Bet you probably didn’t guess when we launched this series unofficially dubbed The Bad Penny Passport that our search for the best bands in countries around the world would include Russia, did you? We didn’t either. But thanks to one of our dearest friends, – mastermind behind badass black-metal projects Malist and Crimson Crown – we’re able to do just that, bringing you his list of recommended Russian bands we can virtually guarantee will not ring a bell (to you, at least).
In one of our more treasured entries in this series, we hand over the reins to – who remains anonymous for obvious reasons – to inform us about what he considers to be the greatest heavy bands spanning the country that spans more than 6.6 million miles and boasts a population of anywhere from 143 to 146 million citizens, depending on whether you consider Crimea to be part of it.
Despite a litany of posthumous releases – pricey box sets, “super deluxe edition” reissues, unreleased songs and more – “Smells Like Teen Spirit” will always remain Nirvana’s most enduring song. Not only did it reach the top spot on countless charts in dozens of countries, it became so ubiquitous in mainstream culture that it cemented Nirvana as one of the greatest rock bands ever and legitimized alternative music as the quintessential music genre of the 1990s.
Read more of my thesis on Nirvana’s “Smells Like Teen Spirit” on AllMusic.
Black-metal act Ad Finem Omnia are still riding high off the release of their second studio album, Senectus Viae, in July. but multi-instrumentalist Pablo Vera still generously carved out some time from his hectic array of goings-on to contribute to the ongoing series we’re calling The Bad Penny Passport.
We’ve checked in with musicians in more than a dozen countries to get lists of the top 10 bands/musicians who hail from their homeland. Astute observers may recall we did a Chilean installment of the series with noise-punk band Niño Nuclear. But Vera’s list is more metal-oriented, reflecting a different sector of the country’s music scene (which is mostly based in the capital city of Santiago).
Vera doesn’t just write in gorgeous prose throughout his entry, he also included an introduction of his own. So let’s get to it.
“I’m tired of the rat race,” frontman of trailblazing noise-rock band Unsane reveals in a rare, recent interview. “So I just hang with my girl and wait for her to get a new dog. Going on tour is really fun now. It used to be not, because I didn’t play enough. My life was really chaotic before. Now, shit is a lot more centered.”
With all the hoopla surrounding bands boasting anniversaries of their major milestones, whether it be sticking together after 30-plus years or playing a tour after decades of dormany, it’s crucial that extreme metalheads don’t forget one especially important 2026 celebration, especially in the black-metal netherworld.
That would be the 40th anniversary of Norway’s Darkthrone, who influenced the development and dissemination of black metal around the world more than arguably any other band not named Emperor, Mayhem, Bathory or Burzum. This year also marks the 35th anniversary of the release of their debut, Soulside Journey – which also was, ironically, Darkthrone’s only death-metal album.
Recognizing those milestones, metal publication Antichrist Magazine – based appropriately in Hell, Norway – released the simply named but dense in high-quality material A Tribute to Darkthrone. It was one of a series of like-minded compilations the outlet has issued and dropped in late July. With enormous help from the rep behind that various-artists collection, we received a slew of testimonials from 12 of the 17 bands who contributed exclusive songs to the comp about why they worship at the altar of Darkthrone.
Paper Girl, the Nashville-based emo/folk-punk project led by Sarah Gargano, has just put out the final single ahead of the release of a new album next month. It’s called “Ohio (Fall 2016),” and the video for it exclusively premieres today on The Bad Penny.
Paper Girl was also the title of Gargano’s first single, which itself referenced the John Green book Paper Towns. The new video for “Ohio (Fall 2016)” features the whimsical song playing as the artist bikes to a field, where she sits down and plays the song with a beaming smile on a sunny day. In addition to recalling the days of yore when her music was primarily of the emo variety, one can’t help but be reminded of the ongoing 2016 nostalgia meme, fueled in part by a Gen Z’s longing for pre-COVID days.
” ‘Ohio (Fall 2016)’ is a song I wrote from my high school boyfriend’s perspective about watching me go to college in Ohio and have fun without him after breaking up,” Gargano told The Bad Penny. “It’s probably the folkiest/cutesiest song on the album and the most similar to the songs I was releasing under my actual name.
What do The Residents, The Go-Betweens, Steve Reich, Sade, Moondog, Ryuichi Sakamoto, Sun Ra, Cate Le Bon, The Stranglers and Dizzy Gillespie have in common? Why, they’re all artists responsible for creating songs that have inspired the development of Baltimore band Crying Laughing’s utterly unique experimental jazz-rock-meets-post-punk sound.
The Bad Penny had the good fortune to catch up with drummer Jen Kirby and alto saxophone player/percussionist Christian Best about all things under the sun in a recent interview. The band members discussed their music backgrounds, their chemistry, the Baltimore music scene and much more over the course of our conversation. We staged it in anticipation of Crying Laughing releasing their new full-length, Talking, eight days ago on Hausu Mountain, which is rapidly becoming one of our favorite record labels.
As a bonus, today we bring you a special playlist of songs that have inspired Crying Laughing and that Best assembled exclusively for The Bad Penny. (Thanks again, man!)
Our recent, lively conversation with Slothrust leader Leah Wellbaum ahead of their new album What They Grow in the Garden, resulted in a FLOOD interview and an exclusive bit of news that we ran on this website. But we have another leftover from the articles that might supply you with a good read if you’re in need of one.
The book in question is Milk Fed by Melissa Broder, released in February 2021.
Ombra – a thrash unit from Montreal consisting of Giuseppe “G” Criniti on vocals and lead guitar, Marco Sisti on rhythm guitar and his cousin Nico‑Angelo Sisti on drums – just released their first EP, Night Terror, on Monday. But we’ll be damned if these hosers (we’re kidding; these are three bright dudes) don’t know their metal history, especially when it comes to their Canada homeland.
Ombra – not to be mixed up with the Indonesian hardcore-punk band of the same name – live by a simple credo: “We encourage listeners to think freely, explore their minds, and express themselves without compromise,” the band states on its website. Their mesmerizing, pulverizing music is far more complex, however; it’s a stew of old‑school thrash, sludge, groove metal and psychedelic rock that will appeal to fans of Mastodon, Power Trip, High on Fire and Motörhead. It’s almost impossible to believe that only three guys are making Ombra’s music.
Before delving into Ombra’s picks for the best Canadian heavy bands, check out their cosmic, seizure-inducing new video for the psych-metal voyage “Blue Dream,” one of the songs featured on Night Terror.
And now, Ombra’s picks for the best heavy metal bands to come out of Canada.
Rush tops the list because of their impact, influence and pioneering of the heavy-rock scene. Canada’s first arena-scale heavy act: the Zeppelin-weight riffs of “Working Man and the sci-fi crush of 2112 proved a Toronto trio could hang with Sabbath and still invent something no one else was doing. They never stayed in one gear, but when they wanted weight – with Stick It Out,Far Cry and stretches of Clockwork Angels – they delivered drop-tuned, dissonant heaviness without abandoning the virtuosity that made every later Canadian metal band possible. Influence plus longevity plus those genuinely heavy moments is why they sit at number one to us. -G
Spiritbox lands at number two because no Canadian heavy band this decade has moved the needle like they have. Holy Roller and Eternal Blue turned a Victoria act into a global force. Courtney LaPlante’s shift from glass-clear melody to gut-level lows – stacked on Mike Stringer’s precision-groove riffs – gives them both the hooks and the impact that most modern metal chases and misses. They’re the proof that Canadian heaviness didn’t freeze in the thrash and death-metal eras; it just got sharper, louder, and harder to ignore. -G
