Archive for Pelican

From the Vault Exclusive: Pelican Details Each Track on Guest-Filled ‘What We All Come to Need’

Posted in Exclusives, Interviews with tags , , , , , on 10/24/2025 by Kurt Orzeck

[This article was originally published in 2009 on IndiePit.]

Pelican’s friends are cooler than yours.

The instru-metalists have been in good company throughout their career. Out of the gate, they signed to Aaron Turner‘s Hydra Head label, which the Chicagoans called home till they recently hopped over to Greg Anderson’s similar-minded doom factory, Southern Lord.

Justin Broadrick (Jesu, Godflesh) has remixed some of their slabs, and also mixed the sound for their live CD/DVD set, After the Ceiling Cracked, a few years back.

Pelican have also been remixed by Prefuse 73; collaborated with Earth’s Dylan Carlson on their Ephemeral EP, which dropped on Southern Lord in June; joined forces with Mono, Scissorfight, These Arms Are Snakes, Young Widows, Playing Enemy and the Austerity Program for split EPs; and toured with too many bands to count: High on Fire, Russian Circles, Torche and beyond.

In other words, they get lonely all by themselves. So would you, if you spent most of your time speechlessly venturing into the far-reaches of epic riffage.

Maybe taking a tip from their Windy City neighbor Kanye – or, more likely, from classic-rock bands of yore – Pelican are now ready to let some of their amigos (beyond Carlson) play along with them, featured-guest style.

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From the Vault: Isis’ Aaron Turner Called Revolver’s Golden Gods Awards ‘Demeaning,’ ‘Ridiculous’

Posted in Interviews with tags , , , , , , , , , on 10/17/2025 by Kurt Orzeck

[This article was originally published on Indiepit on June 18, 2009.]

Methodical. Serious. Fulfilling.

Those are three words that aptly describe Isis, one of the best things to happen to prog-metal since Maynard James Keenan first shook hands with Adam Jones in 1989. The band’s carefully calibrated, efficient – read: not a single note gone to waste – songwriting and live presentation have, over the course of their dozen-year history, graduated Isis to untouchable status. It’s gotten to the point where fans talk about Isis’ music as if it were a religion: each album an obligatory mass, each song a sermon that feeds both the mind and soul.

Coming off a string of their biggest concerts to date – and with their new album, Wavering Radiant, still sitting pretty on Pitchfork’s “Best New Music” lineup (it’s been months) – the sludge-slingers are at the top of their game. And best of all, as they’ve proven with each subsequent release, they just might find a way to top themselves the next time around too.

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