The Unfinished Bruce Springsteen Track That Made Patti Smith a Global Rock Icon

Posted in Essays with tags , on 10/11/2026 by Kurt Orzeck

While Bruce Springsteen and his band released the riveting song “Because the Night” in 1986, it actually originally appeared in 1978, on the studio album Easter — not by Springsteen, but by revered proto-punk poet Patti Smith (read my interview with the punk-poet legend here), who made it the best-known tune among Patti Smith Group tunes. The reason that occurred is because Springsteen allegedly couldn’t finish the tune, and engineer Jimmy Iovine (who later cofounded Interscope Record in 1990) facilitated the transfer of Bruce Springsteen’s unfinished song, “Because the Night.”

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Phoenix’s Midvale Park to Scream Their Way Through Boise for the First Time Tonight at Realms Arcade

Posted in Concert Previews, Interviews with tags , , , on 10/11/2026 by Kurt Orzeck

Well, thanks, eardrums. It’s been real. Unfortunately we’re going to have to part ways at this point, as there’s a certain band from Phoenix playing Realms Arcade in Boise tonight, and they’re gonna rip you out of the ear holes of all in attendance. Why, you ask? Well, let’s let vocalist Alex explain …

Congrats on the release of your Pursuing One’s True Identity EP. How long was it in the making?

The EP was in the making since around February after we got off our first run of out-of-state shows. We took “Frail” and put it on the EP with the other four songs we made.

Did the EP turn out as you envisioned, or did it evolve in unexpected ways?

Not really. We wanted to make an album, but we slacked too long on making more songs, so it turned into an EP of the collection of songs we had made in those six months (plus “Frail”).

It seems to me that the EP really speaks to the pain that people – young people in particular, I imagine – are facing in this day and age, given that the world is so fucking hostile and cruel. “Frail” seems especially powerful because, at least in my interpretation, you’re empathizing with people who feel hopeless yet swaying them away from suicidal ideation. Is that at least somewhat accurate?

The EP name came from my issue with knowing who I am as a person, but the songs are were really just my emotions at the time – besides Frail. “Frail” is actually speaking about those who hold higher status than others and how they abuse it, the end is just saying how much I hate it.

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Unto Others Frontman Delivers Definitive Interview: ‘The Answer That I’ve Reached as I Get Older Is There Is No Answer. And if There Is No Answer, Then You Are God.’

Posted in Concert Reviews, Interview Transcripts, Interviews, Reviews with tags , , , , , , on 10/11/2026 by Kurt Orzeck

“I don’t like not being able to control my destiny.”

-Unto Others frontman Gabriel Franco

—

Portland, Oregon’s Unto Others are no strangers to Boise, having graced stages in this city in November 2021, May 2022 and November 2024. Tonight marked the retro rock band’s fourth performance in the City of Trees and its first time playing at the Shrine Social Club. Unto Others set the table for Castle Rat‘s rousing, hallucinatory, medieval-fantasy performance – while simultaneously erasing all memory of superfluous opening act Wraith Knight, which refers to itself as “dungeon synth,” whatever the hell that is.

One of the many reasons Unto Others were the band that should’ve drawn the biggest crowd in Boise this evening – even with Iron and Wine playing at the Knitting Factory and lovable death-metal goofballs Nekrogoblikon hunkering down at the Shredder – is that Unto Others are a truly one-of-a-kind band in a music climate that seems to subsist on copycats. Unto Others’ sound is a blast from the past; no other band is busting out throwback dark rock with the acumen and authenticity that frontman Gabriel Franco and his pals are producing.

Last year, this writer penned a story about Unto Others for New Noise in which Franco rejected the lazy and inaccurate labeling of Unto Others as a “goth” band. While the article possibly helped deflate the erroneous pigeonholing, it presented just a small fraction of the extensive conversation Franco granted to yours truly. In honor of Unto Others’ fourth performance this evening in Boise, The Bad Penny now brings you the entire – dare we say definitive – conversation that Franco graciously granted to us on November 8, 2024.

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Best New Music Videos (September 2026): Emma Ruth Rundle, BBBBBBB, Death Valley Girls, Kinetic, Actors

Posted in Lists, Videos with tags , , , , , , , , , on 10/10/2026 by Kurt Orzeck

Always at least a day late. But never a dollar short.

