For a band that titled arguably its best album For Your Own Special Sweetheart (1994), Jawbox may themselves be the sweetest post-hardcoreband of the ’90s.
On the fateful Friday night of Nov. 22 in 1996, excitement for the weekend got into the heads of three students – including yours truly – and ousted any semblance of logic as punishment. When we learned that the J. Robbins-led Jawbox had plans to play a gig at Mabel’s in Champaign, a city located two hours south of Chicago.
“It was something new,” label founder KarimKhan said. “[Everything] caught me by surprise. And from [that] record, I discovered bands like Eyehategod”
—
In last week’s chapter of Inside the Label, we put our high beams on Bloodshot Records, a ‘print founded 15 years ago by two people whose combined previous record label experiences amounted to basically nothing. Nan Warshaw and Rob Miller’s labor was one of love, derived from a sheer and uncompromising appreciation for independent music (rowdy, beer-soaked independent music, in particular).
But while neither Warshaw nor Miller had worked at a label before, they had at least served some time in the industry: Warshaw with promoting artists and shows, and Miller with music production.
Subscribe to The Bad Penny by clicking the “New Subscription” box in the upper-righthand corner of this page.
—
Join The Bad Penny and Fernando Ribeiro, frontman for the best metal band to ever hail from Portugal – the indomitable Moonspell – for this very special edition of our ongoing On Tyranny series. The gracious and extremely well-informed vocalist teaches us about the political groups that rallied back and forth for control of the country, with democracy ultimately casting 50 years of fascist rule to the winds and embracing democracy in the 1970s.
It’s not uncommon for an actor to form or join a band – after all, it takes a certain gene to drive a person to be at the center of attention as much as they possibly can. But this past summer, when we caught up with vocalist Robbie Smith of sasscore squad Heavy Heavy Low Low, we learned that the inverse isn’t necessarily as common.
Sure, he enjoys fronting the band from San Jose, California, and writing and recording their songs – which are so unhinged and berserk that even Guantanamo Bay couldn’t restrain or temper them. Nonetheless, Smith also enjoys stepping away from the physical intensity of the band’s concerts to focus on an artistic endeavor he may value even more than crafting music: filmmaking.
This will come as no surprise for those of us who have already reckoned with the fact that the U.S. is now controlled by an authoritarian regime, but an apparent deputy recently pepper-sprayed an attendee at a Turnstile concert in Richmond, Virginia.
The alleged incident, captured on body-cam footage, shows an off-duty deputy from the Richmond Sheriff’s Office pepper-spraying a teen, according to The Richmonder. The individual apparently jumped onto the concert stage at Turnstile’s encouragement during the last song of their set.
[Subscribe to The Bad Penny by clicking the “New Subscription” box in the upper-righthand corner of this page.]
In the latest installment of The Bad Penny‘s On Tyranny series, we catch up with esteemed composer, singer and conductor Ted Hearne about Authoritarian America and his new album, Farming (Deathbomb Arc). The engrossing, story-based album – which dropped a week ago – ingeniously compares the philosophies of Pennsylvania founder William Penn and Amazon mega-billionaire Jeff Bezos as a way of getting to better understand what lies at the heart of America and its values. Hearne examines labor rights, capitalism and the U.S.’s rapidly changing economy – and how they contributed to the strife currently raging across the nation.
“Culture-war rhetoric very often serves to paper over another reality, and what I think is the underlying tension we should be focusing on, which is the ever-widening wealth gap,” Hearne says. “Most wealthy people in this country … the work to sustain their wealth are investing choices. And then wealth begets itself and grows. This is not the wealth of manufacturing ingenuity most of the time. People know that, and people who labor to make things know that. And there’s a deep anger about that. I’m angry about it too.”
Scottish multi-instrumentalist Neil Erskine pours his blood, sweat and tears into his band Chairmaker for two reasons: to create the best grindcore his impressive abilities will allow; and to use that music as the soundtrack to his assault on late-stage capitalism. So, naturally, The Bad Penny was morally obligated to invite Erskine to participate in our ongoing On Tyranny series. He accepted wholeheartedly and jumped on a provocative video chat with us a few days ago.
We caught up with Mr. Chairmaker about three weeks before the release of Leviathan Carcass, a record he’s self-releasing on his Bandcamp page on Nov. 14. Watch The Bad Penny‘s conversation with the hyper-enlightened Erskine, and maybe you’ll learn a thing or two – if nothing else, that the new wave of authoritarianism destroying America is causing similar destruction across the pond and elsewhere in the world.
To most, it will seem incongruous that this website is cover footballing to any extent. Or applaud an American citizen whose net worth hovers in the $250 million range. But because the sport is caught between a pop mega-star and a hard right-wing contingent in the U.S., we find it fitting to salute NFL Commissioner (aka CEO) Roger Goodell for backing up Bad Bunny at a Super Bowl press conference this morning.
That’s not to mention that we previously covered the Latin hip-hop star’s decision to avoid touring the U.S. for fear of ICE raiding his concerts. And the fact that Trump, Kristi Noem and other sycophantic, bigoted trolls in the White House are unabashedly trying to limit free speech or even make it a crime. Ergo, the uproar over Bad Bunny’s scheduled performance at America’s most-watching sporting event should be made aware to musicians of all stripes.
With the Netherlands’ general election taking place in exactly one week, The Bad Penny touches base with one of the country’s best underground bands, black-metal/hardcore sorcerers Terzij de Horde to discuss how they too are facing a potential authoritarian takeover similar to the one happening in the U.S. Specifically, bassist Johan van Hattum and vocalist Joost Vervoort.
“The situation is a little different here than in the U.S., but not by much,” Vervoort says early in the conversation. And as our talk ensues, his point is validated by the topics we touch upon: vitriol from rural communities directed at the government and immigrants, a bracing fear of technology and rampant individualism that – while once glorified as the embodiment of freedom, is turning against the good of collective societies. Specifically, bassist Johan van Hattum and vocalist Joost Vervoort.
Think you have it rough living in America in 2025? Imagine what a trans singer fronting an occult hardcore band in Baton Rouge, Louisiana, must go through on a daily basis. Hell, don’t just imagine it – watch this interview with vocalist Jade and guitarist Yann from the crushingly melodic hardcore band Spiritiste.
Learn all about the maddeningly brilliant band’s resistance to Authoritarian America, standing up for marginalized groups no matter what,the trials and tribulations of maintaining a profoundly affecting metal band in the Deep South – and the makings of their debut record, Excommunication Hymns, which comes out on Halloween via Protagonist Records and Tor Johnson Records.