Archive for the Reviews Category

Knocked Loose’s ‘You Won’t Go Before You’re Supposed To’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 08/06/2024 by Kurt Orzeck

After developing their confidence and honing their sound over the course of a decade, Kentucky hardcore quintet Knocked Loose push boundaries in a big way on their third full-length. Read my full review on FLOOD‘s website.

‘Weird Al’ Proved He’s The ‘Weirdest’ Of Them All

Posted in Concert Reviews, Reviews with tags , , on 08/03/2024 by Kurt Orzeck

Speaking of “weird,” everyone’s favorite costume-wearing musician, “Weird Al” Yankovic, proved he’s the weirdest one of all at a Hollywood Bowl concert in mid-2016. Check out my FLOOD review of the show.

Take that, politicos.

Milly’s ‘Your Own Becoming’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 07/21/2024 by Kurt Orzeck

With Milly frontman Brendan Dyer’s gentle vocals contrasting with crunchy guitars, each of the 10 songs on their second album sound like wanna-be Silversun Pickups tunes—albeit ones that never would’ve made the cut on one of that vastly superior band’s records. Read my complete review via New Noise.

Los Campesinos!’s ‘All Hell’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 07/21/2024 by Kurt Orzeck

Cardiff seven-piece Los Campesinos! are more comfortable with their identity than ever before on their seventh LP, a culmination of all the band’s genre experimentation over the past two decades. Read my full review of All Hell via FLOOD.

Armlock’s ‘Seashell Angel Lucky Charm’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 07/18/2024 by Kurt Orzeck

Melbourne duo Armlock opt for the less-is-more approach to heartfelt lyricism and layered instrumentals to deeply affecting results on their all-too-brief second record. Read my full review via FLOOD.

Idaho’s ‘Lapse’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 07/17/2024 by Kurt Orzeck

Idaho is best known for producing more potatoes than anywhere else in the U.S. In recent decades, it’s become so red that Idaho is now neck and neck with Mississippi as the most right-wing state in the Union. Idaho boasts the most miles of rivers than anywhere else in the country. The majority of its residents are virulently anti-government land conservationists not just suspicious of but resentful toward anyone who isn’t a third-generation Idahoan or older. Along those same lines, what today’s Idahoans feel more strongly about than anything else is their pure, white-hot hatred of Californians. 

Continue reading

Bangladeafy’s ‘Vulture’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 07/11/2024 by Kurt Orzeck

Bangladefy‘s Vulture reflects a band that, now 15 years old, still isn’t focused on what its two members want their endeavor to be. Read my full review via New Noise.

Huntsmen’s ‘Dry Land’: Two Cent Review

Posted in Album Reviews, Reviews on 07/11/2024 by Kurt Orzeck

Huntsmen expand their sound in such tantalizing fashion that their previous two full-lengths seem so small in comparison. But The Dry Land still misses the mark. Read my full album review via New Noise.

Perchta’s ‘D’Muata’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 07/10/2024 by Kurt Orzeck

The second full-length by Austria’s Perchta is a so-called feminist manifesto—and one of those rare records that not only accomplishes said feat but does so with glorious results. Read my full review via New Noise.

Alcest’s ‘Les chants de l’aurore’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 07/09/2024 by Kurt Orzeck

After a five-year wait, the French blackgaze duo explore the gamut of human emotions as they clear the high bar they’ve set for themselves on their six previous post-metal releases. Read my full review of Alcest‘s Les chants de l’aurore (Nuclear Blast) via FLOOD.