Last March, we had the pleasure of catching up with L.A.-based psych-pop band Dummy ahead of their set at Treefort Music Fest in Boise. In addition to talking about their second album, Free Energy, and accompanying remix LP, Bubbelibrium DLC, Alex Ewell and Joe Trainor – each of whom plays multiple instruments – talked about their favorite movies. We present you with that portion of our conversation, if you’re looking for something worth watching this weekend.
Continue readingAviv Rubinstien, singer for Los Angeles indie punks Jacob the Horse, reveals which movie scene inspired him to want to become a filmmaker, explains how Russ Meyer influenced his band video for “666 Chicks” and defends William Friedkin’s divisive movie “Sorcerer.”
The interview took place on December 14, 2025, less than two weeks before Jacob’s Horse dropped “666 Chicks” – and ahead of the March 20 release of their new album, At Least It’s Almost Over.
Also, don’t miss our conversation with Rubinstien as part of The Bad Penny‘s On Tyranny series.
Napalm Death bassist Shane Embury isn’t one to sit on his laurels – even if they’re extreme-metal laurels. Even though he’s played bass and backing vocals for the grindcore legends since 1987 (man, is that hard to believe), he’s also dallying with his side project Dark Sky Burial, whose new album, The Secred Neurotic, which dropped yesterday via Consouling Sounds.
We’ll have plenty to discuss about that project in the near future, but since it’s Saturday, we found it fitting to roll out a new edition of Favorite Films, in which musicians talk about the best movies they’ve ever seen and recommend some cult classics unfamiliar to most of us.
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Two months in, we’re still savoring the delicious drivel dealt by death-metal band Dying Remains via Merciless Suffering following its mid-September release. We’re also grateful to have recently connected with the Maggot Stomp band and chatted up vocalist/guitarist/bassist Damon MacDonald about its debut LP.
While we had MacDonald on the horn – or the Zoom, or the whatchamacallit – we picked his brain about movies, as we were armed with the knowledge ahead of time that he’s a fan of horror movies. Here are his choice picks:
1. The Thing (1982)
“The first movie that comes to mind is John Carpenter’s The Thing,” MacDonald said. “That was one of the first couple of horror movies I saw when I was young. I think I was 7, and my old man showed it to me, and I was like, ‘This is so cool.’ [My love of horror movies] started there.”
When asked whether he believes in the notion publicly proffered by notably untrustworthy director John Carpenter that there’s a way to determine whether the two guys at the end, MacReady (Kurt Russell) and Childs (Keith David), had become The Thing, he replied:
“There was a game that came out tied to The Thing on PS2 and Xbox in 2002 – and it’s been stated that it’s canon – and Carpenter made a jab by having MacReady alive at the end of the game. But it’s still just one of those things that are open to interpretation. You’re never going to figure it out. [There’s also the theory that] the whiskey [the characters drink at the end of the movie] was actually gasoline, but it’s like I don’t know if I buy it.”
When asked to identify his favorite scene in the film, MacDonald said: “The defibrillator scene when [a] stomach opens up and rips [the] hands off [another character is] so sick. It’s gnarlier than the [first] Alien scene with the [chest burst].”
It’s not uncommon for an actor to form or join a band – after all, it takes a certain gene to drive a person to be at the center of attention as much as they possibly can. But this past summer, when we caught up with vocalist Robbie Smith of sasscore squad Heavy Heavy Low Low, we learned that the inverse isn’t necessarily as common.
Sure, he enjoys fronting the band from San Jose, California, and writing and recording their songs – which are so unhinged and berserk that even Guantanamo Bay couldn’t restrain or temper them. Nonetheless, Smith also enjoys stepping away from the physical intensity of the band’s concerts to focus on an artistic endeavor he may value even more than crafting music: filmmaking.
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Earlier this month saw a new release by Point Break 2 – no, not a sequel to the immortal 1991 surfing-undercover-cop-thriller-pseudohomoerotic-unintentional-comedy-action masterpiece starring Keanu Reeves and Patrick Swayze, but rather a fresh record by a band using that amusing name as its moniker. Featuring members of Brooklyn indie bands These Are Powers and The Flag including Ted McGrath, Point Break 2’s self-titled EP dropped on Naturally Records.
McGrath originally assembled Point Break 2 to bide his time while The Flag’s second LP was in the works. But he hit it off so well with Flag bandmate Ryan Crozier, Jason Robira of Sunwatchers, Fixtures’ Kris Liakos and Billy Bouchard (Ice Balloons, Dancehall Crashers) that they decided to formalize Point Break 2 as a full-fledged project.
And how could they not, with a fuzzy, skronky song as infectious as lead single “Hall of Justice”?
Delve into my New Noise conversation with polymath Whitney Mower, who fronts Born Losers Records band They/Live and survived the disastrous fires that recently ravaged Los Angeles.
Heavy-hitters Lo-Pan give New Noise an early preview of their fifth record ahead of its April release–and, to The Bad Penny‘s particular delight, geek out about Big Trouble in Little China.
Three of the scariest horror films from the past 30 years deeply affected audiences for radically different reasons.
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