Rey Roldan is one of the most prominent, amiable and successful publicists in the world of independent music – and he has the résumé to prove it. Now in its 22nd year, his company Another Reybee Production, Inc. boasts a stellar roster that includes The Alarm, Butthole Surfers, The Cranberries, Gipsy Kings, Candy Whips, Shonen Knife, Pansy Division and loads more prestigious artists.
Roldan doesn’t just represent musicians, though – he also takes care of two rescue dogs (Cillian, a 3-year-old Australian Cattle Dog; and Saoirse, an 11-month-old Australian Cattle Dog); as well as a 24-year-old Sun Catfish of the horabagrus brachysoma species. In between working tirelessly as the president of Reybee, Roland granted us some time to talk about his pets.
It was at that point that we came to our senses: Top 10 lists are all therage these days, and that fine and dandy – but the people putting together those lists should be the ultimate authorities on what they’re ranking. Ergo, we have reached out to bands from foreign lands to learn directly from them which musical acts from their home countries really belong on GOAT lists.
The latest edition in our series, which targets Portugal, should have the word “Ultimate” with a capital “U” attached to it. That’s because the musician who put together this top 10 list is, by leaps and bounds, the most talented and iconic metal musician in the history of his country. Like most leaders of metal bands – or at least melodic death metal bands, or at least melodic death metal bands hailing from Europe – Moonspell vocalist Fernando Ribeiro is sweet to the core, extremely smart, musically gifted and charismatic.
The Bad Penny is grateful for having interviewed Ribeiro three times now, as he reminds us of the good fortune we have to live in the present moment (and all the more time we have to listen to music, my dear). Ribeiro’s list of the 10 best heavy metal bands in Portuguese seems just about perfect, save one crucial error: Moonspell, the country’s greatest contribution to metal, isn’t on it. So if you had any doubts as to whether Ribeiro is one humble, rad dude, they’ve no evaporated.
Now let’s enjoy Ribeiro’s guided tour through the history of metal bands that Portugal has produced, shall we?
Gaerea is the pride of Portugal. A band from another cosmos, with such taste and personality that defies the gods. Their private concept of pain and release keeps getting more and more to the point and Loss just cristalizes that beautiful yet heart-wrenching tension.
Roughly one month ago, The Bad Penny caught up with mainstream-rock band ENMY, which consists of four guys who live in Cincinnati, Ohio. (ENMY isn’t to be confused with the now-shuttered British music publication NME, even though pronouncing their letters in succession leads to the same result.
“We’re kind of in the same vein as Linkin Park, Korn and Limp Bizkit, who all spell their band names wrong,” vocalist Brady Reis disclosed. “So, it’s like, the people who are into those bands will make the connection that we overlap with them a bit.”
Nine months after his shockingly sudden death, tears are still being shed for Tomas Lindberg, frontman of massively influential Swedish metal band At the Gates. One of the most well-read, warmhearted and respected musicians in melodic death metal – regardless of country – his skills remain unparalleled and might not be bested for quite some time. In the months subsequent to his passing, metal icons who – like Lindberg – were instrumental in giving birth to MDM in Scandinavian have publicly professed their sadness over his loss.
The latest member of MDM royalty to join the chorus and sing the praises of Lindberg is Greece’s greatest contribution to melodic death metal: Marios Iliopoulos. He helped develop the subgenre during his nine years playing lead guitar for Exhumation, then developed even more acclaim for his subsequent band Nightrage, which he co-founded with Gus G of Firewind in the same year that Exhumation split: 2000.
It was at that point that we came to our senses: top 10 lists are all therage these days, and that fine and dandy – but the people putting together those lists should be the ultimate authorities on what they’re ranking. Ergo, we have reached out to bands from foreign lands to learn from them which musical acts from their home countries really belong on GOAT lists.
