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The 10 Best Belgian Metal Bands of All Time, According to Gnarly Native Sons 30,000 Monkies (Exclusive)

Posted in Features, Interviews, Lists with tags , , , , , , , , , on 08/16/2026 by Kurt Orzeck

Some 15 years after ganging up in their home city of Beringen in Belgium (population approximately 45,000 residents), 30,000 Monkies continue to claim the throne as the country’s most enduring we’re-kidding-but-not-really-kidding, noisy, sludgy, experimental doom metal band. Or so we presume; try as we may to acquaint ourselves with every arty, far-out band in every nation on the planet, The Bad Penny still has plenty of work to achieve that mission.

We were fortunate enough, however, to recently land upon Belgian rabble-rousers 30,000 Monkies. Not only did we find the spelling of their moniker worth a chuckle, we also came across a written plea to fans that appears on the quartet’s illustrious website:

Driving the point home, here’s a truly outlandish video that the band – who would fit comfortably on a tour with Mclusky, Ken MODE and/or Melvins – released six years ago:

Wacky personas and band presentation aside, 30,000 Monkies will once again prove their mettle – and heavy, fuzzy forays into their self-constructed fun house – with the September 12 release of Super Rebound (Champagne Metal) on September 18 via FVN KULT REKORDS. That said, when the band accepted our proposal to collaborate editorially in an idiosyncratic manner – rather than toss conventional queries about their upcoming record – we thought 30,000 Monkies would be fitting ambassadors to name the best heavy bands from their home country of Belgium. They obliged, and here’s the list they compiled exclusively for The Bad Penny.

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Favorite Films: Soulburn Are Passionate About ‘Silence of the Lambs,’ ‘Shining,’ ‘Lighthouse’ and 2 Flicks Starring Denzel and Depp

Posted in Favorite Films, Features, Interviews with tags , , , , , , , , , on 08/16/2026 by Kurt Orzeck

It was all the way back in 1996 that Dutch deviants Soulburn lit embers that eventually became a full-blown blaze of death metal and black-doom, lighting the path for legions of like-minded bands in the years ever since. As is so often the case, the band wasn’t initially appreciated, and they split just three years later. But as the metal world at large eventually caught up to their masterful melange of black, death and doom metal, guitarist Eric Daniels (also of Asphyx) reignited the project in 2013, and Soulburn have burned bright ever since.

The latest evidence of the Netherland band’s brilliance is found in Quantifying Cosmic Doom, which is jam-packed with bangers as complex and rich as the album’s title suggests. Testimony put out the album – which arguably underscores Soulburn’s black-metal bona fides more than any of their previous four studio efforts – roughly two months ago. Get a taste of the record via the below video, then check out movies that each member of the badass band graciously shared with The Bad Penny for the latest installment in our ongoing Favorite Films series.

And now, here are Soulburn’s movie picks:

Twan van Geel (bass, vocals):

Antichrist (2009)

Of the many movies I like, this one [written and directed by provocative auteur Lars von Trier] popped up as being one that really intrigued me. The whole atmosphere, the depth, the tone, the colouring, the pace, the unsettling creepy ungrabbable vibe, I just love it immensely. Also Willem Dafoe and Charlotte Gainsbourg are incredible here. Antichrist is unsettling not just because of what it shows, but because of the deeper ideas it disturbs. Its unease comes from a fusion of psychological, symbolic and existential themes that never fully resolve. That’s also why I keep coming back to this one. It creeps under your skin.

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Pet Sounds #90: Fires in the Distance’s Cat Narrowly Escaped Strict Landlord – and Lived to Pee About It

Posted in Features, Interviews, Pet Sounds with tags , , , , , on 08/13/2026 by Kurt Orzeck

“She was just my perfect companion for 14.5 years. Every day I was happy to see her, and I’m honored to say she was happy to see me too.”

