Archive for the Reviews Category

From The Vault: QOTSA End Year On A High Note; Josh Homme Reunites With Kyuss Singer In L.A.

Posted in Concert Reviews, Reviews with tags , , , , on 08/13/2024 by Kurt Orzeck

As has been widely reported but woefully under-discussed in the national conversation about the future of news in the U.S. and around the world, Paramount recently vaporized the online archives of MTV News, which it owns. The vault included thousands upon thousands of news stories, artist interviews and other historically critical pieces of reporting created by me and my former colleagues at the culturally iconic organization.

Paramount’s surprise and shocking move marked the latest in a seemingly unending series of body blows against journalists and exemplified efforts by corporate America to eliminate the trade of journalism, which is already withering on the vine, altogether. (Read the best take on the matter by founder and all-around great guy Michael Alex on Variety‘s website.)

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Fucked Up’s ‘Another Day’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 08/12/2024 by Kurt Orzeck

With the aid of Mike Haliechuk’s ever-improving production, hardcore-punk group Fucked Up’s punchy sound practically jumps out of the speakers on their ferociously live-sounding seventh record. Read my full album review courtesy of FLOOD.

Insect Ark’s ‘Raw Blood Singing’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 08/12/2024 by Kurt Orzeck

Raw Blood Singing (Debemur Morti Productions) is the latest affair from two-person unit Insect Ark
— and the result is an eight-track menu of harrowing horror. Read my review of the record via New Noise.

And So I Watch You From Afar’s ‘Megafauna’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 08/10/2024 by Kurt Orzeck

Math-rock quartet And So I Watch You From Afar hit their groove on their seventh LP, with the perfect balance of loud-and-quiet dynamics resulting in a positively affirming—and downright fun—listen. Hop over to FLOOD‘s website to read my full review of Megafauna.

Draag’s ‘Actually, The Quiet Is Nice’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 08/06/2024 by Kurt Orzeck

Following last year’s release of their debut album, L.A. band Draag continue to push forward their dreamy grungegaze romps on a six-song EP. Read my full review on FLOOD‘s website.

Knocked Loose’s ‘You Won’t Go Before You’re Supposed To’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 08/06/2024 by Kurt Orzeck

After developing their confidence and honing their sound over the course of a decade, Kentucky hardcore quintet Knocked Loose push boundaries in a big way on their third full-length. Read my full review on FLOOD‘s website.

‘Weird Al’ Proved He’s The ‘Weirdest’ Of Them All

Posted in Concert Reviews, Reviews with tags , , on 08/03/2024 by Kurt Orzeck

Speaking of “weird,” everyone’s favorite costume-wearing musician, “Weird Al” Yankovic, proved he’s the weirdest one of all at a Hollywood Bowl concert in mid-2016. Check out my FLOOD review of the show.

Take that, politicos.

Milly’s ‘Your Own Becoming’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 07/21/2024 by Kurt Orzeck

With Milly frontman Brendan Dyer’s gentle vocals contrasting with crunchy guitars, each of the 10 songs on their second album sound like wanna-be Silversun Pickups tunes—albeit ones that never would’ve made the cut on one of that vastly superior band’s records. Read my complete review via New Noise.

Los Campesinos!’s ‘All Hell’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 07/21/2024 by Kurt Orzeck

Cardiff seven-piece Los Campesinos! are more comfortable with their identity than ever before on their seventh LP, a culmination of all the band’s genre experimentation over the past two decades. Read my full review of All Hell via FLOOD.

Armlock’s ‘Seashell Angel Lucky Charm’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 07/18/2024 by Kurt Orzeck

Melbourne duo Armlock opt for the less-is-more approach to heartfelt lyricism and layered instrumentals to deeply affecting results on their all-too-brief second record. Read my full review via FLOOD.