In early September, we presented part of an extensive interview with Eugene S. Robinson, one of the most uncompromising, forthright and no-bullshit rock musicians around. That piece mostly revolved around his decision to leave the United States for Spain; if you want to know the reasons why, go here.
But today, Post-Trash published the conversation in virtually its entirety, covering Robinson’s plethora of music projects, his strict adherence to a set of principles and practices, and how he envisions his future unfolding. Read the lengthy interview with Robinson – whose credits include Buñuel, Oxbow and Whipping Boy – here.
Our parents and grandparents had Thurgood Marshall. Now it’s looking like we’re going to have martial law.
Earlier today, Gail Swanson – a cool, collected but also furious folk artist – participated in The Bad Penny’s tragically ongoing series called On Tyranny. As has been the case with almost every edition we publish, it seems like the Trump administration and MAGA have just terrorized or are about to terrorize the American populace with a calamity, catastrophe or cataclysm that may take decades, centuries or even longer to repair.
But while the majority of us seem to be in despair over our powerlessness, not just over the fascist regime that now rules over us, Swanson is refusing to give in to hopelessness and galvanize herself into action more than ever before.
She will try to cut the back of the wind she rides
Singing out…
Elizabeth A. Carver’s “I Commit to You God”
Consider for a moment how many songs and albums musicians create every single day or every single year. To put a twist on an the oft-used idiom, “finding a needle in a haystack” is almost laughable compared to finding musical gems in today’s infinite galaxy of songs (largely because the vast majority of them can be streamed or purchased for free).
But to cop from another cliché, great music can still bubble to the surface, if it’s remarkably captivating, if the artist takes pride in their craft and if they work hard enough chiseling it to perfect. Oh, and there’s that small matter of working hard too. Even amid the Internet Apocalypse, which continues to be sold to us as a means allowing every musician of however negligible quality to “make it big,” there are still glimmers of hope that transcend the terrible, trendy trappings of the modern era and give us hope that maybe, just maybe, every facet of creative endeavors isn’t rigged.
The Bad Penny is embarrassed to admit that we only discovered INDECLINE, an American Anarchist art collective whose work has had tremendous impact on the underground and even the mainstream, for more than 20 years. We caught wind of the group, whose members wish to remain anonymous, after they collaborated with Cursive for their video “The Avalanche of Our Demise,” which the Tim Kasher-led indie-rock band released last month. Upon further investigation into INDECLINE, it became obvious that they would be a boon to On Tyranny, for they would certainly introduce new ideas and perspectives in the series we launched roughly a year ago.
And boy did they ever. Formed in 2001, the decentralized group of musicians, graffiti artists and others have fearlessly devoted themselves to bringing attention to the evils of capitalism, the death of democracy in America – and, on a more positive note, how we can build a better society. INDECLINE’s most prominent works of public art include statues of Donald Trump in the buff, glued to sidewalks; and their “Ku Klux Klowns” installation that served as a response to the Unite the Right rally in Charlottesville, Virginia, in 2017.
We could expound a great deal further on INDECLINE’s history and accomplishments, but much of that information is covered in the longest, boldest and most informative installment in our On Tyranny series. So, without further ado, here is the epic conversation
What do punk-rockers Psychic Pigs have in common with The Simpsons? The band’s name is a derogatory slur toward cops and their streak of brutality, and the long-running animated TV show features a piggish cop, Chief Wiggum, as one of its central characters. But don’t make the mistake of thinking Psychic Pigs are haters; Brandon Welchez adores cats, as he revealed to The Bad Penny this week as part of our Pet Sounds series.
Based in L.A., Psychic Pigs put out a new album in May 2025 through Slovenly Recordings (quite a coincidence considering that “slovenly” is a commonly used descriptor of pigs). Welchez, formerly of psych posse Crocodiles, crafted the self-titled effort – one of last year’s best psychedelic records – in a mere four days. While we could’ve picked Welchez’s brain about pigs and crocodiles, we focused on his cat, Henry, as Pet Sounds revolves around musicians and their pets.
“Stranguliatorius” might not be as difficult a band name to spell and pronounce as “Sanguisugabogg,” but you’d be a fool to wager against the former band’s comparable ferocity. Hailing from Lithuania – name another music act that comes from that country, and we’ll buy you a horse – the ear-shattering, crusty death metal quintet drops its new album today via Horror Pain Gore Death.
The five-piece band, which also laces its songs with grindcore, consists of Iggy (vocals), Švedas (guitars), Mr. Adam (guitars), Dr. Dovis (bass) and Kaplerėzas (drums).
They recently told The Bad Penny in an exclusive statement that, on their third go-’round making a full-length, “Working together again felt natural – a familiar process with people who know how to let the music speak for itself and help bring it out the right way.”
The equally generous and grotesque gang granted The Bad Penny the opportunity to premiere one of the songs on the Flies Don’t Lie, named “When I Lift the Coffin Lid.”
“I don’t have doubts about something I’ve committed to.” -Garrett Bussanick
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Garrett Bussanick is arguably the consummate metonymy for experimental black/ death metal, in that he breathes an inextinguishable fire. It’s all-consuming, too; his flames of fury have fired up projects like the active Sire Languish and Aeviterne; as well as his past bands Tombs, Flourishing, Arson, Cardiovascular Sub-Hypothermia and El-Ahrairah.
Pull to God EP is Bussanick’s first solo record, on which he performs all instruments and – thus – presumably bares his soul in full (if he believes there’s such a thing as a soul). Spring Effete issued the four-song release roughly a month ago, and The Bad Penny caught up with Bussanick soon after that.
Joe Turmes is an instrumental figure in mobilizing the No Kings protests in Idaho and one of the key resistance movement leaders in Idaho. He recently participated in The Bad Penny‘s On Tyranny series for a conversation about Idaho 50501’s efforts to push back against ICE, galvanize local organizations under common causes (rejecting fascism among them) — and why the music community in Boise and beyond is instrumental (pun intended) in fighting back against Trump’s authoritarian takeover.
At a memorial ceremony for Kurt Cobain held April 12, 1994, Nirvana bassist Krist Novoselic delivered a brief eulogy that continues to resonate with great potency today.
“No band is special, no player royalty. But if you’ve got a guitar and a lot of soul, just bang something out and mean it. You’re the superstar,” he said. “Heck, use your guitar as a drum, just catch the groove and let it flow out of your heart.”
Not too many years after that, a kid named Evan Blaine in Daytona, Florida, was given his first CD, Nirvana’s In Utero, from his brother. Some of the songs were already familiar to him, as Blaine’s brother and father used a guitar tablature book to learn how to play tunes from Nirvana Unplugged in the family living room.
Hop over to Veil of Sound to read my exhaustive primer on the works of ultra-prolific musician Jeremy Moore, currently the top story on the respect German music website. You may recall the artistic genius from his edition of The Bad Penny‘s On Tyranny series. Now you have the chance to acquaint yourself with the sheer size, scope and high quality of Moore’s many music endeavors.
For more installments in The Bad Penny’sVisionaries series, check out: