Speaking of “weird,” everyone’s favorite costume-wearing musician, “Weird Al” Yankovic, proved he’s the weirdest one of all at a Hollywood Bowl concert in mid-2016. Check out my FLOOD review of the show.
Take that, politicos.
Speaking of “weird,” everyone’s favorite costume-wearing musician, “Weird Al” Yankovic, proved he’s the weirdest one of all at a Hollywood Bowl concert in mid-2016. Check out my FLOOD review of the show.
Take that, politicos.
Should’ve gone with “weird” instead of “bizarre” when I did a little 2024 prognosticating in this FLOOD article from seven months ago. Came this close.
For their 10th album overall and first in five years, Omaha indie-rock stalwarts Cursive didn’t opt to release Devourer through their own label, 15 Passenger – or Omaha-based Saddle Creek Records, for that matter – but rather Run for Cover Records. Read the full story in Music Connection‘s print edition or on its website.
It’s unlikely we’ll again witness an underground rock musician quite like Rick Froberg, whose original, speedy and catchy post-punk stylings amounted to pure fun. The singer/guitarist and – for all intents and purposes – frontman for Drive Live Jehu, Hot Snakes, Obits and other esteemed bands tragically passed away from a heart condition around this time last year. In memory of the sweaty, spastic, singular musician, here’s a handwritten list of Froberg’s favorite albums that he sent yours truly 14 years ago:
Check out my new series on New Noise in which veteran musicians offer advice to young and financially struggling bands on how to tour without breaking the bank. … And You Will Know Us by the Trail of Dead, Sigh and Black Anvil divulge their money-saving methods in the first installment.
With Milly frontman Brendan Dyer’s gentle vocals contrasting with crunchy guitars, each of the 10 songs on their second album sound like wanna-be Silversun Pickups tunes—albeit ones that never would’ve made the cut on one of that vastly superior band’s records. Read my complete review via New Noise.
Cardiff seven-piece Los Campesinos! are more comfortable with their identity than ever before on their seventh LP, a culmination of all the band’s genre experimentation over the past two decades. Read my full review of All Hell via FLOOD.
With the health of Dennis Lyxzén unclear after he apparently suffered a devastating heart attack, we send our best wishes to him—and bring you a previously unreleased interview with Lyxzén from November 2019. Go to New Noise‘s website to read our conversation, during which Refused’s main man shares how he envisions the shape of the world to come.
New Wave of Swedish Melodic Death Metal entry Kvaen succeed throughout the entirety of The Formless Fire, even in its weak spots, as the band’s passion for writing and performing stellar songs trumps all else. Fresh blood doesn’t get more bloodthirsty than this. Go to New Noise or click below for my full review.
Melbourne duo Armlock opt for the less-is-more approach to heartfelt lyricism and layered instrumentals to deeply affecting results on their all-too-brief second record. Read my full review via FLOOD.