositions – more often?

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On Tyranny: Justin Sinkovich Focuses on ‘Discipline’ Amid ‘Stressful Times’ as Some Friends Leave US

Posted in Features, On Tyranny, On Tyranny, Videos with tags , , , , , , , , on 11/27/2025 by Kurt Orzeck

Since the onset of On Tyranny, we’ve wanted to hear what Justin Sinkovich has to say about the current state of the country and, per The Bad Penny series’ specific focus, how artists like himself are grappling with Authoritarian America.

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On Tyranny: Brokedowns Guitarist Says ‘Even Right-Wingers Can’t Abide ICE Brutalizing’ His Laborer Co-Workers in Chicago

Posted in Features, Interviews, On Tyranny, On Tyranny with tags , , , , , , , on 11/26/2025 by Kurt Orzeck

It’s impossible to let a minute elapse without smiling during a conversation with the irrepressibly good-natured and good-humored Kris Megyery, guitarist/vocalist for Chicago punk band the Brokedowns. Except, that is, when he divulges how his fellow contractors are having to work through the night and on weekends due to their well-founded fears of ICE raids, which he has personally witnessed.

Learn, reflect and laugh during a wide-ranging conversation in the latest installment of The Bad Penny‘s On Tyranny series, which focuses on how artists are coping with Authoritarian America. And pick up a copy of the Brokedowns’ album Let’s Tip the Landlord, which just came out Friday on Red Scare Industries (also home to yesterday’s On Tyranny participants Elway), on their Bandcamp page.

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On Tyranny: Elway Frontman Tim Browne Says ‘Keeping Optimistic Against All Odds Is Your Obligation as a Person Who Wants a Better World’

Posted in Features, Interviews, On Tyranny, Videos with tags , , , , , , on 11/25/2025 by Kurt Orzeck

Settle in for a profound conversation about Authoritarian America with the hyper-intelligent and hyper-talented Tim Browne, vocalist and guitarist for long-running Colorado punk band Elway.

“There’s an endemic undercurrent of detached cynicism and irony on the left in general, and there’s a point of no return after which you become disengaged with politics, you become part of the problem by letting your detachment rule you out of doing anything to fight it,” he says. “And they’re counting on it too.”

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On Tyranny: Singer/Songwriter Robert Deeble Claims ‘Faith-Based Social Justice Work Has Been Lost,’ Creating Power Vacuum for Autocrats

Posted in Features, Interviews, On Tyranny, On Tyranny with tags , , , , , on 11/23/2025 by Kurt Orzeck


Seattle singer-songwriter Robert Deeble has a lot on his mind these days, and it isn’t just his seventh record, The Space Between Us, which is planned for release Feb. 6 through his own Mind Bomb Publishing imprint. Nay, the socially attuned, voracious reader, prolific musician and contemplative in the truest sense of the world is trying to gather what he gained from spending four years mostly in isolation – but with some help with trusted collaborators. They include bassist Viktor Krauss (Allison Krauss/Robert Plant), drummer Lacey Brown (Damien Jurado) and producer Ric Hordinski (producer, string arrangements, guitar).

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On Tyranny: Faith No More’s Roddy Bottum Laments Trans Exodus From US, Loves Zohran Mamdani, Details Witnessing ICE Brutality

Posted in Features, Interviews, On Tyranny, On Tyranny with tags , , , , , , , , , on 11/22/2025 by Kurt Orzeck

“I feel, like, not so complacent, but enthused, honestly, in a great way. I feel good. It’s my job. I’m an artist, and that’s kind of what I need to do. I need to provoke and I need to demand answers and I need to challenge things.”
-Roddy Bottum

With his new memoir The Royal We out now, I recently spoke with Roddy Bottum of Faith No More, Imperial Teen and Man on Man fame about a very wide range of topics. Read some of them in my FLOOD feature and my Bad Penny story (in which he recalled a bizarre incident involving his paranoid ex-girlfriend Courtney Love).