-Fires in the Distance vocalist/guitarist Brendan Hayter

There’s a strong case to be made that melodic death-metal bands gain notice and recognition, and cultivate their fanbases, by devoting far more time and energy to their recorded output as opposed to touring. Fires in the Distance are an exception to that generalization – because their exceptional live performances are as exceptional as their studio material. Amorphis and Dark Tranquillity helped the Connecticut band gain notice with an opening slot on the European heroes’ joint tour three years ago, on the strength of just two Fires in the Distance full-lengths: 2020’s Echoes From Deep November and 2023’s Air Not Meant for Us.

Like clockwork (as another Scandinavian extreme-metal band, Meshuggah, would say), Fires in the Distance just issued their third record, Circadian Promise, after another three years of dutiful songwriting and recording – and issued it via Prosthetic, which put out the quartet’s first two gems. (That’s notwithstanding an instrumental album released in ) On paper, what’s most striking about the new record is that it features a new frontman: vocalist/guitarist/lyricist Brendan Hayter, whose surname is as well-suited for a metal band as his chops are for the doomish MDM crew.

In an effort to further acquaint Fires in the Distance fans with Hayter, The Bad Penny recently connected with him to participate in our ongoing Pet Sounds series, to which he graciously obliged. He told us all about his cat Mimsy, and while we typically don’t include discussions about pets post mortem, Hayter’s touching recollections about his companion and how he worked through her loss are valuable advice to pet owners about how to deal with both love and grief over animals.

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On Tyranny: Dumb Waiter, the Next Big Thing in Noise Rock, Say ‘It’s Hard Not to Be Political’ Now

Posted in Features, Interviews, On Tyranny, On Tyranny, Videos with tags , , , , , , on 07/29/2026 by Kurt Orzeck

Dumb Waiter’s saxophone player and vocalist, Tristan Brennis, is wise to the fact that many musicians are speaking out in resistance to MAGA and fascism because the war being wages is between right and wrong, not right and left.

“In this day and age, you know, in 2026, it’s kind of hard not to be political,” he says. “I don’t think, when writing [our new] album … any of us intended to make it political. I think it’s just we’re a reflection of our surroundings. You close your eyes, you blink, and all of a sudden, you’re like, ‘Wait a second, we’re actually pretty pissed off.'”

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Favorite Films: If You Loved ‘Backrooms,’ You’ll Probably Dig ‘The Cell’ Too

Posted in Essays, Favorite Films, Features with tags , , , , , , , , , on 07/28/2026 by Kurt Orzeck

To the surprise of no one, the summer blockbuster to beat is Christopher Nolan’s The Odyssey which, based on the reactions of critics and average-joe moviegoers alike, seems to be the best movie of all time ever made ever in the history of all times. But there’s still a curious mid-card match taking place far more unexpectedly: the jostling between two very low-budget psychological horror flicks, Obsession and Backrooms. Both are very unnerving, mostly sparing in the use of violence, and tap into Americans’ widespread fear these days of psychological insanity and not knowing what’s real (cough, MAGA, cough) versus physical violence.

The Bad Penny highly recommends both films – and one more, although it dates back 26 years. The Cell was a thoroughly original horror movie (more so than sci-fi, the genre in which it was primarily marketed and classified). It starred Jennifer Lopez, Vince Vaughn and Vincent D’Onofrio, who didn’t make for the strongest acting ensemble, but that issue was mitigated by the fact that visionary Indian director Tarsem Singh helmed The Cell.

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Happy Birthday to These Sparkling (or Rotting) Famous People!

Posted in Happy Birthday with tags , , on 07/26/2026 by Kurt Orzeck

It’s a day that ends in “Y,” which means it’s time to wish a happy birthday – two words that also end in “Y” (if you really think about it) to all the people who have made a difference – in some cases, a tremendous, murderous difference – during their time spent on this mortal coil.

There’s a couple of twists here, though. One of the individuals pictured is dead, and two – not necessarily one of the dead ones! – are series killers. Stumped which are which? Ask your kids! That’s what they’re there for, right?

