Kayo Dot may be a blip on the radar when it comes to the universe of music, but for those enough to see and identify the avant-garde metal from Boston, they are a North Star of artistic brilliance. They occupy a throne among metal’s noblemen. They are intellectual to the core, a fact of which listeners are reminded with each stroke of musical brilliance that emanates from their collective strength as true artists.
Every Rock, Every Half-Truth Under Reason (Prophecy Productions), released Friday, proves these statements of fact through and through. It’s a strong and focused artistic statement, executed with precision, and full of innovative ideas that go far beyond what most metal bands are even attempting right now. That alone is a lot to be proud of.
Every Kayo Dot album aims to explore new artistic concepts and technical approaches—it’s the best way to grow both as an artist and as a human being. That commitment to evolution is central to the goals of this and all of their other previous records.
Vocalist, guitarist, bass guitarist, keyboardist, instrumentalist and fire-breathing lion tamer Toby Driver spoke with The Bad Penny recently about the heart and soul of Kayo Dot, and why this year is a celebration of sorts for a decades-old yet still remarkably relevant record by the blisteringly brilliant band.
The Bad Penny (beta) 