“People forget that yes you’re allotted certain freedoms as a citizen of a country. It just seems like the notion of responsibility has gone completely out the window.”
-Kieren Hills of Schkeuditzer Kreuz
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The land of the freedom to commit crimes, the home of the craven. That’s what America is increasingly being perceived as by artists living elsewhere in the world, according to Australian punk project Schkeuditzer Kreuz (and anyone else with a pulse, frankly).
With the Trump Administration canceling visas for foreigners who have published a single social media post criticizing the US government, deporting authorized workers to gulags in countries where they’ve never previously set foot and directing masked thugs to shoot ministers in the head with PepperBalls® (did you know those projectiles are trademarked? Isn’t that rad?!), is anyone reading this article still arguing with a straight face that Authoritarian America hasn’t arrived?
But back to Schkeuditzer Kreuz, a project comprised by independent electronic music producer Kieren Hills. We caught up with him in late September, shortly after the release of his band’s new album, Swan Grinder, which he’s now supporting in Australia and New Zealand (dates below). Schkeuditzer Kreuz refers to a major junction in Schkeuditz, Germany – specifically the interchange that connects the A9 and A14 autobahns. The band’s motto is “one human and some machines, making noise, in the face of it all.”
With that badass info in mind, it’s our pleasure to welcome the first Australian musician to participate in On Tyranny, The Bad Penny‘s ongoing series about how authoritarianism directly damages artists.
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