In this part of the interview, part of The Bad Penny‘s On Tyranny series, Bottum shares his first-hand accounts about the shameful and horrific acts occurring in the United States: the exodus of trans people leaving out of well-justified fear; and ICE attacks on immigrants, demonstrators and U.S. citizens.

But Bottum also discusses what he sees as a silver lining: The recent election of Democratic-Socialist Zohran Mamdani as the youngest-ever and first Muslim mayor of New York City. Here’s that portion of our wide-ranging conversation:

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On Tyranny: Too Much Joy Discuss the Existential Ruin That MAGA Has Inflicted Upon Us

Posted in Features, Interviews, On Tyranny, On Tyranny with tags , , , , , on 11/21/2025 by Kurt Orzeck

Major labels suuuck. This we know. But sometimes they get bruised by the little guys – let’s call them “Davids” – who manage to land a clean blow on the Goliaths. Scarsdale, New York’s Too Much Joy accomplished this feat when they regained the rights from Warner Bros. to their second LP, Son of Sam I Am – and that motivated the four lifelong friends who comprise the band to start recording and even play shows again in earnest.

The circumstances also gave Too Much Joy the opportunity to commiserate with how much the U.S. had changed for the worse when they got together in 2000. It’s a dialogue they continue to have now, and which they let The Bad Penny take part in as part of our ongoing series On Tyranny, in which musicians talk about the direct damage that Authoritarian America is having on their artistic careers and personal lives. If Too Much Joy can defeat Warner Bros., can’t the 75 million Americans who didn’t vote for Trump take him down too?

Enjoy this lively conversation with Too Much Joy vocalist Tim Quirk and singer/bassist Sandy Smallens, which took place exactly a month ago, and then hear from many more artists like The Locust, Brett Bradford from Scratch Acid, Bobby Conn, Deaf Club, Carcass, Moonspell and 50 more artists in the On Tyranny archive.

May these discussions motivate you to learn about the horrors happening in this country, spur you into action, realize that you are not alone, and get involved in the thousands of communities fighting fascism before it is too late.

Go here to Too Much Joy’s Bandcamp page for much more on the band. And stay tuned for the next print edition of The Big Takeover to read my feature story on them.

On Tyranny: Walking Bombs Goes Off (for Good Reason), Says Nazis Need to Be Afraid to Be in Public

Posted in Features, Interviews, On Tyranny, On Tyranny with tags , , , , , , , , on 11/20/2025 by Kurt Orzeck

Hello, Bad Penny readers. Surely you are familiar with and have probably read some installments of our ongoing On Tyranny series, which focuses on how Authoritarian America is damaging artists, their careers and their personal lives. This writer has been somewhat surprised at how tame and mild some of the editions are in this series, which is closing in on 65 installments.

This is not one of those installments.

Today’s entry comes courtesy of Morgan Y. Evans, who resides in Orange County, California, and whose Walking Bombs project is a solo and collaborative vehicle for Evans, writer Morgan Ywain Vink-Lainas Evans, and other compatriots of theirs. Yesterday, Walking Bombs issued a new single, a lo-fi version of the song “Barbaric Balconies,” which you can purchase for a buck and a half on Bandcamp here.

Much of Walking Bombs’ material conveys Evans’ rage against the machine, for lack of a better phrase, so what he shared with us for On Tyranny didn’t exactly come out of left field. We edited Evans’ submission a bit to make it a smoother read but left the artist’s message fully intact, as one of the core missions of this website is to defend and fight for freedom of speech, arguably the most important right in a democratic society. Just be forewarned that much of what follows is, as the kids say, “NSFW.”

That said, it’s real, unrestrained and from the heart. In fact, we’d go so far as to say that the rage expressed in this missive of sorts should be awakened in the hearts of each of us who are gravely concerned that democracy – which has already left the building, if you haven’t noticed – might never come back. As The Bad Penny says on the On Tyranny index page and often reiterates in entries, thank you to Evans and others for mustering the courage to speak out and inspire others to do the same when we realistically may lose the right to do so in the blink of an eye.

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