1. Emma Ruth Rundle’s “God’s Picture”

2. Thief’s “Moon and Kill”

3. BBBBBBB’s “Sexy Boy”

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On Tyranny: Burner Vocalist Scolds ‘Rage Bait’ Addicts for Using Misogyny, Charlie Kirk to Divide Us

Posted in Features, Interviews, On Tyranny, On Tyranny, Videos with tags , , , , , , , , , on 10/10/2026 by Kurt Orzeck

Roughly five years after their inception in London, post-metal unit Burner are quickly drawing the attention of fans of heavy music who have big hearts and big brains. Vocalist and lyricist Harry Nott recently checked in with The Bad Penny after last month’s release of Burner’s second full-length, No One Is Coming to Save Us (anyone else notice the Send Help reference?).

Nott’s prerogative could not be clear: to combat the cycles of violence and hate that all of us need to break in order to progress toward a more hopeful future across the world as authoritarianism continues to gain a foothold virtually everywhere. “We’re going through this horrible, horrible game where [social media] engagement is becoming this … end goal, and the means are just continuously being justified [to promote] rage bait and reactionary, racist content and stuff that is purposefully inciting hate of a certain people or harmful stereotypes,” the consummately articulate Nott says.

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Cloakroom’s ‘Time Well’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 10/10/2026 by Kurt Orzeck

With 2017’s Time Well — gorgeously spacious, at times heavy and with a dose of folk at its roots — Cloakroom redefined how trust develops between the artist and the audience.

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Tool’s Maynard James Keenan Fantasized About Los Angeles’ Annihilation Years Before Trump Did

Posted in Essays, Sound Off with tags , , , , , , , , , on 10/09/2026 by Kurt Orzeck

This post will justifiably piss off a lot of people – and if someone else had published it, yours truly would be among them. Tool is one of the bands most beloved by this site, as evidenced by The Bad Penny‘s extensive coverage of Maynard James Keenan and company over the years.

Here are some, if not all, of the Tool posts published on this site since its launch in 2008:

• Tool’s 68 Songs, Ranked From ‘Invincible’ to ‘Disgustipated’
• CONSPIRACY REVEALED: Tool’s Maynard James Keenan And David Yow Are Lizard People!
• Best Albums Of 2019: Tool, Idle Hands, Immortal Bird, Destrage, Enisum
• Tool Take The Wiltern: 8.13.01

That said, our music heroes should not be immune from criticism. And Keenan deserves at least some pushback for helping condition young American men in particular to embrace and normalize the nihilistic and destructive vision that MAGA has injected into the political discourse in the U.S.

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Inter Arma’s ‘Paradise Gallows’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 10/09/2026 by Kurt Orzeck

Paradise Gallows, the third album by Inter Arma, saw the band aiming their post-metal cannon for the sky, letting loose upon unwitting metalheads a darkly ominous record with a huge sense of scale and blend of extreme genres that only Isis had successfully pulled off prior. 

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On Tyranny: Absolute Darkness Leader Blasts Trump for Making Life More Difficult for Bands, Says ‘Fuck That Guy’

Posted in Features, Interviews, On Tyranny, On Tyranny, Videos with tags , , , , , , , , , on 10/09/2026 by Kurt Orzeck

“If you love metal … there’s a reason to care about politics,” Absolute Darkness guitarist/ lead vocalist Ron Dorn says, voicing dismay at the authoritarian takeover of the U.S., in a recent interview.

Not only does Dorn lead the aforementioned Bay Area death/thrash metal band, he also develops 70K Bands, an unofficial app used by passengers of the 70000 Tons of Metal cruise/festival. In the latest installment of On Tyranny, he discusses the effects of the Trump regime’s obliteration of international relations, pointing to a decline in the proportion of Canadian users in the app’s data.

“By the time we sail, we get about over 2,000 to 3,000 people on the ship,” Dorn says. “With all the stuff going on with Trump attacking Canada, calling it ‘the 51st state,’ the tariffs …. Canada went from 12 percent of the cruisers to 8 or 9. And I don’t blame them. Why should [they] spend my money in the U.S. when all this is going on? [There are] real world consequences [happening], and now the event is having a harder time selling out.”

(The Canadian percentages Dorn cites are based on users of his unofficial app, rather than official passenger figures from the cruise.)

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Giraffe’s ‘Towering Inferno With Bongo Drums’: Two Cent Review

Posted in Album Reviews, Reviews with tags , , on 10/09/2026 by Kurt Orzeck

With nary a word spoken over the course of its 11 songs, on paper (sans the title), Giraffe’s Towering Inferno With Bongo Drums would seem to be for the jazz or jam-band set: It was recorded in one day after the four players had developed familiarity with each other by performing improv sets in their hometown of L.A. And while the bulk of instruments are ones you would spy in a jazz nightclub—12-string guitar, fretless bass, drums and the like—it’s the other tools that propel Giraffe’s debut record into the far reaches of outer space: electronics, a Clavinet, an electric sitar and samples galore.

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