Archive for the Album Reviews Category

Igorrr’s ‘Amen’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 10/02/2025 by Kurt Orzeck

Can a musician prove over the course of a single record that he is a genius? In most cases no, but Igorrr’s Amen makes the case that it’s not out of reach for Frenchman Gautier Serre. Read my review via Spectrum Culture.

8 Great Psych LPs From Summer 2025 by SWRM, Zabus, Spaceface, Insomniac

Posted in Album Reviews, Lists, Reviews with tags , , , , , , , on 10/02/2025 by Kurt Orzeck

Albums by SWRM, Zabus, Spaceface, Insomniac, Go Kurosawa, Late Again, Nate Smith and Orsak:Oslo made the cut on my list of great, overlooked psychedelic albums released in summer 2025, in my first quarterly column on the genre for Treble.

Black Heart Procession’s ‘Hearts & Tanks’ EP: Two Cent Review

Posted in Album Reviews, Reviews with tags , on 10/01/2025 by Kurt Orzeck

Although it only contains four songs, Black Heart Procession’s Hearts & Tanks EP captured the essence of the circumspect band. With drummer Joe Plummer (Modest Mouse, Cold War Kids) and accordion player Matt Resovich (The Album Leaf, Mung) in tow, Black Heart Procession crafted and recorded the four songs in 72 hours. That may seem rushed, but as writers will tell you, stream-of-consciousness exercises in which revisions are forbidden often result in works of unadorned honesty. Read my full review on Spectrum Culture.

Titanic’s ‘Hagen’: Two Cent Album Review

Posted in Album Reviews, Reviews with tags on 09/30/2025 by Kurt Orzeck

Titanic wasn’t all that big when it made its debut in October 2023 with Vidrio meekly introduced the project birthed by pianist/guitarist i.la Católica. Something of a cross between a bedroom recording and a hushed session in an after-hours jazz speakeasy, the modest affair featured only three additional guest players, who contributed carefully measured amounts of vocals, cello, saxophone and drums to its eight songs. The follow-up LP, Hagen, does a far better job living up to the Titanic moniker with which Católica christened her project. Read my review on Spectrum Culture.

Der Weg Einer Freiheit’s ‘Innern’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 09/29/2025 by Kurt Orzeck

Der Weg Einer Freiheit’s new album, Innern, will be regarded as one of the year’s greatest metal records: one that hits hard by virtue of masterful execution of musical adeptness, and that simultaneously leaves listeners feeling better about themselves than when they pressed play. In a world that is completely upside-down, perhaps black netal is our best hope of survival. Read my review on Veil of Sound.

From the Vault: Are the Pixies Milking It With Their Multitudinous Video Releases?

Posted in Album Reviews, Essays, Reviews with tags , , , , on 09/27/2025 by Kurt Orzeck

(Note: This essay was written before the Pixies released a fifth video, Live at the Town and Country Club 1988, in 2011.)

So, shocker: Some people have been suggesting in the five-plus years since Pixies re-formed that maybe the foursome – who are revving up for another trek – have only been doing it for the money. What a strange, bizarre accusation. Like the plot of a Behind the Music episode, it’s the most predictable question of all for any band getting back together: It’s been alleged of everyone from CSNY to Simon & Garfunkel to Eagles to the Stooges to My Bloody Valentine to Rage Against the Machine to Dinosaur Jr. to the Jesus Lizard and on. And on. And on.

On the other hand, there is some potentially sound evidence that raking in the clams has been the main, if not only, reason Pixies reunited. As evident in the somewhat-illuminating doc loudQUIETloud, one of the DVDs we’ll be focusing on below, David Lovering was on the verge of going broke, falling back on his career as a magician – turning tricks in order to make ends meet, if you will.

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Arcadea’s ‘The Exodus of Gravity’: Two Cent Review

Posted in Album Reviews, Reviews with tags , , on 09/26/2025 by Kurt Orzeck

Billed as “a futuristic synth-rock odyssey set five billion years in the future, in a world where gravity no longer holds us down — literally or metaphorically — but pulsing with the urgency of now,” Arcadea set the bar a little too high with The Exodus of Gravity. It would seem that the band put more thought into the conceptual sci-fi story they concocted, which alone isn’t enough to buoy the record. Read my Treble review.

Umlaut’s ‘Desolë’: Two Cent Review

Posted in Album Reviews, Reviews with tags , , , on 09/26/2025 by Kurt Orzeck

How the 10 songs that comprise Desolë are generally catchy is what makes this record a true marvel; it’s like watching a knuckleball thrown by a baseball pitcher circle about as if it’s lost its target, only to land smack-dab in the catcher’s glove. It takes mastery to make order out of chaos, and with Desolë, Umlaut earns that distinction. Read my Treble review.

Julia, Julia’s ‘Sugaring a Strawberry’: Two Cent Review

Posted in Album Reviews, Reviews with tags , , , , on 09/23/2025 by Kurt Orzeck

The Coathangers’ Julia Kugel treats each note of her second solo album as a delicate item to be savored and appreciated from a state of mindfulness. Read my FLOOD review here.

Shame’s ‘Cutthroat’: Two Cent Review

Posted in Album Reviews, Reviews with tags on 09/22/2025 by Kurt Orzeck

UK rockers Shame don’t mince words on their fourth studio album, pairing their infectious proto-punk grooves with nakedly hedonistic lyrics. Read my FLOOD review.