If an ultra-prolific music maker writes and plays songs in the woods, do they really exist if no one can hear them? Not if they release the music in the form of records, one supposes. But it is kinda the case these days with Aaron Turner, the former frontman for Isis; member of Sumac, Old Man Gloom and Mammifer; collaborator of Pharaoh Overlord; father; illustrator; swimmer; and deep thinker. Join Post-Trash for a journey into the mind of one of the most fascinating and prolific underground artists of the last 25 years.
Trivium frontman Matt Heafy plays at Revolution in Garden City, Idaho, on November 29, 2025
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Trivium, one of the hardest-working metal bands that also boasts an ever-reliably broad appeal, are close to clocking their 100th date in another year of rigorous touring. Their 2025 regiment has focused heavily on celebrating/resurrecting interest in their second full-length, Ascendency, a formidable effort – some might call it the Florida band’s breakthrough release – ostensibly because it came out 20 years ago.
But as Matt Heafy and company look back on that release – currently playing four selections from it in their current 14-song set, as The Bad Pennywitnessed last month in Garden City, Idaho – we can’t help be reminded what short shrift Trivium continues to give 2006’s The Crusade, the successor to Ascendency. More specifically, we’re confused as to why the band continues to bury the record’s strongest tracks, which still constitute some of the best material Trivium have crafted in an admittedly cramped catalog with loads of compositions adored by fans of the band, thrash and metalcore, and even critics.
Chief among those neglected songs are The Crusade‘s opening track “Ignition”; first album single “Detonation”; and the most politically charged number in Trivium’s career, “Contempt Breeds Contamination.” Since Trump became president for the first time in 2016, the metal band has played all three songs two times in concert. Not apiece – combined.
The Bad Penny has knocked guitar maestro Heafy in the past for his sometimes substandard lyrics. But the ones he wrote for those aforementioned songs stand among his best-written, not to mention his most admirable. So why don’t we hear them – or, more importantly, the sentiments he expressed in those compositions – more often?
Two months in, we’re still savoring the delicious drivel dealt by death-metal band Dying Remains via Merciless Suffering following its mid-September release. We’re also grateful to have recently connected with the Maggot Stomp band and chatted up vocalist/guitarist/bassist Damon MacDonald about its debut LP.
While we had MacDonald on the horn – or the Zoom, or the whatchamacallit – we picked his brain about movies, as we were armed with the knowledge ahead of time that he’s a fan of horror movies. Here are his choice picks:
1. The Thing (1982)
“The first movie that comes to mind is John Carpenter’s The Thing,” MacDonald said. “That was one of the first couple of horror movies I saw when I was young. I think I was 7, and my old man showed it to me, and I was like, ‘This is so cool.’ [My love of horror movies] started there.”
When asked whether he believes in the notion publicly proffered by notably untrustworthy director John Carpenter that there’s a way to determine whether the two guys at the end, MacReady (Kurt Russell) and Childs (Keith David), had become The Thing, he replied:
“There was a game that came out tied to The Thing on PS2 and Xbox in 2002 – and it’s been stated that it’s canon – and Carpenter made a jab by having MacReady alive at the end of the game. But it’s still just one of those things that are open to interpretation. You’re never going to figure it out. [There’s also the theory that] the whiskey [the characters drink at the end of the movie] was actually gasoline, but it’s like I don’t know if I buy it.”
When asked to identify his favorite scene in the film, MacDonald said: “The defibrillator scene when [a] stomach opens up and rips [the] hands off [another character is] so sick. It’s gnarlier than the [first] Alien scene with the [chest burst].”
Since the onset of On Tyranny, we’ve wanted to hear what Justin Sinkovich has to say about the current state of the country and, per The Bad Penny series’ specific focus, how artists like himself are grappling with Authoritarian America.
rom the Jesus Lizard to Shellac to Local H to Rod Blagojevich, Chicago has produced some of the fiercest bands of the past 30 years. On fire right now is Something Is Waiting, who released a thoroughly raucous live record, Livelick, roughly a year ago via Learning Curve Records, which appears stronger than ever in its 25th year as a label.
As we’ve come to discover over the 13 months since The Bad Penny launched Pet Sounds, the most seemingly intimidating musicians tend to have the biggest hearts, especially toward cats (and dogs too, but it appears that cats have the edge). The latest example we’ve come across is Something Is Waiting guitarist/bassist William T. Fay, who has three cats: Sega (16 years old), Ripley (8) and Newt (7).
All three cats are domestic shorthairs; Sega is a calico, Ripley a quarter-trash-bag/ raccoon and Newt a tortoiseshell. We recently clawed at Fay for more info on his beloved buddies, and here’s how our conversation went.
It’s impossible to let a minute elapse without smiling during a conversation with the irrepressibly good-natured and good-humored Kris Megyery, guitarist/vocalist for Chicago punk band the Brokedowns. Except, that is, when he divulges how his fellow contractors are having to work through the night and on weekends due to their well-founded fears of ICE raids, which he has personally witnessed.
Learn, reflect and laugh during a wide-ranging conversation in the latest installment of The Bad Penny‘s On Tyranny series, which focuses on how artists are coping with Authoritarian America. And pick up a copy of the Brokedowns’ album Let’s Tip the Landlord, which just came out Friday on Red Scare Industries (also home to yesterday’s On Tyranny participants Elway), on their Bandcamp page.
Settle in for a profound conversation about Authoritarian America with the hyper-intelligent and hyper-talented Tim Browne, vocalist and guitarist for long-running Colorado punk band Elway.
“There’s an endemic undercurrent of detached cynicism and irony on the left in general, and there’s a point of no return after which you become disengaged with politics, you become part of the problem by letting your detachment rule you out of doing anything to fight it,” he says. “And they’re counting on it too.”
It doesn’t take an economic genius to know that Donald Trump’s deranged obsession with tariffs – a fixed charge on an imported good that citizens of the country importing the good ultimately bear the cost of paying – is wreaking havoc on America’s economy. Not to mention the economies of many other countries across the world.
The policy is so plainly dumb and illegal – it’s the U.S. Congress that authorizes tariffs, not the executive branch – that it appears likely even the U.S. Supreme Court, which has failed to rein in Trump to the severe, perhaps irreversible detriment to our country – is going to strike down Trump’s unilateral move, which appears to be the only be the only kind he can make due to, you know, that whole separation of powers thing. (Hence the reason why this post is part of our On Tyranny series.)
Anyway, one of The Bad Penny‘s favorite record labels – Mumbai, India-based underground extreme metal specialists Transcending Obscurity – declared Monday that they’re executing a workaround to Trump’s moronic policy.
Seattle singer-songwriter Robert Deeble has a lot on his mind these days, and it isn’t just his seventh record, The Space Between Us, which is planned for release Feb. 6 through his own Mind Bomb Publishing imprint. Nay, the socially attuned, voracious reader, prolific musician and contemplative in the truest sense of the world is trying to gather what he gained from spending four years mostly in isolation – but with some help with trusted collaborators. They include bassist Viktor Krauss (Allison Krauss/Robert Plant), drummer Lacey Brown (Damien Jurado) and producer Ric Hordinski (producer, string arrangements, guitar).
The Bad Penny (beta) 