PS: Another famous person celebrated their birthday recently. Can you guess who? Click here if you cry “uncle” – although the person is probably neither an uncle nor ever played one on the small or big screens.

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Pet Sounds #89: Strange Mono’s Strange Dog Product Promo Is the Cat’s Pajamas and the Bees’ Knees

Posted in Esoterica, Features, Pet Sounds with tags on 07/26/2026 by Kurt Orzeck

Not entirely sure what this Strange Mono product promo means, or who it’s even trying to reach, but we adore it as much as our lab/hound. We’re pretty sure there’s a reference to the movie Seven in there, and maybe Jules Winnfield one too.

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On Tyranny: Remembering Frank Kozik, Album Art Illustrator and Antagonist of Authoritarianism

Posted in Features, In Memorium, On Tyranny, On Tyranny with tags , , , , , , , , , , on 07/25/2026 by Kurt Orzeck

A little over three years ago, unparalleled album art illustrator Frank Kozik – best known for being embraced by the stoner-rock community – or, as The New York Times gently worded it, “graphic artist best known for his posters for alternative rock bands.” While The Bad Penny was not in a position at the time to celebrate his and grieve his passing, now feels as good time as any to do so.

To be clear, Kozik’s widow, Sharon Kozik, is in control of his social media accounts. While she hasn’t posted copiously, she did publish the following in January:

“Frank would often tell me stories about what it was like growing up in Spain under Franco’s fascist dictatorship. He moved to America when he was 15 to escape it. Much of his artwork deals with the themes of rebelling against fascism, mocking it. He fully embraced our right of freedom of expression and open political discourse. Regardless of your political beliefs we must keep America free from government tyranny and police snatching people off the street, from their homes, schools.”

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Favorite Films: Musicians Who Like the Bad Penny Adore ‘The Thing,’ ‘The Big Lebowski,’ ‘No Country for Old Men’

Posted in Favorite Films, Features, Lists with tags , , , , , , , , , on 07/25/2026 by Kurt Orzeck

Fourteen editions deep in The Bad Penny‘s probe into movies that musicians enjoy the most – they’re usually watching them on the tour bus – we’ve been utterly blown away by the response. The number of bands eager to participate surprised us at many turns. Hell, some musicians seemed to only wanna talk about a movie in which they appeared as opposing to discussing an album they created.

Because we had amassed enough movie recommendations from the artists with whom we spoke, we took a time-out and compiled the selections of the artists. Participants include Napalm Death, Fireball Ministry’s Emily Burton (catch her here too!), Pigace’s Martin Atkins, Kilter, The New Loud, Meltt, Dez Dare, Oathbound, Dummy, Jacob the Horse, Dying Remains, Heavy Heavy Low Low and Point Break 2 (who had never foreseen this mayhem coming).

Among the 52 repeated picks, there are only three, hard as it may be to believe: The Thing (also Stephen Colbert’s favorite movie ever), The Big Lebowski and Big Trouble in Little China. Even more remarkable is that those films were low-budget and geared to niche audience. Let’s check out what the other band members deduced to be their favorite movies.

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Favorite Films: Fireball Ministry’s Emily Burton Digs ‘Jackie Brown’ ‘Aliens,’ ‘Big Trouble in Little Lebowski’ … and a Pick You’d Never Guess

Posted in Favorite Films, Features, Interviews, Videos with tags , , , , , , , , , on 07/25/2026 by Kurt Orzeck

It was only a month ago that Fireball Ministry co-founder and guitar virtuoso Emily Burton graciously set aside some of her busy schedule to talk about her and all the current developments that are making her beam at the status of her influential, 27-year-old stoner rock band. (Read all about her successful litigation here.)

When we checked in with her for part two of our conversation, she was in much better spirits and game for talking about some of her movies of all time. For those who don’t live in the loop, musicians have extraordinarily long stretches between †venues, affording them some time to cozy up in a band, rewrite and rewrite and rewrite once again the band’s set list. Burton prefers the latter.

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