Today, Swedish progressive power-metal band Prime Creation pipe up with what they consider to be the best heavy bands that originated from their homeland, with comments from drummer Kim Arnell. While many of the selections on their list overlap with the groups we named as our favorite Swedish melodeth acts, Prime Creation’s list contains a few bands that belong to a different subgenre – and one that isn’t even considered to be a metal band (hint: Their biggest song was also the favorite tune of Gob Bluth in Arrested Development.)
They have their own style and act as a bridge between death metal and heavy metal. Irresistible growls, unforgettable songs – and they make 60,000 people jump up and down at the same time.
2. Candlemass
Masters of doom. Unique sound. So dark and heavy. Nightfall is one of my favorite records of all time.
Eleven years ago, Carrie and Matt Wagner met each other in central Pennsylvania, fell in love, moved to Chicago and founded an experimental pop duo named Silver Liz. It was a pretty busy 12-or-so months, especially because Carrie was studying at Second City Conservatory. The two got married as well, but their lives weren’t complete until another addition to their family entered the picture: Milo.
The Black Heart Procession was the most funereal, and one of the most entrancing, bands on revered Chicago indie-rock label Touch and Go Records’ roster during its heyday in the 1990s. That they fell under the umbrella of “indie rock” was evidence that the term didn’t really signify a sound as much as an ethos, that being the prioritization of art in song craft and the value of musicians’ creative freedom over corporate control.
Founded and led by Pall Jenkins – who could’ve used “Bearer” as his stage surname had he wanted to put a fine point on his aesthetic – the band’s recorded material was as darkly contemplative and emotionally wrought as that of Nick Cave. At The Black Heart Procession’s live performances, Jenkins often dressed in all black but wore a battery-powered beating red heart as a corsage-like flourish to his attire.
It feels like only yesterday when touring across the United States was one of the greatest dreams the vast majority of bands in the world shared. What a difference a piece of shit president makes. With each passing day, as Trump’s unimaginably horrific, misguided and illegal policies continue to destroy America’s values, economy, reputation, health, security and overall well-being, bands are having to think much harder about whether it’s even wise to tour here anymore.
Over the past few months, The Bad Penny‘s On Tyranny series – which focuses on how fascism directly impacts musicians artistically, professionally and emotionally – has primary revolved around conversations with American artists. (The series started a couple of years ago with a focus on musicians living under authoritarian regimes around the world.)
In this installment, we once again touch base with a musician based outside the U.S., this time not to learn about how artists can survive, cope and/or adapt to life in a fascist society, but what impacts America’s accelerating death spiral is having on those living beyond the country’s borders.
Hatched in Carbondale, Illinois, a few years back, Pet Mosquito have already outlived every single mosquito that has ever existed on the planet. (Average lifespan for a male mosquito is 10 days; for a female mosquito, it’s about 50 … a tear is shed.) But the arty garage-rockers are still getting their sea legs, so to speak, having issued just one studio record thus far (August 2023’s Head in Bag). They’re currently on the road, staying limber after the release of Live at the Lamplighter Lounge in October 2023 and their Pre Apocalypse Motorcycle Music EP 11 months later.
Tonight will be a special one for the band, and perhaps even more so Boise, as they land here for the first time to play a gig at Realms Arcade. The band consists of singer/guitarist E Gariepy, bassist Evan Hall, drummer Berget Borowitz and trombonist Jessie Groninger. Gariepy recently checked in with The Bad Penny in anticipation of the show, to discuss the young band’s impressive tour history, recall the CIA’s experiments on human beings and joke around.
Brendan Sloan is a visionary multi-instrumentalist who refers to himself on his Bandcamp page as “once gadigal, then kaurna, now graciously living on unceded wurundjeri land, so-called australia.” The man behind the best one-man death-metal band in The Land Down Under touches base with The Bad Penny in the latest edition of our ongoing series, On Tyranny.
The extremely well-informed Sloan provides a university-grade lesson on the history of his country’s genocide against indigenous farmers, encroaching fascism and antisemitism, and threats posed by growing fascist-right and techno-fascist movements in his homeland.
