
On the latest album by Anika, the British chanteuse laments the fixation on social media and overstimulation that appeared trendy—and friendly—at first but now seems like an inescapable albatross. Read my quick review of the record for Treble.

On the latest album by Anika, the British chanteuse laments the fixation on social media and overstimulation that appeared trendy—and friendly—at first but now seems like an inescapable albatross. Read my quick review of the record for Treble.
Yes, you’re reading that right: Spellling with three Ls. Smile at it or not, there’s no mistaking the greatness of Bay Area singer/songwriter Chrystia Cabral’s first work in four years. Read my quickie review via Treble.
My Treble synopsis is right there in the title of the newest album by singer Mike Hadreas: It’s Perfume Genius in all its glory.
Nary a dull moment is to be found on the first foray into full-length-dom by London’s Sam Akpro, whose attempt to make sense of an overstimulated world is entrancing, rich and mysterious from start to finish. Read my full review courtesy of Treble.
Check out my take on “Everybody Breaks,” a new song by Knocked Loose bassist Bryan Garris’ straightedge side project xWeaponx, on Treble.
Louisville noise-rock trio Young Widows sound catchier than ever on their latest LP, Power Sucker. Read my brief review on Treble.
“Reverend Horton Heat one moment, the next second Slayer.” Read my short-and-sweet review of Helldorado, the new album by Las Vegas outlaws Spiritworld, via Treble.
Tim Hecker’s ephemeral EP feels like a placid segue from 2023’s No Highs, even if it largely just serves to chronicle the ambient composer’s recent film and TV work. Go here to read my review for FLOOD.
Don’t miss my Treble take on Sanhedrin’s latest LP, Heat Lightning, which captures the band in all its trad-metal splendor.